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DTSTART;TZID=Europe/London:20260625T190000
DTEND;TZID=Europe/London:20260625T203000
DTSTAMP:20260324T173514Z
CREATED:20260316T111754Z
LAST-MODIFIED:20260324T173514Z
UID:35200-1782414000-1782419400@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:SOLD OUT \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins    \nWith English captioning  \nTickets: £35\, £27; under 25s half price
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-aldeburgh/
LOCATION:Snape Maltings\, Snape Maltings Concert Hall\, Snape\, IP17 1SP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260627T163000
DTEND;TZID=Europe/London:20260627T180000
DTSTAMP:20260513T134451Z
CREATED:20260513T134226Z
LAST-MODIFIED:20260513T134451Z
UID:35549-1782577800-1782583200@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins  no interval \nWith English captioning 
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-london-2/
LOCATION:Metronome\, 41 Commercial Road\, London\, E1 1LA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260627T193000
DTEND;TZID=Europe/London:20260627T210000
DTSTAMP:20260513T134332Z
CREATED:20260325T111402Z
LAST-MODIFIED:20260513T134332Z
UID:35213-1782588600-1782594000@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \nPraise for Out of Her Mouth\, from the same team in 2023   \n60 mins  no interval \nWith English captioning 
URL:https://www.dunedin-consort.org.uk/diary/2606-itbotb-london/
LOCATION:Metronome\, 41 Commercial Road\, London\, E1 1LA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260702T193000
DTEND;TZID=Europe/London:20260702T210000
DTSTAMP:20260615T134832Z
CREATED:20260325T101908Z
LAST-MODIFIED:20260615T134832Z
UID:35204-1783020600-1783026000@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jephthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins no interval \nWith English captioning  \nTickets: £26; £14.50 disabled/arts worker (inc £2.50 booking fee); £6 u30/student/unwaged; under 18s Free \nDownload your free pdf programme here
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-perth/
LOCATION:Joan Knight Studio\, Perth Theatre\, Mill Street\, Perth\, PH1 5PH\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260703T193000
DTEND;TZID=Europe/London:20260703T210000
DTSTAMP:20260615T135124Z
CREATED:20260325T111025Z
LAST-MODIFIED:20260615T135124Z
UID:35207-1783107000-1783112400@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times   \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk   \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins no interval  \nWith English captioning  \nTickets: £25; £13 disabled/arts worker; £6 u30/student/unwaged; under 18s Free \nDownload your free pdf programme here
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260704T193000
DTEND;TZID=Europe/London:20260704T210000
DTSTAMP:20260324T173132Z
CREATED:20260324T172010Z
LAST-MODIFIED:20260324T173132Z
UID:35209-1783193400-1783198800@www.dunedin-consort.org.uk
SUMMARY:In the Belly of the Beast
DESCRIPTION:A brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling.\n \nA co-production from Hera\, Mahogany Opera and Dunedin Consort  \nIn the Belly of the Beast \nThree cantatas by Élisabeth Jacquet de la Guerre (1665-1729)\nWith a new English libretto by Toria Banks \nDirected by Jennifer Fletcher  \nÉlisabeth Jacquet de la Guerre Cantates Bibliques: ‘Adam’\, ‘Jonah’\, ‘Jepthah’  \nCarolyn Sampson soprano \nMariana Rodrigues soprano   \nDunedin Consort   \nA brand-new show featuring three-hundred-year-old music\, ‘In the Belly of the Beast’ combines the beauty and intimacy of the baroque cantata\, with bold theatrical storytelling. Starring Carolyn Sampson and featuring musicians from leading baroque specialists Dunedin Consort\, it retells three powerful myths about how we all survive the unfairness of life.  \n From Adam in the Garden of Eden\, to Jonah at sea\, to Jephthah returning from battle\, three men make deals with God that don’t turn out well. Together\, their stories\, and the healing power of music\, help us make sense of a world seemingly governed by arbitrary\, unreasonable power.  \n★★★★★ “A revelation…a pulsing\, vibrant slice of music drama.” The Times \n“Quite unlike anything I’ve seen before. Catch it if you can.” The Arts Desk \n(Praise for Out of Her Mouth\, from the same team in 2023)   \n60 mins    \nWith English captioning  \nTickets: £35 Full Price\, £27 Concession\, £17.50 25 and Under
