Soprano
In the 2017/18 season, Bevan debuts at the Teatro Real in Madrid as Rose Maurrant in Weill’s Street Scene, and sings the title role in Mark-Anthony Turnage’s new opera Coraline for the Royal Opera House at the Barbican Theatre. In concert, Bevan will join the Orchestra of the Age of Enlightenment as Mary in Sally Beamish’s The Judas Passion in the UK and on tour in the United States; sing Bach Christmas Oratorio on tour in Australia with the Choir of London and Australian Chamber Orchestra; and Handel Messiah with the Academy of Ancient Music.
Bevan recently garnered praise for her return to the English National Opera as Zerlina in Richard Jones’ new production of Don Giovanni under Mark Wigglesworth, as well as for her debut as Merab in Barrie Kosky’s production of Handel Saul for the Adelaide Festival. She made her Royal Opera House debut creating the role of Lila in David Bruce’s The Firework-Maker’s Daughter, (world premiere and co-commission with The Opera Group and Opera North) in the Linbury Studio Theatre in 2013, and has since returned to The Royal Opera as Barbarina Le nozze di Figaro on the main stage, Euridice Orfeo at the Roundhouse and the title role in Rossi’s Orpheus at the Sam Wanamaker Playhouse at Shakespeare’s Globe. Other operatic highlights include her critically acclaimed Susanna The Marriage of Figaro, Despina Così fan tutte and Yum-Yum The Mikado at English National Opera, Elvira in Rossini L’italiana in Algeri for Garsington Opera, and Belinda Dido and Aeneas with Harry Bicket and The English Concert.
On the concert platform, Bevan recently headlined a tour of Asia with The English Concert and Harry Bicket, and subsequently made her Carnegie Hall debut with the ensemble in spring 2017 as Dalinda in Handel Ariodante as part of a tour of the United States and Europe, including performances at the Kennedy Center, Theater an der Wien, Elbphilharmonie, Théâtre des Champs-Élysées, and at the Barbican. Bevan has performed Richard Ayres’ In the Alps with Nicholas Collon and the Aurora Orchestra, Silandra in Cesti Orontea with La Nuova Musica, a Handel Residency week with Emmanuelle Haïm at the Aix-en-Provence Festival, Bach Magnificat with the Britten Sinfonia, Mozart Requiem with the English Chamber Orchestra, Fauré Requiem with the Philharmonia Orchestra and Orquestra Sinfonica de Sevilla, and Mozart Coronation Mass with Southbank Sinfonia. In recital Bevan has performed at the Wigmore Hall, Oxford Lieder Festival, Leeds Lieder Festival, Danube Music Festival, St John’s Smith Square, Musée d’Orsay Paris, Concertgebouw Amsterdam and Rhinegold LIVE.
Bevan can be heard in such recent recordings as Handel in Italy with London Early Opera (Signum), Handel The Triumph of Time and Truth and Ode for St Cecilia’s Day with Ludus Baroque (Delphian), Ludwig Thuille songs with Joseph Middleton, and Mendelssohn complete songs with Malcolm Martineau (Champs Hill). Her solo disc with pianist Joseph Middleton is due for release in 2017.
Bevan trained at the Royal Academy Opera, and read Anglo-Saxon Norse and Celtic at Trinity College, Cambridge. She is an Associate of the Royal Academy of Music.
Find out more about Mary
Soprano
Joanne Lunn studied at the Royal College of Music in London, where she was awarded the prestigious Tagore Gold Medal.
Joanne’s operatic engagements have included her ENO debut in Steven Pimlott’s production of Monteverdi’s L’Incoronazione di Poppea conducted by Harry Christophers, the role of Helena in Britten’s A Midsummer Night’s Dream in Venice conducted by Sir John Eliot Gardiner and directed by David Pountney, a tour of Purcell’s Dido and Aeneas in Spain and semi staged productions of Monteverdi’s Orfeo in Paris and for the Beijing International Music Festival (directed by Sir Jonathan Miller).
