Matthew Brook has appeared widely as a soloist, and has worked extensively with conductors such as Sir John Eliot Gardiner, Richard Hickox, Sir Charles Mackerras, Harry Christophers, Christophe Rousset, Paul McCreesh and Sir Mark Elder.

Recent and future highlights include Purcell’s The Fairy Queen and Dido and Aeneas with the
Handel and Haydn Society, Bach’s St John Passion with the St Paul Chamber Orchestra, Haydn’s Creation and Mendelssohn’s Elijah with the City of Birmingham Symphony Orchestra, Il Re di Scozia Ariodante with the Staatstheater Stuttgart, and on tour with The English Concert, Argante Rinaldo with Ópera de Oviedo, Claudio Agrippina at Teatro de la Maestranza, Handel’s Messiah with Les Violons du Roy in Québec and the Ottawa National Arts Centre Orchestra, a tour of Bach cantatas with the Monteverdi Choir and Sir John Eliot Gardiner, and with the Nederlandse Bachvereniging and with Early Music Vancouver, a tour of Bach’s St Matthew Passion with the Orchestra of the Age of Enlightenment, and with Gli Angeli Genève, Elgar’s The Dream of Gerontius with the Indianapolis Symphony Orchestra, Tippett’s A Child of Our Time at Festival St Denis, and the roles of Herod and Father in Berlioz’s L’Enfance du Christ with the Melbourne Symphony Orchestra and Sir Andrew Davis.

On the concert platform, notable performances include Brahms’ Requiem with the St Petersburg Philharmonic; Bach’s B Minor Mass and Haydn’s Harmoniemesse with the Dresden Staatskapelle; Nielsen’s Symphony no. 3 with the Hallé Orchestra; Bach’s Mass in B minor and St Matthew Passion with Collegium Vocale Gent; Bach’s St John Passion with the Melbourne Symphony Orchestra; Bach Cantatas with Marcus Creed and the Tonhalle-Orchester, Zurich; Elijah at the Three Choirs Festival with the Philharmonia Orchestra.