URL:https://www.dunedin-consort.org.uk/diary/2607-itbotb-whitehaven/
LOCATION:Rosehill Theatre\, Whitehaven\, Moresby\, Whitehaven\, Cumbria\, CA28 6SE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/25-26_Web_DC_2560x1020_botb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260718T193000
DTEND;TZID=Europe/London:20260718T213000
DTSTAMP:20260702T094559Z
CREATED:20260420T120237Z
LAST-MODIFIED:20260702T094559Z
UID:35444-1784403000-1784410200@www.dunedin-consort.org.uk
SUMMARY:Music at Paxton Festival: The Printing House of Estienne Roger
DESCRIPTION:The Printing House of Estienne Roger:\nTorelli Sinfonia à 3 in C\, Op.5 No.3\nCorelli Sonata da Chiesa in F\, Op.3 No.1 Violin Sonata in A\, Op.5 No.6 \nFroberger Keyboard Suite from 10 Suittes de Clavessin \nLocatelli Sonata à 3 in D minor\, Op.5 No.5 ‘Pastorale’\nAlbinoni Balletto à 3 in D\, Op.3 No.7\nHandel Trio Sonata in G minor\, Op.2 No.2\nVivaldi Trio in D minor\, Op.1 No.12 ‘La Follia’ \nJohn Butt director \nThis programme explores outstanding works featured in the sale catalogues of family duo Estienne Roger and Michel-Charles Le Cène\, prolific printers and publishers of music in Amsterdam\, whose business success was built on the voracious appetite of 18th-century Europe-wide amateur musicians for playing these joyous pieces in their own homes. \nTickets £30/£27 (concessions £16). Free tickets for under 26s.
URL:https://www.dunedin-consort.org.uk/diary/paxton-house-2026/
LOCATION:Paxton House\, Paxton\, Berwick upon tweed\, TD15 1SZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/04/John-Butt-conducting_Tommy-Gak-Ken-Wah-scaled.jpg
ORGANIZER;CN="Music at Paxton House Festival":MAILTO:info@musicatpaxton.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260808T110000
DTEND;TZID=Europe/London:20260808T123000
DTSTAMP:20260702T094617Z
CREATED:20260311T140313Z
LAST-MODIFIED:20260702T094617Z
UID:35161-1786186800-1786192200@www.dunedin-consort.org.uk
SUMMARY:SCOTTISH PREMIERE - The Passion of Mary Magdalene
DESCRIPTION:Mary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. \nTansy Davies The Passion of Mary Magdalene \nJohn Butt director\nAnna Dennis Mary Magdalene\nMarcus Farnsworth Jesus \nMary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. Her relationship to Jesus has long intrigued poets\, believers\, and theologians alike\, and Tansy Davies joins their ranks in this new commission. Drawing on the musical forces of J.S. Bach’s John Passion\, she assembles the texts\, including poetry by Ruth Fainlight\, and writes music for her deep exploration of the Passion story from Mary Magdalene’s perspective. Expect something intimate\, numinous\, and revelatory. \nCo-commissioned by Edinburgh International Festival\, Barbican Centre & Dunedin Consort \nTickets from £15.50 \n  \nWith thanks to
URL:https://www.dunedin-consort.org.uk/diary/2608-mary-magdalene-passion-edi/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/03/orchestra-and-choir_LightPress-Media-and-Design-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260913T110000
DTEND;TZID=Europe/London:20260913T130000
DTSTAMP:20260702T094812Z
CREATED:20260605T090304Z
LAST-MODIFIED:20260702T094812Z
UID:35644-1789297200-1789304400@www.dunedin-consort.org.uk
SUMMARY:Lammermuir Festival - Dunedin Consort with Matthew Brook
DESCRIPTION:One of the highlights of the Dunedin Consort year is a short trip into the East Lothian countryside for the annual Lammermuir Festival. \nDietrich Buxtehude Mein Herz ist bereit\, BuxWV 73\nJohann Sebastian Bach Oboe d’amore Concerto in A major\, BWV 1055\nCristoph Graupner Ouverture in g minor\, GWV 469\nJohann Sebastian Bach Ich habe genug\, BWV 82 \nJohn Butt director\nMatthew Brook bass\nAlexandra Bellamy oboe d’amore\nDunedin Consort \nLong time Dunedin Consort collaborator Matthew Brook is an unforgettable interpreter of Baroque music\, and this programme is framed by two of the most beautiful cantatas for solo bass by Buxtehude and Bach. Between them\, a reconstruction of one of Bach’s two lost oboe d’amore concertos\, a life-enhancing work\, and a piece by his talented contemporary\, Christoph Graupner. \n‘Matthew Brook\, who turns anything he sings into gold‘ The Guardian \nTickets: £9 – £32 \n 
