
Handel’s Leading Ladies
In 18th-century London, the operatic stage was as much a site of social spectacle as of musical innovation, shaped by star performers, fashionable audiences and the ambitions of a rapidly […]

In 18th-century London, the operatic stage was as much a site of social spectacle as of musical innovation, shaped by star performers, fashionable audiences and the ambitions of a rapidly […]

Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! Matthew Truscott director The singers and instrumentalists of Dunedin Consort Paul Whittaker BSL Interpreter Our […]

George Frideric Handel Messiah, HWV 56 Matthew Truscott violin & director Rowan Pierce soprano Anita Monserrat mezzo-soprano Ed Lyon tenor Marcus Farnsworth baritone It’s no surprise that Handel’s Messiah continues […]

Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! Matthew Truscott director The singers and instrumentalists of Dunedin Consort Paul Whittaker BSL Interpreter Our […]

George Frideric Handel Messiah, HWV 56 Matthew Truscott violin & director Rowan Pierce soprano Anita Monserrat mezzo-soprano Ed Lyon tenor Marcus Farnsworth baritone Paul Whittaker OBE bsl interpreter It’s no […]

Throughout 17th and 18th century Germany, Christmas remained a season of reflection and celebration, shaped as much by local tradition and congregational hymn singing as by rousing festive music. Samuel […]

On Wednesday 13 January, join us in London for our open rehearsal of Handel: Belshazzar. More information about Open Rehearsals can be found here. The oratorio emerged as a space […]

The oratorio emerged as a space where music, drama and public life converged. At the forefront of this musical movement was Handel, who created works that spoke not only to […]

The oratorio emerged as a space where music, drama and public life converged. At the forefront of this musical movement was Handel, who created works that spoke not only to […]

Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal, trial, judgement, and crucifixion, there runs a thread of love, both human and divine. Johann […]