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DTSTART;TZID=Europe/London:20260808T110000
DTEND;TZID=Europe/London:20260808T123000
DTSTAMP:20260702T094617Z
CREATED:20260311T140313Z
LAST-MODIFIED:20260702T094617Z
UID:35161-1786186800-1786192200@www.dunedin-consort.org.uk
SUMMARY:SCOTTISH PREMIERE - The Passion of Mary Magdalene
DESCRIPTION:Mary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. \nTansy Davies The Passion of Mary Magdalene \nJohn Butt director\nAnna Dennis Mary Magdalene\nMarcus Farnsworth Jesus \nMary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. Her relationship to Jesus has long intrigued poets\, believers\, and theologians alike\, and Tansy Davies joins their ranks in this new commission. Drawing on the musical forces of J.S. Bach’s John Passion\, she assembles the texts\, including poetry by Ruth Fainlight\, and writes music for her deep exploration of the Passion story from Mary Magdalene’s perspective. Expect something intimate\, numinous\, and revelatory. \nCo-commissioned by Edinburgh International Festival\, Barbican Centre & Dunedin Consort \nTickets from £15.50 \n  \nWith thanks to
URL:https://www.dunedin-consort.org.uk/diary/2608-mary-magdalene-passion-edi/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/orchestra-and-choir_LightPress-Media-and-Design-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260718T193000
DTEND;TZID=Europe/London:20260718T213000
DTSTAMP:20260702T094559Z
CREATED:20260420T120237Z
LAST-MODIFIED:20260702T094559Z
UID:35444-1784403000-1784410200@www.dunedin-consort.org.uk
SUMMARY:Music at Paxton Festival: The Printing House of Estienne Roger
DESCRIPTION:The Printing House of Estienne Roger:\nTorelli Sinfonia à 3 in C\, Op.5 No.3\nCorelli Sonata da Chiesa in F\, Op.3 No.1 Violin Sonata in A\, Op.5 No.6 \nFroberger Keyboard Suite from 10 Suittes de Clavessin \nLocatelli Sonata à 3 in D minor\, Op.5 No.5 ‘Pastorale’\nAlbinoni Balletto à 3 in D\, Op.3 No.7\nHandel Trio Sonata in G minor\, Op.2 No.2\nVivaldi Trio in D minor\, Op.1 No.12 ‘La Follia’ \nJohn Butt director \nThis programme explores outstanding works featured in the sale catalogues of family duo Estienne Roger and Michel-Charles Le Cène\, prolific printers and publishers of music in Amsterdam\, whose business success was built on the voracious appetite of 18th-century Europe-wide amateur musicians for playing these joyous pieces in their own homes. \nTickets £30/£27 (concessions £16). Free tickets for under 26s.
URL:https://www.dunedin-consort.org.uk/diary/paxton-house-2026/
LOCATION:Paxton House\, Paxton\, Berwick upon tweed\, TD15 1SZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/04/John-Butt-conducting_Tommy-Gak-Ken-Wah-scaled.jpg
ORGANIZER;CN="Music at Paxton House Festival":MAILTO:info@musicatpaxton.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260710T180000
DTEND;TZID=Europe/London:20260710T200000
DTSTAMP:20260702T094735Z
CREATED:20260428T085247Z
LAST-MODIFIED:20260702T094735Z
UID:35487-1783706400-1783713600@www.dunedin-consort.org.uk
SUMMARY:Ryedale Festival: Welcome to all the Pleasures
DESCRIPTION:A joyful opening night\, as Henry Purcell honours St Cecilia\, music’s patron saint. \nNicholas Mulroy director\, tenor\nJessica Cale soprano\nSamuel Boden tenor\nChris Webb bass\nDunedin Consort \n\n\nHenry Purcell Welcome to all the pleasures\nJohn Blow Chaconne in 4 parts\nWilliam Croft Sonata in F\nHenry Hall Yes\, my Aminta\, ’tis too true\nHenry Purcell Overture in D minor \nJohn Blow An Ode on the Death of Mr Henry Purcell\nHenry Purcell Raise\, raise the voice \nA joyful opening night\, as Henry Purcell honours St Cecilia\, music’s patron saint. Composed in a spirit of restoration and renewal\, after civil war\, plague and bitter division had torn England apart\, his odes are brought to life by The Dunedin Consort with their trademark brilliance\, vitality and expressive depth. With remarkable pieces from Purcell’s contemporaries woven through the programme\, this is a celebration of music’s enduring power to restore\, console and bring people together. \n‘An ebullient celebration of Purcell\, by turns acrobatically percussive and gorgeously alluring’ The Times \n 
URL:https://www.dunedin-consort.org.uk/diary/ryedale-welcome/
LOCATION:All Saints Church\, Church Street\, Helmsley\, YO62 5AD\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/04/25-26_Purcell-scaled-e1777366335993.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260704T193000
DTEND;TZID=Europe/London:20260704T210000
DTSTAMP:20260324T173132Z
CREATED:20260324T172010Z