URL:https://www.dunedin-consort.org.uk/diary/lammermuir2026/
LOCATION:Crichton Collegiate Church\, Crichton\, Crichton\, Midlothian\, EH37 5XA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_lammermuir.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260916T193000
DTEND;TZID=Europe/London:20260916T213000
DTSTAMP:20260723T151609Z
CREATED:20260605T090842Z
LAST-MODIFIED:20260723T151609Z
UID:35469-1789587000-1789594200@www.dunedin-consort.org.uk
SUMMARY:Angela Hewitt and Dunedin Consort
DESCRIPTION:Alive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage.  \nJoseph Haydn Symphony No.6 “Le Matin” \nCarl Philipp Emanuel Bach Keyboard Concerto in C major Wq. 20 \nMarianna Martines Sinfonia in C Major \nWolfgang Amadeus Mozart Keyboard Concerto No.14 in E-flat major K.449 \n  \nAngela Hewitt director\, fortepiano\nMatthew Truscott director\, violin \nAlive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage. The line between soloist and ensemble blurred\, and music unfolded as an intimate\, evolving conversation. Within this world\, composers such as Haydn\, C.P.E. Bach and Martines each contributed to a shared musical language\, testing its boundaries\, refining its forms and shaping its future. A young Mozart\, absorbing these influences\, would carry them forward with extraordinary fluency and imagination.  \nAlongside internationally renowned pianist Angela Hewitt we aim to shine a light on a culture of collaboration\, where the keyboard and ensemble engage as equal partners\, and where every musical idea feels part of a wider\, living dialogue.  \n  \nTickets:£50 £43 £33 £27 £18
URL:https://www.dunedin-consort.org.uk/diary/hewitt-lon2026/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, W1H 0BP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_vienna.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260926T193000
DTEND;TZID=Europe/London:20260926T213000
DTSTAMP:20260922T134536Z
CREATED:20260622T081854Z
LAST-MODIFIED:20260922T134536Z
UID:35471-1790451000-1790458200@www.dunedin-consort.org.uk
SUMMARY:Vienna and Beyond
DESCRIPTION:Alive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage.  \nJoseph Haydn Symphony No.6 “Le Matin”\nCarl Philipp Emanuel Bach Keyboard Concerto Wq. 20 in C\nMarianna Martines Sinfonia in C \nWolfgang Amadeus Mozart Keyboard Concerto No.14 K. 449 in E-flat \nAngela Hewitt director\, fortepiano\nMatthew Truscott director\, violin \nAlive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage. The line between soloist and ensemble blurred\, and music unfolded as an intimate\, evolving conversation. Within this world\, composers such as Haydn\, C.P.E. Bach and Martines each contributed to a shared musical language\, testing its boundaries\, refining its forms and shaping its future. A young Mozart\, absorbing these influences\, would carry them forward with extraordinary fluency and imagination.  \nAlongside internationally renowned pianist Angela Hewitt we aim to shine a light on a culture of collaboration\, where the keyboard and ensemble engage as equal partners\, and where every musical idea feels part of a wider\, living dialogue.  \n Tickets: £6 – £40 (+ box office fees) \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Vienna and Beyond\, Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk \nDownload your free programme 
URL:https://www.dunedin-consort.org.uk/diary/vienna-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_vienna.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260927T193000
DTEND;TZID=Europe/London:20260927T213000
DTSTAMP:20260922T160150Z
CREATED:20260622T100908Z
LAST-MODIFIED:20260922T160150Z
UID:35473-1790537400-1790544600@www.dunedin-consort.org.uk
SUMMARY:Vienna and Beyond
