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DTSTART;TZID=Europe/London:20250915T193000
DTEND;TZID=Europe/London:20250915T213000
DTSTAMP:20250729T091622Z
CREATED:20250529T082537Z
LAST-MODIFIED:20250729T091622Z
UID:33091-1757964600-1757971800@www.dunedin-consort.org.uk
SUMMARY:Bach: Markus Passion
DESCRIPTION:Shortly after Bach’s death in 1750\, his Markus Passion was hand-delivered by his son C.P.E. to his Leipzig publisher\, Johann Breitkopf. We’re deeply familiar with his John and Matthew Passions but it was not for a century that the editor collating a new complete J.S. Bach edition noticed that the music for the Markus was missing. An expert borrower of his own music\, it seems likely that Bach recycled material from his Trauer-Ode for his former employer in Köthen. This new edition by Malcolm Bruno offers three beautiful and virtually unknown arias to fill the empty places left by the shorter music of the Trauer-Ode\, along with a unique role for an actor as Evangelist. This “pocket passion” of just four singers\, actor\, and single strings complements Bach’s two enormous Passions with the intimacy of chamber music. \n\n\nMarkus Passion with Concert Theatre Works\n\nJ. S. Bach Markus Passion\, BWV 247\n\nJohn Butt music director\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy tenor\nMatthew Brook baritone \nJoseph Marcell actor\nMalcolm Bruno editor\nBill Barclay writer\, stage director \n\n\n\n 
URL:https://www.dunedin-consort.org.uk/diary/markus-passion-lammermuir/
LOCATION:St Mary’s Parish Church\, Haddington\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/Joseph-Marcell.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250925T193000
DTEND;TZID=Europe/London:20250925T213000
DTSTAMP:20250923T145617Z
CREATED:20250529T105359Z
LAST-MODIFIED:20250923T145617Z
UID:33094-1758828600-1758835800@www.dunedin-consort.org.uk
SUMMARY:Bach's Italy
DESCRIPTION:Johann Sebastian Bach may never have actually visited Italy but he certainly made the journey in music. An avid consumer and transcriber of his Italian colleagues\, he borrowed their music as themes for fugues or took up their musical ideas to structure his own compositions. This concert brings his voracious interest to life as glittering and heartbreaking Italian concertos for strings set the stage for Bach’s Double\, which invites sinuous virtuosity and exquisite tenderness from two of Dunedin’s finest.  \n  \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 7\nAntonio Vivaldi Concerto for Two Violins in D minor\, RV 514 \nGeorg Muffat Sonata V\, Armonico Tributo\n~\nAntonio Vivaldi Concerto for Two Violins & Cello\, RV 565 \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 6\nJohann Sebastian Bach Concerto for 2 Violins\, BWV 1043   \nJohn Butt director \nMatthew Truscott violin \nHuw Daniel violin \nJonathan Manson cello \nPre-concert talk with John Butt at 6.30pm  \nDownload your programme here \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details.
