“If music has the power to direct our entire existence towards nobleness, this music is great. Bach has achieved this.” Is there a piece in the entire Western musical canon that so fully embodies this sentiment? The B Minor Mass began its life as a job application, but was later assembled towards the end of Bach’s life as a statement of faith: in God, of course, but just as much in music: to offer healing, unity and promise. With its…

Music Director John Butt conducts the Dunedin Consort in Samling Academy Opera’s production of John Blow’s Venus and Adonis and Henry Purcell’s Come, ye Sons of Art. Featuring Samling Artist Tim Morgan as Cupid and soloists from Samling Academy, this production is directed by Samling Artist Miranda Wright and choreographed by Mandy Demetriou. Don’t miss the chance to witness this double-bill of Blow’s masterpiece, considered the first English opera, and Purcell’s much-loved Baroque ode dedicated to Queen Mary.    

Music Director John Butt conducts the Dunedin Consort in Samling Academy Opera’s production of John Blow’s Venus and Adonis and Henry Purcell’s Come, ye Sons of Art. Featuring Samling Artist Tim Morgan as Cupid and soloists from Samling Academy, this production is directed by Samling Artist Miranda Wright and choreographed by Mandy Demetriou. Don’t miss the chance to witness this double-bill of Blow’s masterpiece, considered the first English opera, and Purcell’s much-loved Baroque ode dedicated to Queen Mary.    

Music Director John Butt conducts the Dunedin Consort in Samling Academy Opera’s production of John Blow’s Venus and Adonis and Henry Purcell’s Come, ye Sons of Art. Featuring Samling Artist Tim Morgan as Cupid and soloists from Samling Academy, this production is directed by Samling Artist Miranda Wright and choreographed by Mandy Demetriou. Don’t miss the chance to witness this double-bill of Blow’s masterpiece, considered the first English opera, and Purcell’s much-loved Baroque ode dedicated to Queen Mary.