LAST-MODIFIED:20260324T173132Z
UID:35209-1783193400-1783198800@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling.\n \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins    \nWith English captioning  \nTickets: £35 Full Price\, £27 Concession\, £17.50 25 and Under
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-whitehaven/
LOCATION:Rosehill Theatre\, Whitehaven\, Moresby\, Whitehaven\, Cumbria\, CA28 6SE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260703T193000
DTEND;TZID=Europe/London:20260703T210000
DTSTAMP:20260615T135124Z
CREATED:20260325T111025Z
LAST-MODIFIED:20260615T135124Z
UID:35207-1783107000-1783112400@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins no interval  \nWith English captioning  \nTickets: £25; £13 disabled/arts worker; £6 u30/student/unwaged; under 18s Free \nDownload your free pdf programme here
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260702T193000
DTEND;TZID=Europe/London:20260702T210000
DTSTAMP:20260615T134832Z
CREATED:20260325T101908Z
LAST-MODIFIED:20260615T134832Z
UID:35204-1783020600-1783026000@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jephthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins no interval \nWith English captioning  \nTickets: £26; £14.50 disabled/arts worker (inc £2.50 booking fee); £6 u30/student/unwaged; under 18s Free \nDownload your free pdf programme here
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-perth/
LOCATION:Joan Knight Studio\, Perth Theatre\, Mill Street\, Perth\, PH1 5PH\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260627T193000
DTEND;TZID=Europe/London:20260627T210000
DTSTAMP:20260513T134332Z
CREATED:20260325T111402Z
LAST-MODIFIED:20260513T134332Z
UID:35213-1782588600-1782594000@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins  no interval \nWith English captioning 
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-london/
LOCATION:Metronome\, 41 Commercial Road\, London\, E1 1LA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260627T163000
DTEND;TZID=Europe/London:20260627T180000
DTSTAMP:20260513T134451Z
CREATED:20260513T134226Z
LAST-MODIFIED:20260513T134451Z
UID:35549-1782577800-1782583200@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins  no interval \nWith English captioning 
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-london-2/
LOCATION:Metronome\, 41 Commercial Road\, London\, E1 1LA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260625T190000
DTEND;TZID=Europe/London:20260625T203000
DTSTAMP:20260324T173514Z
CREATED:20260316T111754Z
LAST-MODIFIED:20260324T173514Z
UID:35200-1782414000-1782419400@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:SOLD OUT \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins    \nWith English captioning  \nTickets: £35\, £27; under 25s half price
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-aldeburgh/
LOCATION:Snape Maltings\, Snape Maltings Concert Hall\, Snape\, IP17 1SP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260619T193000
DTEND;TZID=Europe/London:20260619T210000
DTSTAMP:20260615T135306Z
CREATED:20260325T111519Z
LAST-MODIFIED:20260615T135306Z
UID:35196-1781897400-1781902800@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast\nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks\nDirected by Jennifer Fletcher \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’ \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort  \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life. \nFrom Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power. \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk \n(Praise for Out of Her Mouth\, from the same team in 2023) \n60 mins no interval \nWith English captioning \nTickets: £25; £13 disabled/arts worker; £6 u30/student/unwaged (+ booking fee); under 18s Free\nAvailable from The Queen’s Hall and Assembly Roxy \n\nDownload your free pdf programme here
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-edinburgh/
LOCATION:Assembly Roxy\, 2 Roxburgh Place\, Edinburgh\, EH8 9SU\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260508T193000
DTEND;TZID=Europe/London:20260508T213000
DTSTAMP:20260325T115330Z
CREATED:20260325T115233Z
LAST-MODIFIED:20260325T115330Z
UID:35315-1778268600-1778275800@www.dunedin-consort.org.uk
SUMMARY:Cantatas & Concertos
DESCRIPTION:Imagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind. \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor \nStephen Farr obbligato organ \nAlexandra Bellamy oboe d’amore \nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland  \nTickets: £50\, £43\, £33\, £27\, £18