In concert, Joanne has performed in Bach’s St Matthew Passion with the Orchestra of the Age of Enlightenment conducted by Sir Roger Norrington, with the Rotterdam Philharmonic Orchestra and with the LSO at the Barbican Hall. She has appeared as soloist in Messiahin the Halle Handel Festival, at St. Mark’s Venice, and with Bach Collegium Japan (Suzuki) and with the Mozarteum Orchester in Salzburg, as well as in Handel’s L’Allegro and Haydn’s Heiligmesse, Harmoniemesse and Paukenmesse with the Monteverdi Choir and Sir John Eliot Gardiner. Her busy concert schedule has also featured Bach’s Magnificat at the BBC Proms with the Academy of Ancient Music, and with Bach Collegium Japan, Rutter’s Requiem with the Royal Liverpool Philharmonic Orchestra conducted by the composer, Haydn’s The Seasons with the Huddersfield Choral Society, Fauré’s Requiem in Toulouse directed by Marc Minkowski, Bach Mass in B Minor with Bach Collegium Japan conducted by Masaaki Suzuki, with the Academy of Ancient Music in Alzenau and with Les Musiciens du Louvre and Minkowski, for the Akademie der alte Musik, and at the Sage, Gateshead. She has appeared in Mozart’s Mass in C Minor for the City of London Sinfonia and Melbourne Symphony Orchestra, Mozart Requiem in Moscow and at the Mariinsky Concert Hall, St Petersburg, Purcell’s The Blessed Virgin’s Expostulation and The Fairy Queen in Salzburg, Easter Oratorio with the BBC National Orchestra and Chorus of Wales under Nicholas Kraemer, Nelson Mass for the Ulster Orchestra, Rutter Mass of the Children at St Paul’s Cathedral and at Symphony Hall, Birmingham, Harmoniemesse for Scottish Chamber Orchestra, L’Allegro, Il Penseroso ed il Moderato at the Handel Festival in Göttingen, The Creation at Cadogan Hall and Zelenka’s Missa Votiva for Musik Podium Stuttgart, Mozart Exsultate Jubilate, Mahler 4th Symphony at the Tchaikovsky Concert Hall, Moscow. Further concert performances have ranged from Saul with Cappella Amsterdam and with the Estonian Philharmonic Chamber Choir, to the first performances of J.C Bach’s Mailänder Vesperpsalmen with Concerto Köln at the Frauenkirche, Dresden, Bach Cantatas with Le Concert Lorrain, Belinda Dido & Aeneas in Warsaw, Israel in Egypt with Düsseldorfer Symphoniker, St John Passion with Les Musiciens du Louvre (Minkowski) and Graun’s Der Tod Jesu with Collegium Vocale. She also appeared at the Niedersächsische Musiktage with Bach Collegium Japan in programmes of Bach Cantatas, and also in Christmas Oratorio at the Tonhalle, Zürich (Suzuki).
Joanne features as a soloist on many CD recordings. Her discography includes Vivaldi’s Laudate Pueri with The King’s Consort (Hyperion), Haydn Masses with Sir John Eliot Gardiner and the Monteverdi Choir (Philips), John Rutter’s Mass of the Children with the City of London Sinfonia conducted by the composer (Collegium), Sir John Eliot Gardiner’s Bach Cantatas cycle recorded during the Bach Pilgrimage in 2000 (Deutsche Grammophon/Soli Deo Gloria), Bach’s Easter Oratorio with Frieder Bernius and the Stuttgart Kammerchor (Carus), Bach Motets with The Hilliard Ensemble (ECM), Messiah with the RPO and John Rutter, Bach Wedding Cantata BWV 202 with Bach Collegium Japan (BIS), and Bach St John Passion with the Dunedin Consort (Linn), which was nominated for a Gramophone award.
Recent engagements include concert with Bachakademie, Stuttgart, Tafelmusik (Toronto), a tour of Europe, Japan and New Zealand with Bach Collegium Japan and concerts and recordings with Dunedin Consort.
Engagements in 2014/2015 include regular appearances with the Dunedin Consort (John Butt) and New London Consort & Musicians of the Globe, as well as Bach Collegium Japan (Masaaki Suzuki). Further engagements in the coming season include Messiah with the Danish National Symphony Orchestra, Christmas Oratorio on tour with Windsbacher Knabenchor, Mass in B Minor with Concerto Copenhagen, Mozart Mass in C Minor with Baltimore Symphony Orchestra, Nelson Mass in Moscow, Handel Cantatas with Musica Alta Ripa and a programme of 16th Century Music at the Rhine Valley Music Festival with The Queen’s Revels. Subsequent engagements include a tour of L’Allegro, Il Penseroso ed il Moderato with Rudolf Lutz, Bach Cantatas with Ensemble Pygmalion (Raphaël Pichon) and a US tour with Bach Collegium Japan.
Soprano
In the 2017/18 season, Bevan debuts at the Teatro Real in Madrid as Rose Maurrant in Weill’s Street Scene, and sings the title role in Mark-Anthony Turnage’s new opera Coraline for the Royal Opera House at the Barbican Theatre. In concert, Bevan will join the Orchestra of the Age of Enlightenment as Mary in Sally Beamish’s The Judas Passion in the UK and on tour in the United States; sing Bach Christmas Oratorio on tour in Australia with the Choir of London and Australian Chamber Orchestra; and Handel Messiah with the Academy of Ancient Music.