URL:https://www.dunedin-consort.org.uk/diary/2509-bach-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2509_Web_DC_Bach-Italyl_2560x1020_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250926T193000
DTEND;TZID=Europe/London:20250926T213000
DTSTAMP:20250924T162455Z
CREATED:20250529T083324Z
LAST-MODIFIED:20250924T162455Z
UID:33097-1758915000-1758922200@www.dunedin-consort.org.uk
SUMMARY:Bach's Italy
DESCRIPTION:Johann Sebastian Bach may never have actually visited Italy but he certainly made the journey in music. An avid consumer and transcriber of his Italian colleagues\, he borrowed their music as themes for fugues or took up their musical ideas to structure his own compositions. This concert brings his voracious interest to life as glittering and heartbreaking Italian concertos for strings set the stage for Bach’s Double\, which invites sinuous virtuosity and exquisite tenderness from two of Dunedin’s finest.  \n  \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 7\nAntonio Vivaldi Concerto for Two Violins in D minor\, RV 514 \nGeorg Muffat Sonata V\, Armonico Tributo\n~\nAntonio Vivaldi Concerto for Two Violins & Cello\, RV 565 \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 6\nJohann Sebastian Bach Concerto for 2 Violins\, BWV 1043  \nJohn Butt director \nMatthew Truscott violin \nHuw Daniel violin\nJonathan Manson cello\n \n\n  \nDownload your programme here \n\nPre-concert talk with John Butt at 6.30pm
URL:https://www.dunedin-consort.org.uk/diary/2509-bach-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2509_Web_DC_Bach-Italyl_2560x1020_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250927T193000
DTEND;TZID=Europe/London:20250927T213000
DTSTAMP:20250923T150356Z
CREATED:20250529T100223Z
LAST-MODIFIED:20250923T150356Z
UID:33099-1759001400-1759008600@www.dunedin-consort.org.uk
SUMMARY:Bach's Italy
DESCRIPTION:Johann Sebastian Bach may never have actually visited Italy but he certainly made the journey in music. An avid consumer and transcriber of his Italian colleagues\, he borrowed their music as themes for fugues or took up their musical ideas to structure his own compositions. This concert brings his voracious interest to life as glittering and heartbreaking Italian concertos for strings set the stage for Bach’s Double\, which invites sinuous virtuosity and exquisite tenderness from two of Dunedin’s finest.   \n  \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 7\nAntonio Vivaldi Concerto for Two Violins in D minor\, RV 514 \nGeorg Muffat Sonata V\, Armonico Tributo\n~\nAntonio Vivaldi Concerto for Two Violins & Cello\, RV 565 \nArcangelo Corelli Concerto Grosso\, Op. 6\, No. 6\nJohann Sebastian Bach Concerto for 2 Violins\, BWV 1043   \nJohn Butt director \nMatthew Truscott violin \nHuw Daniel violin\nJonathan Manson cello\n \nDownload your programme here \nPre-concert talk with John Butt at 6.30pm 
URL:https://www.dunedin-consort.org.uk/diary/2509-bach-perth/
LOCATION:St John’s Kirk\, 31 Saint John Street\, Perth\, Perth and Kinross\, PH1\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2509_Web_DC_Bach-Italyl_2560x1020_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251016T193000
DTEND;TZID=Europe/London:20251016T213000
DTSTAMP:20251006T121940Z
CREATED:20250515T094108Z
LAST-MODIFIED:20251006T121940Z
UID:33167-1760643000-1760650200@www.dunedin-consort.org.uk
SUMMARY:Handel\, Biber\, Bach
DESCRIPTION:Stop. Listen. Breathe. We invite you to immerse yourself in the astonishing clarity of four musicians\, together and alone. Rising star Charlotte Bowden offers up beautifully reflective and philosophical Handel\, while violin\, cello\, and theorbo each take their turn in the limelight. Bach’s mesmerising and forthright third suite for solo cello contrasts with the obsessive tread of Biber’s ‘Guardian Angel’ Passacaglia\, the final movement of his astonishing Mystery Sonatas. \n  \n\nGeorge Frideric Handel Die ihr aus dunkeln Grüften\, HWV 208\nGeorge Frideric Handel In den angenehmen Büschen\, HWV 209\nJohannes Hieronymus Kapsberger Toccata No.1 from Book 4 of D’Intavolatura di chitarrone\nHeinrich Ignaz Franz Biber ‘Guardian Angel’ Passacaglia\nGeorg Phillip Telemann Ihr Volker hort TWV 1:921\nJohann Sebastian Bach Cello Suite No.3 BWV 1009\nJohann Heinrich Schmelzer  Sonata No.3 from Sonatae Unarum Fidium\nGeorge Frideric Handel Künft’ger Zeiten eitler Kummer\, HWV 202\nGeorge Frideric Handel Süße Stille\, sanfte Quelle\, HWV 205 \n\nCharlotte Bowden soprano\nSophia Prodanova violin\nJonathan Manson cello\nAlex McCartney theorbo\n \nDownload your complimentary programme.
