It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card, Handel wrote every note to impress and astound his listeners.
Its choruses are as grand as anything Handel ever composed, the solo writing profoundly moving, the drama powerful and compelling. It is performed ‘the Dunedin way’ as Handel would have first heard it, with a small orchestra, a team of twelve singers and soloists who step out from the chorus.

 Johanna Soller Director & harpsichord

Rowan Pierce soprano

Helen Charlston alto

Judy Louie Brown alto

Joshua Ellicott tenor

Stephan Loges bass

Jon Stainsby bass