Bevan recently garnered praise for her return to the English National Opera as Zerlina in Richard Jones’ new production of Don Giovanni under Mark Wigglesworth, as well as for her debut as Merab in Barrie Kosky’s production of Handel Saul for the Adelaide Festival. She made her Royal Opera House debut creating the role of Lila in David Bruce’s The Firework-Maker’s Daughter, (world premiere and co-commission with The Opera Group and Opera North) in the Linbury Studio Theatre in 2013, and has since returned to The Royal Opera as Barbarina Le nozze di Figaro on the main stage, Euridice Orfeo at the Roundhouse and the title role in Rossi’s Orpheus at the Sam Wanamaker Playhouse at Shakespeare’s Globe. Other operatic highlights include her critically acclaimed Susanna The Marriage of Figaro, Despina Così fan tutte and Yum-Yum The Mikado at English National Opera, Elvira in Rossini L’italiana in Algeri for Garsington Opera, and Belinda Dido and Aeneas with Harry Bicket and The English Concert.
On the concert platform, Bevan recently headlined a tour of Asia with The English Concert and Harry Bicket, and subsequently made her Carnegie Hall debut with the ensemble in spring 2017 as Dalinda in Handel Ariodante as part of a tour of the United States and Europe, including performances at the Kennedy Center, Theater an der Wien, Elbphilharmonie, Théâtre des Champs-Élysées, and at the Barbican. Bevan has performed Richard Ayres’ In the Alps with Nicholas Collon and the Aurora Orchestra, Silandra in Cesti Orontea with La Nuova Musica, a Handel Residency week with Emmanuelle Haïm at the Aix-en-Provence Festival, Bach Magnificat with the Britten Sinfonia, Mozart Requiem with the English Chamber Orchestra, Fauré Requiem with the Philharmonia Orchestra and Orquestra Sinfonica de Sevilla, and Mozart Coronation Mass with Southbank Sinfonia. In recital Bevan has performed at the Wigmore Hall, Oxford Lieder Festival, Leeds Lieder Festival, Danube Music Festival, St John’s Smith Square, Musée d’Orsay Paris, Concertgebouw Amsterdam and Rhinegold LIVE.
Bevan can be heard in such recent recordings as Handel in Italy with London Early Opera (Signum), Handel The Triumph of Time and Truth and Ode for St Cecilia’s Day with Ludus Baroque (Delphian), Ludwig Thuille songs with Joseph Middleton, and Mendelssohn complete songs with Malcolm Martineau (Champs Hill). Her solo disc with pianist Joseph Middleton is due for release in 2017.
Bevan trained at the Royal Academy Opera, and read Anglo-Saxon Norse and Celtic at Trinity College, Cambridge. She is an Associate of the Royal Academy of Music.
Find out more about Mary
Soprano
Joanne Lunn studied at the Royal College of Music in London, where she was awarded the prestigious Tagore Gold Medal.
Joanne’s operatic engagements have included her ENO debut in Steven Pimlott’s production of Monteverdi’s L’Incoronazione di Poppea conducted by Harry Christophers, the role of Helena in Britten’s A Midsummer Night’s Dream in Venice conducted by Sir John Eliot Gardiner and directed by David Pountney, a tour of Purcell’s Dido and Aeneas in Spain and semi staged productions of Monteverdi’s Orfeo in Paris and for the Beijing International Music Festival (directed by Sir Jonathan Miller).
In concert, Joanne has performed in Bach’s St Matthew Passion with the Orchestra of the Age of Enlightenment conducted by Sir Roger Norrington, with the Rotterdam Philharmonic Orchestra and with the LSO at the Barbican Hall. She has appeared as soloist in Messiahin the Halle Handel Festival, at St. Mark’s Venice, and with Bach Collegium Japan (Suzuki) and with the Mozarteum Orchester in Salzburg, as well as in Handel’s L’Allegro and Haydn’s Heiligmesse, Harmoniemesse and Paukenmesse with the Monteverdi Choir and Sir John Eliot Gardiner. Her busy concert schedule has also featured Bach’s Magnificat at the BBC Proms with the Academy of Ancient Music, and with Bach Collegium Japan, Rutter’s Requiem with the Royal Liverpool Philharmonic Orchestra conducted by the composer, Haydn’s The Seasons with the Huddersfield Choral Society, Fauré’s Requiem in Toulouse directed by Marc Minkowski, Bach Mass in B Minor with Bach Collegium Japan conducted by Masaaki Suzuki, with the Academy of Ancient Music in Alzenau and with Les Musiciens du Louvre and Minkowski, for the Akademie der alte Musik, and at the Sage, Gateshead. She has appeared in Mozart’s Mass in C Minor for the City of London Sinfonia and Melbourne Symphony Orchestra, Mozart Requiem in Moscow and at the Mariinsky Concert Hall, St Petersburg, Purcell’s The Blessed Virgin’s Expostulation and The Fairy Queen in Salzburg, Easter Oratorio with the BBC National Orchestra and Chorus of Wales under Nicholas Kraemer, Nelson Mass for the Ulster Orchestra, Rutter Mass of the Children at St Paul’s Cathedral and at Symphony Hall, Birmingham, Harmoniemesse for Scottish Chamber Orchestra, L’Allegro, Il Penseroso ed il Moderato at the Handel Festival in Göttingen, The Creation at Cadogan Hall and Zelenka’s Missa Votiva for Musik Podium Stuttgart, Mozart Exsultate Jubilate, Mahler 4th Symphony at the Tchaikovsky Concert Hall, Moscow. Further concert performances have ranged from Saul with Cappella Amsterdam and with the Estonian Philharmonic Chamber Choir, to the first performances of J.C Bach’s Mailänder Vesperpsalmen with Concerto Köln at the Frauenkirche, Dresden, Bach Cantatas with Le Concert Lorrain, Belinda Dido & Aeneas in Warsaw, Israel in Egypt with Düsseldorfer Symphoniker, St John Passion with Les Musiciens du Louvre (Minkowski) and Graun’s Der Tod Jesu with Collegium Vocale. She also appeared at the Niedersächsische Musiktage with Bach Collegium Japan in programmes of Bach Cantatas, and also in Christmas Oratorio at the Tonhalle, Zürich (Suzuki).