DESCRIPTION:Alive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage.  \nJoseph Haydn Symphony No.6 “Le Matin”\nCarl Philipp Emanuel Bach Keyboard Concerto Wq. 20 in C\nMarianna Martines Sinfonia in C Major\nWolfgang Amadeus Mozart Keyboard Concerto No.14 K. 449 in E-flat  \nAngela Hewitt director\, fortepiano\nMatthew Truscott director\, violin \nAlive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage. The line between soloist and ensemble blurred\, and music unfolded as an intimate\, evolving conversation. Within this world\, composers such as Haydn\, C.P.E. Bach and Martines each contributed to a shared musical language\, testing its boundaries\, refining its forms and shaping its future. A young Mozart\, absorbing these influences\, would carry them forward with extraordinary fluency and imagination.  \nAlongside internationally renowned pianist Angela Hewitt we aim to shine a light on a culture of collaboration\, where the keyboard and ensemble engage as equal partners\, and where every musical idea feels part of a wider\, living dialogue.  \n Tickets: £6 – £42 (+ box office fees) \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019\n\nDownload your free programme
URL:https://www.dunedin-consort.org.uk/diary/vienna-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_vienna.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261007T150000
DTEND;TZID=Europe/London:20261007T160000
DTSTAMP:20261006T192005Z
CREATED:20260622T100828Z
LAST-MODIFIED:20261006T192005Z
UID:35479-1791385200-1791388800@www.dunedin-consort.org.uk
SUMMARY:Print House Gems - relaxed performance
DESCRIPTION:Online sales have ended\, tickets available to buy on the day at the venue. \nIn the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. \n\nExcerpts from: \nGiuseppe Torelli Sinfonia a3 Op.5 No.2 in C\nArcangelo Corelli Sonata da Chiesa Op.3 No.1 in F\nGiovanni Girolamo Kapsberger Bergamasca and Kapsberger\, Book 4\nPietro Antonio Locatelli Sonata a3 Op.5 No.5 in d\nTomaso Albinoni Balletto a3 No.7 in D\nGeorge Frideric Handel Trio Sonata Op.2 No.2 in g\nAntonio Vivaldi Trio Sonata “La Follia” Op.1 No.12 in d \nIn the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. Their editions enabled composers to reach audiences and musicians far beyond their places of origin\, influencing style and performance practice as they went. Works by composers such as Corelli\, Torelli\, Locatelli and Vivaldi found their way into new homes and in front of new interpreters – the result was a repertoire defined not by geography\, but unified by its approachability and popularity.  \n\n\n\nThese performances offer a welcoming and flexible way to enjoy live music. Created with accessibility in mind\, they are ideal for people with additional support needs\, caring responsibilities\, or anyone who prefers a more casual concert environment. For those familiar with Dunedin Consort performances\, the experience will feel much the same\, with just a few simple additions to support accessibility. \nIf you have access requirements\, please email info@dunedin-consort.org.uk and we can reserve seating for you. \nFurther information on our relaxed performances can be found here. \n\n\n\nRunning time: approx 60 minutes plus an opportunity to talk to the musicians at the end. \nTickets: £6 – £25 \n\n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019\n\n\nListen to our Spotify playlist \nDownload your freesheet here
URL:https://www.dunedin-consort.org.uk/diary/printhouse-edi/
LOCATION:Stockbridge Parish Church\, Saxe Coburg Street\, Edinburgh\, EH3 5BN\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_gems.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261008T150000
DTEND;TZID=Europe/London:20261008T160000
DTSTAMP:20261006T114344Z
CREATED:20260622T100758Z
LAST-MODIFIED:20261006T114344Z
UID:35481-1791471600-1791475200@www.dunedin-consort.org.uk
SUMMARY:Print House Gems - relaxed performance