URL:https://www.dunedin-consort.org.uk/diary/2605-cantatas-london/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, W1H 0BP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2605_web_dc_cantatas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T193000
DTEND;TZID=Europe/London:20260507T213000
DTSTAMP:20260430T162738Z
CREATED:20250529T103442Z
LAST-MODIFIED:20260430T162738Z
UID:33156-1778182200-1778189400@www.dunedin-consort.org.uk
SUMMARY:Cantatas & Concertos
DESCRIPTION:Imagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind. \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor \nStephen Farr obbligato organ \nAlexandra Bellamy oboe d’amore \nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland   \nTickets: £31.50\, £26.50; disabled/wcu £16.50\, £14.50; under 30/student/unwaged £7.50 (including £1.50 commission); under 18s free \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2605-cantatas-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2605_web_dc_cantatas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260507
DTEND;VALUE=DATE:20260508
DTSTAMP:20251105T151834Z
CREATED:20251105T135303Z
LAST-MODIFIED:20251105T151834Z
UID:34403-1778112000-1778198399@www.dunedin-consort.org.uk
SUMMARY:Open rehearsal: Cantatas and Concertos
DESCRIPTION:On Thursday 7 May\, join us in Glasgow for our open rehearsal of Cantatas and Concertos. \n\n\n\nImagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind.  \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor\nStephen Farr obbligato organ\nAlexandra Bellamy oboe d’amore\nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland 
URL:https://www.dunedin-consort.org.uk/diary/open-rehearsal-cantatas-and-concerto/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Open Rehearsals
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2605_web_dc_cantatas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260506T193000
DTEND;TZID=Europe/London:20260506T213000
DTSTAMP:20260430T162658Z
CREATED:20250515T100458Z
LAST-MODIFIED:20260430T162658Z
UID:33153-1778095800-1778103000@www.dunedin-consort.org.uk
SUMMARY:Cantatas & Concertos
DESCRIPTION:Imagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind.  \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor \nStephen Farr obbligato organ \nAlexandra Bellamy oboe d’amore \nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland   \nPre-concert talk with John Butt at 6.30pm.   \nTickets: £30\, £25; disabled/wcu £16\, £13; under 30s/student/unwaged £6; under 18s free \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2605-cantatas-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2605_web_dc_cantatas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260425T193000
DTEND;TZID=Europe/London:20260425T213000
DTSTAMP:20260421T155908Z
CREATED:20250529T110407Z
LAST-MODIFIED:20260421T155908Z
UID:33141-1777145400-1777152600@www.dunedin-consort.org.uk
SUMMARY:Foldings & Whirlings
DESCRIPTION:Clouds scud and wheel across the sky in a programme that celebrates the joy of deep breaths and the full possibilities of the human voice. Caroline Shaw’s origami-inspired How to fold the wind and Aaron Jay Kernis’ diaphanous Ecstatic Meditations sit at the heart of the each half\, framed by sixteenth-century polyphony from John Sheppard and John Taverner—music that folds back on itself over and again\, inviting us to look up and marvel at its vaulted lines.  \nJohn Sheppard Libera nos I \nCaroline Shaw How to fold the wind \nJohn Taverner Dum transisset II \nRandall Thompson Alleluia \nJohn Sheppard Libera nos II\nAaron Jay Kernis Ecstatic Meditations \nJohn Taverner Dum transisset I\nJake Runestad Alleluia  \nEllie Slorach director\nThe Singers of Dunedin Consort \nPre-concert talk with Ellie Slorach at 6.30pm   \nTickets: £30\, £25; disabled/wcu £16\, £13; under 30s/student/unwaged £6; under 18s free \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2604-choral-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_Web_DC_foldings.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260424T193000
DTEND;TZID=Europe/London:20260424T213000
DTSTAMP:20250716T095153Z
CREATED:20250515T100159Z
LAST-MODIFIED:20250716T095153Z
UID:33144-1777059000-1777066200@www.dunedin-consort.org.uk
SUMMARY:Foldings & Whirlings
