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DTSTART;TZID=Europe/London:20261125T190000
DTEND;TZID=Europe/London:20261125T210000
DTSTAMP:20261026T133941Z
CREATED:20260622T100643Z
LAST-MODIFIED:20261026T133941Z
UID:35667-1795633200-1795640400@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano\nPaul Whittaker BSL interpreter  \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nThis performance is part of our Deaf Season and will be BSL interpreted – further information on our Deaf Season can be found here. If you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \nTickets: £6 – £26 (including booking fee)
URL:https://www.dunedin-consort.org.uk/diary/handel-perth2026/
LOCATION:St John’s Kirk\, 31 Saint John Street\, Perth\, Perth and Kinross\, PH1\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261126T193000
DTEND;TZID=Europe/London:20261126T213000
DTSTAMP:20261026T133922Z
CREATED:20260622T100619Z
LAST-MODIFIED:20261026T133922Z
UID:35672-1795721400-1795728600@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano\nPaul Whittaker BSL interpreter  \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nThis performance is part of our Deaf Season and will be BSL interpreted – further information on our Deaf Season can be found here. If you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \nTickets: £6 – £30 (+ booking fee) \nIncluded in Glasgow Subscription Season\, save 10% when purchased with Handel: Dixit Dominus through the RCS box office – www.rcs.ac.uk
URL:https://www.dunedin-consort.org.uk/diary/handel-gla2026/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261127T193000
DTEND;TZID=Europe/London:20261127T213000
DTSTAMP:20261026T133905Z
CREATED:20260622T094815Z
LAST-MODIFIED:20261026T133905Z
UID:35669-1795807800-1795815000@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nTickets: £6 – £30 (+ booking fee) \nIf you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/handel-edi2026/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261216T163000
DTEND;TZID=Europe/London:20261216T173000
DTSTAMP:20260630T090207Z
CREATED:20260622T093725Z
LAST-MODIFIED:20260630T090207Z
UID:35689-1797438600-1797442200@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! \nMatthew Truscott director\nThe singers and instrumentalists of Dunedin Consort\nPaul Whittaker BSL Interpreter  \nOur Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind!  \nLed by Mr Handel and his lively footwoman\, Frances\, this fun-filled 45-minute adaptation of Handel’s masterpiece introduces children to some of his most famous music through storytelling\, interactive games\, and plenty of audience participation along the way.  \nFor many children this will be their very first visit to the concert hall\, and we want it to be a transformative experience. Alongside the music\, audiences will meet our soloists\, conductor\, chorus\, and orchestra\, discovering what makes live performance so inspiring.  \nAnd for some brave volunteers\, there may even be the chance to conduct the orchestra themselves…  \nTickets: £6  \n(Free for adults attending the later Messiah performance)  \nThis performance will be BSL interpreted. \n  \nOur Children’s Messiah performances are generously supported by
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261216T190000
DTEND;TZID=Europe/London:20261216T220000
DTSTAMP:20260826T145029Z
CREATED:20260622T093648Z
LAST-MODIFIED:20260826T145029Z
UID:35684-1797447600-1797458400@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/messiah-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T163000
DTEND;TZID=Europe/London:20261217T173000
DTSTAMP:20260622T114529Z
CREATED:20260622T093613Z
LAST-MODIFIED:20260622T114529Z
UID:35692-1797525000-1797528600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! \nMatthew Truscott director\nThe singers and instrumentalists of Dunedin Consort\nPaul Whittaker BSL Interpreter  \nOur Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind!  \nLed by Mr Handel and his lively footwoman\, Frances\, this fun-filled 45-minute adaptation of Handel’s masterpiece introduces children to some of his most famous music through storytelling\, interactive games\, and plenty of audience participation along the way.  \nFor many children this will be their very first visit to the concert hall\, and we want it to be a transformative experience. Alongside the music\, audiences will meet our soloists\, conductor\, chorus\, and orchestra\, discovering what makes live performance so inspiring.  \nAnd for some brave volunteers\, there may even be the chance to conduct the orchestra themselves…  \nTickets: £6  \n(Free for adults attending the later Messiah performance)  \nThis performance will be BSL interpreted. \n  \nOur Children’s Messiah performances are generously supported by