DESCRIPTION:In the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. \nExcerpts from: \nGiuseppe Torelli Sinfonia a3 Op.5 No.2 in C\nArcangelo Corelli Sonata da Chiesa Op.3 No.1 in F\nGiovanni Girolamo Kapsberger Bergamasca and Kapsberger\nPietro Antonio Locatelli Sonata a3 Op.5 No.5 in d\nTomaso Albinoni Balletto a3 No.7 in D\nGeorge Frideric Handel Trio Sonata Op.2 No.2 in g\nAntonio Vivaldi Trio Sonata “La Follia” Op.1 No.12 in d \n\nIn the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. Their editions enabled composers to reach audiences and musicians far beyond their places of origin\, influencing style and performance practice as they went. Works by composers such as Corelli\, Torelli\, Locatelli and Vivaldi found their way into new homes and in front of new interpreters – the result was a repertoire defined not by geography\, but unified by its approachability and popularity. \n\n\n\nThese performances offer a welcoming and flexible way to enjoy live music. Created with accessibility in mind\, they are ideal for people with additional support needs\, caring responsibilities\, or anyone who prefers a more casual concert environment. For those familiar with Dunedin Consort performances\, the experience will feel much the same\, with just a few simple additions to support accessibility. \nIf you have access requirements\, please email info@dunedin-consort.org.uk and we can reserve seating for you. \nFurther information on our relaxed performances can be found here. \n\n\n\nTickets: £6 – £22 \nRunning time: approx 60 minutes plus an opportunity to talk to the musicians at the end. \n\nListen to our Spotify playlist \n\nDownload your freesheet here
URL:https://www.dunedin-consort.org.uk/diary/printhouse-abd/
LOCATION:Fountainhall at the Stocket\, Harcourt Road\, Aberdeen\, AB15 5NZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_gems.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261009T150000
DTEND;TZID=Europe/London:20261009T160000
DTSTAMP:20261006T114435Z
CREATED:20260622T100727Z
LAST-MODIFIED:20261006T114435Z
UID:35484-1791558000-1791561600@www.dunedin-consort.org.uk
SUMMARY:Print House Gems - relaxed performance
DESCRIPTION:In the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. \n\nExcerpts from: \nGiuseppe Torelli Sinfonia a3 Op.5 No.2 in C\nArcangelo Corelli Sonata da Chiesa Op.3 No.1 in F\nGiovanni Girolamo Kapsberger Bergamasca and Kapsberger\nPietro Antonio Locatelli Sonata a3 Op.5 No.5 in d\nTomaso Albinoni Balletto a3 No.7 in D\nGeorge Frideric Handel Trio Sonata Op.2 No.2 in g\nAntonio Vivaldi Trio Sonata “La Follia” Op.1 No.12 in d \nIn the early 18th century\, the Amsterdam printing house of Estienne Roger and his successor Michel de la Cène became a vital hub for the dissemination of music across Europe. Their editions enabled composers to reach audiences and musicians far beyond their places of origin\, influencing style and performance practice as they went. Works by composers such as Corelli\, Torelli\, Locatelli and Vivaldi found their way into new homes and in front of new interpreters – the result was a repertoire defined not by geography\, but unified by its approachability and popularity.  \n\n\n\nThese performances offer a welcoming and flexible way to enjoy live music. Created with accessibility in mind\, they are ideal for people with additional support needs\, caring responsibilities\, or anyone who prefers a more casual concert environment. For those familiar with Dunedin Consort performances\, the experience will feel much the same\, with just a few simple additions to support accessibility. \nIf you have access requirements\, please email info@dunedin-consort.org.uk and we will reserve seating for you. \nFurther information on our relaxed performances can be found here. \n\n\n\nRunning time: approx 60 minutes plus an opportunity to talk to the musicians at the end. \nTickets: £6 – £22 \nListen to our Spotify playlist \nDownload your freesheet here
URL:https://www.dunedin-consort.org.uk/diary/printhouse-dun/
LOCATION:Dundee Parish Church (St Mary’s)\, Nethergate\, Dundee\, DD1 4DG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_gems.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261125T190000
DTEND;TZID=Europe/London:20261125T210000
DTSTAMP:20261026T133941Z
CREATED:20260622T100643Z
LAST-MODIFIED:20261026T133941Z
UID:35667-1795633200-1795640400@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano\nPaul Whittaker BSL interpreter  \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nThis performance is part of our Deaf Season and will be BSL interpreted – further information on our Deaf Season can be found here. If you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \nTickets: £6 – £26 (including booking fee)