DESCRIPTION:Clouds scud and wheel across the sky in a programme that celebrates the joy of deep breaths and the full possibilities of the human voice. Caroline Shaw’s origami-inspired How to fold the wind and Aaron Jay Kernis’ diaphanous Ecstatic Meditations sit at the heart of the each half\, framed by sixteenth-century polyphony from John Sheppard and John Taverner—music that folds back on itself over and again\, inviting us to look up and marvel at its vaulted lines.  \nJohn Sheppard Libera nos I \nCaroline Shaw How to fold the wind \nJohn Taverner Dum transisset II \nRandall Thompson Alleluia \nJohn Sheppard Libera nos II\nAaron Jay Kernis Ecstatic Meditations \nJohn Taverner Dum transisset I\nJake Runestad Alleluia  \nEllie Slorach director\nThe Singers of Dunedin Consort
URL:https://www.dunedin-consort.org.uk/diary/2604-choral-milngavie/
LOCATION:Cairns Church\, Buchanan Street\, Milngavie\, G62 8AW\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_Web_DC_foldings.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260403T190000
DTEND;TZID=Europe/London:20260403T220000
DTSTAMP:20260401T115448Z
CREATED:20250515T113753Z
LAST-MODIFIED:20260401T115448Z
UID:33139-1775242800-1775253600@www.dunedin-consort.org.uk
SUMMARY:Bach Matthew Passion
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.   \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  \nTickets: £41.50\, £36.50; disabled/wcu £16.50; under 26/student/unwaged £7.50 (inc £1.50 fee); under 18s free \n\nDownload your free programme 
URL:https://www.dunedin-consort.org.uk/diary/2604-matthew-passion-glasgow/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_MP_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260403
DTEND;VALUE=DATE:20260404
DTSTAMP:20251105T134906Z
CREATED:20251105T134906Z
LAST-MODIFIED:20251105T134906Z
UID:34400-1775174400-1775260799@www.dunedin-consort.org.uk
SUMMARY:Open rehearsal: Matthew Passion - Glasgow
DESCRIPTION:On Friday 3 April\, join us in Glasgow for our open rehearsal of Bach’s Matthew Passion\, first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life. \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  
URL:https://www.dunedin-consort.org.uk/diary/open-rehearsal-matthew-passion-2026-gla/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Open Rehearsals
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/11/Data-Thistle-events_matthew-passion-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260402T190000
DTEND;TZID=Europe/London:20260402T220000
DTSTAMP:20260401T115522Z
CREATED:20250515T094238Z
LAST-MODIFIED:20260401T115522Z
UID:33136-1775156400-1775167200@www.dunedin-consort.org.uk
SUMMARY:Bach Matthew Passion
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \n  \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  \n\nTickets: £40\, £35\, £30\, £20; disabled/wcu £20\, £18\, £15\, £10; under 30/student/unwaged £6 (+ booking fee); under 18s free \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nDownload your free programme
URL:https://www.dunedin-consort.org.uk/diary/2604-matthew-passion-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_MP_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260401
DTEND;VALUE=DATE:20260402
DTSTAMP:20251105T134713Z
CREATED:20251105T134657Z
LAST-MODIFIED:20251105T134713Z
UID:34393-1775001600-1775087999@www.dunedin-consort.org.uk
SUMMARY:Open rehearsal: Matthew Passion - Edinburgh
DESCRIPTION:On Wednesday 1 April\, join us in Edinburgh for our open rehearsal of Bach’s Matthew Passion\, first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life. \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  
URL:https://www.dunedin-consort.org.uk/diary/open-rehearsal-matthew-passion-2026-edi/
LOCATION:Edinburgh
CATEGORIES:Open Rehearsals
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/11/Data-Thistle-events_matthew-passion-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260324T193000
DTEND;TZID=Europe/London:20260324T213000
DTSTAMP:20250607T164625Z
CREATED:20250515T095847Z
LAST-MODIFIED:20250607T164625Z
UID:33158-1774380600-1774387800@www.dunedin-consort.org.uk
SUMMARY:PREMIERE - Passion of Mary Magdalene
DESCRIPTION:Mary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. \nTansy Davies Passion of Mary Magdalene \nJohn Butt director\nAnna Dennis Mary Magdalene\nMarcus Farnsworth Jesus \nMary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. Her relationship to Jesus has long intrigued poets\, believers\, and theologians alike\, and Tansy Davies joins their ranks in this new commission. Drawing on the musical forces of J.S. Bach’s John Passion\, she assembles the texts\, including poetry by Ruth Fainlight\, and writes music for her deep exploration of the Passion story from Mary Magdalene’s perspective. Expect something intimate\, numinous\, and revelatory.