URL:https://www.dunedin-consort.org.uk/diary/2510-hbb-oban/
LOCATION:St John’s Cathedral\, Oban\, 129 George St\, Oban\, PA34 5NT\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2510_hbb_Web_DC_2560x1020-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251017T193000
DTEND;TZID=Europe/London:20251017T213000
DTSTAMP:20251006T101800Z
CREATED:20250529T100426Z
LAST-MODIFIED:20251006T101800Z
UID:33170-1760729400-1760736600@www.dunedin-consort.org.uk
SUMMARY:Handel\, Biber\, Bach
DESCRIPTION:Stop. Listen. Breathe. We invite you to immerse yourself in the astonishing clarity of four musicians\, together and alone. Rising star Charlotte Bowden offers upbeautifully reflective and philosophical Handel\, while violin\, cello\, and theorbo each take their turn in the limelight. Bach’s mesmerising and forthright third suite for solo cello contrasts with the obsessive tread of Biber’s ‘Guardian Angel’ Passacaglia\, the final movement of his astonishing Mystery Sonatas. \nGeorge Frideric Handel Die ihr aus dunkeln Grüften\, HWV 208\nGeorge Frideric Handel In den angenehmen Büschen\, HWV 209\nKapsberger Toccata No.1 (from Book 4 of D’Intavolatura di Lauto)\nJohannes Hieronymus Kapsberger Toccata No.1 from Book 4 of D’Intavolatura di chitarrone\nGeorg Phillip Telemann Ihr Volker hort TWV 1:921\nJohann Sebastian Bach Cello Suite No.3 BWV 1009\nJohann Heinrich Schmelzer  Sonata No.3 from Sonatae Unarum Fidium\nGeorge Frideric Handel Künft’ger Zeiten eitler Kummer\, HWV 202\nGeorge Frideric Handel Süße Stille\, sanfte Quelle\, HWV 205 \n\nCharlotte Bowden soprano\nSophia Prodanova violin\nJonathan Manson cello\nAlex McCartney theorbo \n\nDownload your complimentary programme.
URL:https://www.dunedin-consort.org.uk/diary/2510-hbb-findhorn/
LOCATION:Universal Hall\, The Park\, Findhorn\, Forres\, IV36 3TZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2510_hbb_Web_DC_2560x1020-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251018T193000
DTEND;TZID=Europe/London:20251018T213000
DTSTAMP:20251006T101725Z
CREATED:20250529T100517Z
LAST-MODIFIED:20251006T101725Z
UID:33172-1760815800-1760823000@www.dunedin-consort.org.uk
SUMMARY:Handel\, Biber\, Bach
DESCRIPTION:Stop. Listen. Breathe. We invite you to immerse yourself in the astonishing clarity of four musicians\, together and alone. Rising star Charlotte Bowden offers upbeautifully reflective and philosophical Handel\, while violin\, cello\, and theorbo each take their turn in the limelight. Bach’s mesmerising and forthright third suite for solo cello contrasts with the obsessive tread of Biber’s ‘Guardian Angel’ Passacaglia\, the final movement of his astonishing Mystery Sonatas. \nGeorge Frideric Handel Die ihr aus dunkeln Grüften\, HWV 208\nGeorge Frideric Handel In den angenehmen Büschen\, HWV 209\nJohannes Hieronymus Kapsberger Toccata No.1 from Book 4 of D’Intavolatura di chitarrone\nHeinrich Ignaz Franz Biber ‘Guardian Angel’ Passacaglia\nGeorg Phillip Telemann Ihr Volker hort TWV 1:921\nJohann Sebastian Bach Cello Suite No.3 BWV 1009\nJohann Heinrich Schmelzer Sonata No.3 in G minor\nGeorge Frideric Handel Künft’ger Zeiten eitler Kummer\, HWV 202\nGeorge Frideric Handel Süße Stille\, sanfte Quelle\, HWV 205 \n\nCharlotte Bowden soprano\nSophia Prodanova violin\nJonathan Manson cello\nAlex McCartney theorbo \nDownload your complimentary programme.