URL:https://www.dunedin-consort.org.uk/diary/handel-perth2026/
LOCATION:St John’s Kirk\, 31 Saint John Street\, Perth\, Perth and Kinross\, PH1\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261126T193000
DTEND;TZID=Europe/London:20261126T213000
DTSTAMP:20261026T133922Z
CREATED:20260622T100619Z
LAST-MODIFIED:20261026T133922Z
UID:35672-1795721400-1795728600@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano\nPaul Whittaker BSL interpreter  \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nThis performance is part of our Deaf Season and will be BSL interpreted – further information on our Deaf Season can be found here. If you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \nTickets: £6 – £30 (+ booking fee) \nIncluded in Glasgow Subscription Season\, save 10% when purchased with Handel: Dixit Dominus through the RCS box office – www.rcs.ac.uk
URL:https://www.dunedin-consort.org.uk/diary/handel-gla2026/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261127T193000
DTEND;TZID=Europe/London:20261127T213000
DTSTAMP:20261026T133905Z
CREATED:20260622T094815Z
LAST-MODIFIED:20261026T133905Z
UID:35669-1795807800-1795815000@www.dunedin-consort.org.uk
SUMMARY:Handel's Leading Ladies
DESCRIPTION:In 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene and at its centre stood Handel. \nGeorge Frideric Handel\nConcerto Grosso Op.6 No.6\nTorni omai la pace from Tolomeo\nNo\, più soffrir non voglio from Alessandro  \nGiovanni Bononcini\nPrelude from Il Lamento d’Olimpia  \nGeorge Frideric Handel\nFalse Imagine from Ottone  \nGiovanni Bononcini\nDifese mi giurasti from Astianatte  \nJohn Butt director\nNardus Williams soprano \nIn 18th-century London\, the operatic stage was as much a site of social spectacle as of musical innovation\, shaped by star performers\, fashionable audiences and the ambitions of a rapidly expanding cultural scene. At its centre stood Handel\, whose works were brought vividly to life by leading international singers and musicians\, two of whom were italian rivals\, Francesca Cuzzoni and Faustina Bordoni. \nFuelled by public intrigue and partisan audiences\, their famed rivalry became part of London’s cultural fabric\, as did the striking contrast between their voices: Cuzzoni’s pure\, expressive lyricism set against Bordoni’s brilliance and virtuosity. \nTickets: £6 – £30 (+ booking fee) \nIf you have access requirements\, please contact info@dunedin-consort.org.uk and we will reserve seating for you. \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/handel-edi2026/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_leading-ladies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261216T163000
DTEND;TZID=Europe/London:20261216T173000
DTSTAMP:20260630T090207Z
CREATED:20260622T093725Z
LAST-MODIFIED:20260630T090207Z
UID:35689-1797438600-1797442200@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! \nMatthew Truscott director\nThe singers and instrumentalists of Dunedin Consort\nPaul Whittaker BSL Interpreter  \nOur Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind!  \nLed by Mr Handel and his lively footwoman\, Frances\, this fun-filled 45-minute adaptation of Handel’s masterpiece introduces children to some of his most famous music through storytelling\, interactive games\, and plenty of audience participation along the way.  \nFor many children this will be their very first visit to the concert hall\, and we want it to be a transformative experience. Alongside the music\, audiences will meet our soloists\, conductor\, chorus\, and orchestra\, discovering what makes live performance so inspiring.  \nAnd for some brave volunteers\, there may even be the chance to conduct the orchestra themselves…  \nTickets: £6  \n(Free for adults attending the later Messiah performance)  \nThis performance will be BSL interpreted. \n  \nOur Children’s Messiah performances are generously supported by
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261216T190000
DTEND;TZID=Europe/London:20261216T220000