Joanne features as a soloist on many CD recordings. Her discography includes Vivaldi’s Laudate Pueri with The King’s Consort (Hyperion), Haydn Masses with Sir John Eliot Gardiner and the Monteverdi Choir (Philips), John Rutter’s Mass of the Children with the City of London Sinfonia conducted by the composer (Collegium), Sir John Eliot Gardiner’s Bach Cantatas cycle recorded during the Bach Pilgrimage in 2000 (Deutsche Grammophon/Soli Deo Gloria), Bach’s Easter Oratorio with Frieder Bernius and the Stuttgart Kammerchor (Carus), Bach Motets with The Hilliard Ensemble (ECM), Messiah with the RPO and John Rutter, Bach Wedding Cantata BWV 202 with Bach Collegium Japan (BIS), and Bach St John Passion with the Dunedin Consort (Linn), which was nominated for a Gramophone award.
Recent engagements include concert with Bachakademie, Stuttgart, Tafelmusik (Toronto), a tour of Europe, Japan and New Zealand with Bach Collegium Japan and concerts and recordings with Dunedin Consort.
Engagements in 2014/2015 include regular appearances with the Dunedin Consort (John Butt) and New London Consort & Musicians of the Globe, as well as Bach Collegium Japan (Masaaki Suzuki). Further engagements in the coming season include Messiah with the Danish National Symphony Orchestra, Christmas Oratorio on tour with Windsbacher Knabenchor, Mass in B Minor with Concerto Copenhagen, Mozart Mass in C Minor with Baltimore Symphony Orchestra, Nelson Mass in Moscow, Handel Cantatas with Musica Alta Ripa and a programme of 16th Century Music at the Rhine Valley Music Festival with The Queen’s Revels. Subsequent engagements include a tour of L’Allegro, Il Penseroso ed il Moderato with Rudolf Lutz, Bach Cantatas with Ensemble Pygmalion (Raphaël Pichon) and a US tour with Bach Collegium Japan.
Soprano
Rachel Redmond was born in Glasgow and discovered her love of singing with the Junior Chorus of the Royal Scottish National Orchestra at the age of seven.
She studied at the Music School of Douglas Academy and subsequently received her BA Hons from the Royal Scottish Academy of Music and Drama. She furthered her studies at the Guildhall School of Music & Drama and, in 2011, she was a member of the prestigious Jardin des Voix, the Academy for young singers of Les Arts Florissants.
Rachel Redmond’s recent performances include the title role in Charpentier’s Caecilia, Virgin and Martyr in Aix-en-Provence, Ambronay and New York with Les Arts Florissants, Purcell’s The Fairy Queen and Rameau’s Pygmalion with the European Union Baroque Orchestra, Handel’s Esther at the Wigmore Hall and Bach’s St Matthew Passion with the Dunedin Consort and St John Passion with the Royal Liverpool Philharmonic Orchestra, Handel’s Saul in Aldeburgh, Arethuse in Charpentier’s Actéon, Grands Motets de Rameau et Mondonville with Les Arts Florissants, Jomelli’s Beatus Vir with Musica Ghislieri at Ambronay Festival and Charpentier’s Te Deum at the opening of the new Paris Philharmonie.
Future plans include the role of Léontine in Campra’s Les Fêtes Venitiènnes at Théâtre du Capitole, Toulouse and Loena Offenbach’s La Belle Hélène at Théâtre du Châtelet, Paris.