Kate Molleson, The Herald
Don’t let anyone tell you Acis and Galatea is too vapid for decent drama, nor that an opera in concert performance can’t be properly entertaining. What little plot there is to Handel’s 1718 pastoral mini-opera involves a nymph, a shepherd and an evil monster, all lifted from book eight of Ovid’s Metamorphoses. Usually a performance is worth sitting through for its gorgeous music alone: this concise little two-acter contains some of Handel’s most irresistible tunes.
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