DTSTAMP:20260826T145029Z
CREATED:20260622T093648Z
LAST-MODIFIED:20260826T145029Z
UID:35684-1797447600-1797458400@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/messiah-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T163000
DTEND;TZID=Europe/London:20261217T173000
DTSTAMP:20260622T114529Z
CREATED:20260622T093613Z
LAST-MODIFIED:20260622T114529Z
UID:35692-1797525000-1797528600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! \nMatthew Truscott director\nThe singers and instrumentalists of Dunedin Consort\nPaul Whittaker BSL Interpreter  \nOur Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind!  \nLed by Mr Handel and his lively footwoman\, Frances\, this fun-filled 45-minute adaptation of Handel’s masterpiece introduces children to some of his most famous music through storytelling\, interactive games\, and plenty of audience participation along the way.  \nFor many children this will be their very first visit to the concert hall\, and we want it to be a transformative experience. Alongside the music\, audiences will meet our soloists\, conductor\, chorus\, and orchestra\, discovering what makes live performance so inspiring.  \nAnd for some brave volunteers\, there may even be the chance to conduct the orchestra themselves…  \nTickets: £6  \n(Free for adults attending the later Messiah performance)  \nThis performance will be BSL interpreted. \n  \nOur Children’s Messiah performances are generously supported by
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T190000
DTEND;TZID=Europe/London:20261217T220000
DTSTAMP:20260826T145008Z
CREATED:20260622T093530Z
LAST-MODIFIED:20260826T145008Z
UID:35687-1797534000-1797544800@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone\nPaul Whittaker OBE bsl interpreter \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \nThis performance will be BSL interpreted with the BSL interpreter standing on the stage at stalls left\, audience members who require BSL interpretation should select seats 11-18 in rows A-C. \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Vienna and Beyond\, Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk
URL:https://www.dunedin-consort.org.uk/diary/messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261223T193000
DTEND;TZID=Europe/London:20261223T213000
DTSTAMP:20261029T150345Z
CREATED:20260605T132526Z
LAST-MODIFIED:20261029T150345Z
UID:35694-1798054200-1798061400@www.dunedin-consort.org.uk
SUMMARY:Early German Christmas
DESCRIPTION:Throughout 17th and 18th century Germany\, Christmas remained a season of reflection and celebration\, shaped as much by local tradition and congregational hymn singing as by rousing festive music. \nSamuel Scheidt Intrada No.22\nJohann Rosenmüller Also hat Gott die Welt beliebt\nChristian Geist Wie schön\nJohann Christoph Bach Merk auf\, mein Herz BWV-Anhang 163\nGeorg Böhm Nun Komm\, der Heiden Heiland\nDieterich Buxtehude Wachet auf\nJohann Theile Nun ich singe Gott ich knie\nHeinrich Schütz Sehet an den Feigenbaum\nJohann Sebastian Bach Nun Komm\, der Heiden Heiland\, BWV 61  \nJohn Butt director & harpsichord\nZoë Brookshaw soprano\nJoanna Songi soprano\nSarah Anne Champion alto\nGuy Cutting tenor\nChristopher Webb bass  \nThroughout 17th and 18th century Germany\, Christmas remained a season of reflection and celebration\, shaped as much by local tradition and congregational hymn singing as by rousing festive music. From court chapels to town churches\, composers contributed to a rich tapestry of Advent and Christmas music\, each work offering a different perspective on the story at its heart\, the celebration of Christ’s birth.  \nFigures such as Scheidt\, Schütz and Buxtehude laid the foundations of this tradition\, blending sacred and devotional intensity with expressive immediacy\, while later composers including J.S. Bach and his sons built upon these influences and transformed them.  \nAt this festive programme’s core is the chorale Nun komm\, Der Heiden Heiland\, a cornerstone of Lutheran Advent worship with a distinctive melody that provided the perfect foundation for composers such as Buxtehude\, Böhm and J.S. Bach to return to in search of new textures\, harmonies and melodic ornamentation.  \nTickets: £18 – £50