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T190000
DTEND;TZID=Europe/London:20261217T220000
DTSTAMP:20260826T145008Z
CREATED:20260622T093530Z
LAST-MODIFIED:20260826T145008Z
UID:35687-1797534000-1797544800@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone\nPaul Whittaker OBE bsl interpreter \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \nThis performance will be BSL interpreted with the BSL interpreter standing on the stage at stalls left\, audience members who require BSL interpretation should select seats 11-18 in rows A-C. \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Vienna and Beyond\, Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk
URL:https://www.dunedin-consort.org.uk/diary/messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270114T190000
DTEND;TZID=Europe/London:20270114T220000
DTSTAMP:20260605T133257Z
CREATED:20260605T133257Z
LAST-MODIFIED:20260605T133257Z
UID:35697-1799953200-1799964000@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: £10 – £45
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-lon2027/
LOCATION:St Martin in the Fields\, Trafalgar Square\, London\, WC2N 4JJ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270116T193000
DTEND;TZID=Europe/London:20270116T223000
DTSTAMP:20260622T115148Z
CREATED:20260605T133651Z
LAST-MODIFIED:20260622T115148Z
UID:35701-1800127800-1800138600@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: 29 – 107 euros \nOn sale November 2026
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-vie2027/
LOCATION:Wiener Konzerthaus\, Lothringerstrasse 20\, Vienna\, A-1030\, Austria
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270519T193000
DTEND;TZID=Europe/London:20270519T213000
DTSTAMP:20260826T144659Z
CREATED:20260622T092530Z
LAST-MODIFIED:20260826T144659Z
UID:35729-1810755000-1810762200@www.dunedin-consort.org.uk
SUMMARY:Handel: Dixit Dominus
DESCRIPTION:A young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. \nAntonio Caldara Introduzione from L’olimpiade\nAntonio Lotti Missa Sancti Christophori\nGeorge Frideric Handel Dixit Dominus HWV 232 \nJohn Butt director & harpsichord\nHilary Cronin soprano\nHelen Charlston mezzo-soprano\nPaul Whittaker BSL interpreter\nDunedin Consort side by side with students from Royal Conservatoire of Scotland  \nA young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. There he absorbed a rich and expressive style marked by clarity\, balance and vitality – qualities that would continue shape his own musical language.  \nLotti’s Missa Sancti Christophori\, later compiled by his student Jan Dismas Zelenka\, represents Italian sacred polyphony at its finest\, combining expressive depth with structural refinement\, especially in the breathtaking Crucifixus. Meanwhile\, Handel’s Dixit Dominus transforms these Italian roots into a work of choral brilliance and rhythmic energy\, where voices and instruments combine with striking power.  \nPre-concert talk with John Butt at 6.30pm \nBSL interpreted performance \nTickets: £6 – £42  \nIncluded in Glasgow subscription\, save 10% when purchasing Dixit Dominus and Handel’s Leading Ladies at the same time. Book online at rcs.ac.uk
URL:https://www.dunedin-consort.org.uk/diary/dixit-gla2027/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_dixit.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270520T193000
DTEND;TZID=Europe/London:20270520T213000
DTSTAMP:20260826T144632Z
CREATED:20260622T081936Z
LAST-MODIFIED:20260826T144632Z
UID:35731-1810841400-1810848600@www.dunedin-consort.org.uk
SUMMARY:Handel: Dixit Dominus
DESCRIPTION:A young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti.  \nAntonio Caldara Introduzione from L’olimpiade\nAntonio Lotti Missa Sancti Christophori\nGeorge Frideric Handel Dixit Dominus HWV 232 \nJohn Butt director & harpsichord\nHilary Cronin soprano\nHelen Charlston mezzo-soprano\nDunedin Consort side by side with students from Royal Conservatoire of Scotland  \nA young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. There he absorbed a rich and expressive style marked by clarity\, balance and vitality – qualities that would continue shape his own musical language.  \nLotti’s Missa Sancti Christophori\, later compiled by his student Jan Dismas Zelenka\, represents Italian sacred polyphony at its finest\, combining expressive depth with structural refinement\, especially in the breathtaking Crucifixus. Meanwhile\, Handel’s Dixit Dominus transforms these Italian roots into a work of choral brilliance and rhythmic energy\, where voices and instruments combine with striking power.  \nPre-concert talk with John Butt at 6.30pm \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/dixit-edi2027/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_dixit.jpg
END:VEVENT
END:VCALENDAR