URL:https://www.dunedin-consort.org.uk/diary/2603-mary-magdalene-passion-london/
LOCATION:Barbican Hall\, Barbican Centre\, London\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Web_DC_mary-passion.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260306T193000
DTEND;TZID=Europe/London:20260306T204500
DTSTAMP:20260302T171148Z
CREATED:20250529T102401Z
LAST-MODIFIED:20260302T171148Z
UID:33134-1772825400-1772829900@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £29.50\, £25.50\, £20 (inc £2.50 booking fee per ticket) students/Young Scot/Under 26s £6; 18 and unders go Free (under 16s to be accompanied by an adult) \nDownload your free concert programme \nPerformance run time is 70 minutes straight through
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260305T193000
DTEND;TZID=Europe/London:20260305T204500
DTSTAMP:20260302T163031Z
CREATED:20250529T102330Z
LAST-MODIFIED:20260302T163031Z
UID:33132-1772739000-1772743500@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £31.50\, £26.50; disabled/wcu £16.50\, £14.50; u30s/students/unwaged £7.50 (inc £1.50 booking fee); under 18s free \nDownload your free concert programme \nPerformance run time is 70 minutes straight through
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260304T193000
DTEND;TZID=Europe/London:20260304T204500
DTSTAMP:20260302T162944Z
CREATED:20250515T095526Z
LAST-MODIFIED:20260302T162944Z
UID:33129-1772652600-1772657100@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £40\, £35\, £30\, £20; disabled/wcu £20\, £18\, £15\, £10; under 30/student/universal credit £6 (+ £1.50 booking fee); under 18s free \nDownload your free concert programme \nPerformance run time is 70 minutes straight through \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details.
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260303
DTEND;VALUE=DATE:20260304
DTSTAMP:20251105T134756Z
CREATED:20251105T133433Z
LAST-MODIFIED:20251105T134756Z
UID:34382-1772496000-1772582399@www.dunedin-consort.org.uk
SUMMARY:Open rehearsal: Sean Shibe: Scottish Lute - Edinburgh
DESCRIPTION:On Tuesday 3 March\, join us in Edinburgh for our open rehearsal of Sean Shibe: Scottish Lute. \nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, from Scottish psalms to music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century.   \nNOTE: Owing to limited space\, priority will be given to guitar students.
URL:https://www.dunedin-consort.org.uk/diary/open-rehearsal-sean-shibe-2026-edi/
LOCATION:Deaf Action\, 49 Albany Street\, Edinburgh\, EH1 3QY\, United Kingdom
CATEGORIES:Open Rehearsals
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260130T193000
DTEND;TZID=Europe/London:20260130T213000
DTSTAMP:20260121T133259Z
CREATED:20260115T170852Z
LAST-MODIFIED:20260121T133259Z
UID:34812-1769801400-1769808600@www.dunedin-consort.org.uk
SUMMARY:Lillian Gordis: French Connection
DESCRIPTION:Jean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles. \nJean-Philippe Rameau Premier concert\, Pièces de clavecin en concerts \nÉlisabeth Jacquet de la Guerre Trio Sonata in B flat major\nJohann Sebastian Bach Trio Sonata from The Musical Offering\, BWV 1079 \nJohann Sebastian Bach Trio Sonata in C major\, BWV 529\nGeorg Philipp Telemann Paris Quartet\, TWV 43:G1\nJean-Philippe Rameau Cinquième concert\, Pièces de clavecin en concerts   \nMatthew Truscott violin\nRosie Bowker flute\nJonathan Manson viola da gamba \nLillian Gordis harpsichord   \nJean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles—not only pen-portraits of his fellow musicians like Forqueray and Boucon but also more general character studies of La Timide and L’Indifférente. JS Bach’s Musical Offering has its own remarkable backstory\, a collection composed for Frederick the Great of Prussia on a dastardly theme from the King himself. Fittingly for a flute-playing\, Francophile monarch\, this programme is filled with music that revels in crossing the border.   \n Download your free programme \nPre-concert talk at 6.30pm  \nPerformance running time approx 100 minutes \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details.