URL:https://www.dunedin-consort.org.uk/diary/wigmore-hall-dec2026/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, W1H 0BP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_early-german.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270114T190000
DTEND;TZID=Europe/London:20270114T220000
DTSTAMP:20260605T133257Z
CREATED:20260605T133257Z
LAST-MODIFIED:20260605T133257Z
UID:35697-1799953200-1799964000@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: £10 – £45
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-lon2027/
LOCATION:St Martin in the Fields\, Trafalgar Square\, London\, WC2N 4JJ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270116T193000
DTEND;TZID=Europe/London:20270116T223000
DTSTAMP:20260622T115148Z
CREATED:20260605T133651Z
LAST-MODIFIED:20260622T115148Z
UID:35701-1800127800-1800138600@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: 29 – 107 euros \nOn sale November 2026
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-vie2027/
LOCATION:Wiener Konzerthaus\, Lothringerstrasse 20\, Vienna\, A-1030\, Austria
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270227T183000
DTEND;TZID=Europe/London:20270227T213000
DTSTAMP:20261029T132139Z
CREATED:20260622T130143Z
LAST-MODIFIED:20261029T132139Z
UID:36014-1803753000-1803763800@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nOn Sale in December
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-bath2027/
LOCATION:Bath Abbey\, Bath\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270306T193000
DTEND;TZID=Europe/London:20270306T213000
DTSTAMP:20260608T115258Z
CREATED:20260608T115258Z
LAST-MODIFIED:20260608T115258Z
UID:35713-1804361400-1804368600@www.dunedin-consort.org.uk
SUMMARY:A Celebration of Steve Reich
DESCRIPTION:Scottish percussion superstar Colin Currie leads a dancing\, shimmering salute to a true icon: Steve Reich. Experience minimalism taken to the maximum: the sounds that made our century\, in all their power\, rhythm and beauty. \n\nSteve Reich New York Counterpoint\nSteve Reich Music for Ensemble and Orchestra\nSteve Reich The Desert Music \n\n\n\n\nColin Currie Conductor\nIan Dearden Sound Designer\nRSNO & Dunedin Consort \n\n\n\n\n\n\n\nI am wide awake: the mind is listening. There’s a reason why Steve Reich is a living legend – he’s the composer who broke music down to its raw elements and then rebuilt it\, transforming the way we listen. Scottish percussion superstar Colin Currie leads a dancing\, shimmering salute to a true icon\, including the mind-expanding 1983 epic The Desert Music. Experience minimalism taken to the maximum: the sounds that made our century\, in all their power\, rhythm and beauty. \nTickets: £15 – £42 (concessions available)
URL:https://www.dunedin-consort.org.uk/diary/reich-gla2027/
LOCATION:Glasgow Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_rsno-reich.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270324T183000
DTEND;TZID=Europe/London:20270324T213000
DTSTAMP:20261006T150548Z
CREATED:20260622T133012Z
LAST-MODIFIED:20261006T150548Z
UID:35719-1805913000-1805923800@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £29.50 (inc booking fee)
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-pth2027/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
ORGANIZER;CN="Perth Theatre and Concert Hall":MAILTO:info@perththeatreandconcerthall.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270325T190000
DTEND;TZID=Europe/London:20270325T220000
DTSTAMP:20261006T150514Z
CREATED:20260622T093004Z
LAST-MODIFIED:20261006T150514Z
UID:35721-1806001200-1806012000@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £40 (+ Glasgow Life levy and fees) \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-gla2027/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270326T190000
DTEND;TZID=Europe/London:20270326T220000
DTSTAMP:20261006T150405Z
CREATED:20260622T092651Z
LAST-MODIFIED:20261006T150405Z
UID:35723-1806087600-1806098400@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £42 (+ booking fee) \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-edi2027/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
END:VCALENDAR