The Telegraph, 17 August ★★★★★
With its Gaza setting and its storyline of possibly the world’s first suicide terrorist (or should that be freedom fighter?), Handel’s Samson isn’t without its contemporary resonances…
With director John Butt’s gloriously lithe, supple reading of the work, however, there was never any doubt about the work’s vivid storytelling. Indeed, Butt’s pacing across Samson’s broad architecture was a thing of no little wonder, tracing a sure trajectory from ponderous seriousness at its opening through to increasingly fast-paced action as the work nears its close.
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