URL:https://www.dunedin-consort.org.uk/diary/2601-gordis-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2526_Web_carousel_DC_2560x1020_gordis-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260129T193000
DTEND;TZID=Europe/London:20260129T213000
DTSTAMP:20260121T123242Z
CREATED:20260115T171715Z
LAST-MODIFIED:20260121T123242Z
UID:34821-1769715000-1769722200@www.dunedin-consort.org.uk
SUMMARY:Lillian Gordis: French Connection
DESCRIPTION:Jean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles. \nJean-Philippe Rameau Premier concert\, Pièces de clavecin en concerts \nÉlisabeth Jacquet de la Guerre Trio Sonata in B flat major\nJohann Sebastian Bach Trio Sonata from The Musical Offering\, BWV 1079 \nJohann Sebastian Bach Trio Sonata in C major\, BWV 529\nGeorg Philipp Telemann Paris Quartet\, TWV 43:G1\nJean-Philippe Rameau Cinquième concert\, Pièces de clavecin en concerts   \nMatthew Truscott violin\nRosie Bowker flute\nJonathan Manson viola da gamba \nLillian Gordis harpsichord   \nJean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles—not only pen-portraits of his fellow musicians like Forqueray and Boucon but also more general character studies of La Timide and L’Indifférente. JS Bach’s Musical Offering has its own remarkable backstory\, a collection composed for Frederick the Great of Prussia on a dastardly theme from the King himself. Fittingly for a flute-playing\, Francophile monarch\, this programme is filled with music that revels in crossing the border.   \nDownload your free programme \nPre-concert talk at 6.30pm  \nPerformance running time approx 100 minutes
URL:https://www.dunedin-consort.org.uk/diary/2601-gordis-glasgow/
LOCATION:Adelaide Place\, 188 Pitt Street\, Glasgow\, G2\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2526_Web_carousel_DC_2560x1020_gordis-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251219T190000
DTEND;TZID=Europe/London:20251219T220000
DTSTAMP:20251213T004333Z
CREATED:20250529T102151Z
LAST-MODIFIED:20251213T004333Z
UID:33121-1766170800-1766181600@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season.   \nGeorge Frideric Handel Messiah\, HWV 56   \nJohn Butt director \nNardus Williams soprano\nLotte Betts-Dean mezzo-soprano\nJoshua Ellicott tenor\nDingle Yandell bass\nPaul Whittaker BSL interpreter \nThis performance will be BSL interpreted\, please email info@dunedin-consort.org.uk if you require an accessible seat. \nrunning time approx 180 minutes (inc 20 min interval) \nDownload your Messiah programme
URL:https://www.dunedin-consort.org.uk/diary/2512-messiah-glasgow/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251219T160000
DTEND;TZID=Europe/London:20251219T170000
DTSTAMP:20250716T103155Z
CREATED:20250515T110342Z
LAST-MODIFIED:20250716T103155Z
UID:33230-1766160000-1766163600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Written by Megan Shandley and presented by Mr Handel and his sidekick Frances. \nOur Children’s Messiah performances are specially crafted with young ears in mind! Guided by Mr Handel and his footwoman\, Frances\, this specially devised 45-minute adaptation of Handel’s masterpiece will guide young listeners through some of his greatest hits\, with plenty of fun and interactive games along the way. For many children this may be their first introduction to the concert hall — and we want it to be a transformative experience. Get to know our soloists\, conductor\, chorus and orchestra\, as well as the music that we love to perform. And who knows\, there might even be the chance for some brave audience members to conduct the orchestra… \nJohn Butt director\nThe singers and musicians of Dunedin Consort\nPaul Whittaker BSL Interpreter \nTickets: £6 (Free for adults attending the later Messiah performance) \nThese performances will be BSL interpreted \nrunning time approx 45mins \nOur Children’s Messiah performances are generously supported by Baillie Gifford
URL:https://www.dunedin-consort.org.uk/diary/2512-childrens-messiah-glasgow/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_childrens-messiah.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251218T183000
DTEND;TZID=Europe/London:20251218T213000
DTSTAMP:20251213T004256Z
CREATED:20250529T101841Z
LAST-MODIFIED:20251213T004256Z
UID:33118-1766082600-1766093400@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season.   \nGeorge Frideric Handel Messiah\, HWV 56   \nJohn Butt director \nNardus Williams soprano\nLotte Betts-Dean mezzo-soprano\nJoshua Ellicott tenor\nDingle Yandell bass  \nrunning time approx 180 minutes (inc 20 min interval) \nDownload your Messiah programme
URL:https://www.dunedin-consort.org.uk/diary/2512-messiah-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_messiah.jpg
ORGANIZER;CN="Perth Theatre and Concert Hall":MAILTO:info@perththeatreandconcerthall.com
END:VEVENT
END:VCALENDAR