URL:https://www.dunedin-consort.org.uk/diary/2510-hbb-inverness/
LOCATION:Inverness Cathedral\, Ardross Street\, Inverness\, IV3 5NS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2510_hbb_Web_DC_2560x1020-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251019T140000
DTEND;TZID=Europe/London:20251019T160000
DTSTAMP:20251006T101536Z
CREATED:20250529T100751Z
LAST-MODIFIED:20251006T101536Z
UID:33174-1760882400-1760889600@www.dunedin-consort.org.uk
SUMMARY:Handel\, Biber\, Bach
DESCRIPTION:Stop. Listen. Breathe. We invite you to immerse yourself in the astonishing clarity of four musicians\, together and alone. Rising star Charlotte Bowden offers up beautifully reflective and philosophical Handel\, while violin\, cello\, and theorbo each take their turn in the limelight.Bach’s mesmerising and forthright third suite for solo cello contrasts with the obsessive tread of Biber’s ‘Guardian Angel’ Passacaglia\, the final movement of his astonishing Mystery Sonatas. \nGeorge Frideric Handel Die ihr aus dunkeln Grüften\, HWV 208\nGeorge Frideric Handel In den angenehmen Büschen\, HWV 209\nJohannes Hieronymus Kapsberger Toccata No.1 from Book 4 of D’Intavolatura di chitarrone\nHeinrich Ignaz Franz Biber ‘Guardian Angel’ Passacaglia\nGeorg Phillip Telemann Ihr Volker hort TWV 1:921\nJohann Sebastian Bach Cello Suite No.3 BWV 1009\nJohann Heinrich Schmelzer  Sonata No.3 from Sonatae Unarum Fidium\nGeorge Frideric Handel Künft’ger Zeiten eitler Kummer\, HWV 202\nGeorge Frideric Handel Süße Stille\, sanfte Quelle\, HWV 205 \n\nCharlotte Bowden soprano\nSophia Prodanova violin\nJonathan Manson cello\nAlex McCartney theorbo \n\n\n\n\n\nDownload your complimentary programme.
URL:https://www.dunedin-consort.org.uk/diary/2510-hbb-aberdeen/
LOCATION:Cowdray Hall\, School Hill\, Aberdeen\, AB10 1JQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2510_hbb_Web_DC_2560x1020-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251101T123000
DTEND;TZID=Europe/London:20251101T140000
DTSTAMP:20251021T160119Z
CREATED:20250529T100927Z
LAST-MODIFIED:20251021T160119Z
UID:33176-1762000200-1762005600@www.dunedin-consort.org.uk
SUMMARY:The Enchanted Snake
DESCRIPTION:Join us for a fantastical musical adventure\, and journey through the magical realms of The Enchanted Snake. Based on an Italian fairy tale collected by the Scottish poet\, Andrew Lang\, and adapted for performance by the inspiring Kenyan/Scottish storyteller\, Mara Menzies\, The Enchanted Snake blends compelling modern storytelling with live performance of Scottish trad and court music from the 18th century. \nTravel with us around a giant snake-shaped map\, help the Enchanted Snake with challenges along the way\, and get up close to Dunedin Consort’s professional musicians as they guide you through this extraordinary world. \n\n\n\n\nPerformance times: 12.30pm – 1pm | 1.30pm – 2pm \n 
URL:https://www.dunedin-consort.org.uk/diary/2511_enchanted-snake-edinburgh/
LOCATION:Lyra Artspace\, 11 Harewood Road\, Craigmillar\, Edinburgh\, EH16 4NT
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2511_Web_DC_enchanted-snake.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251102T133000
DTEND;TZID=Europe/London:20251102T150000
DTSTAMP:20251008T143022Z
CREATED:20250529T101248Z
LAST-MODIFIED:20251008T143022Z
UID:33180-1762090200-1762095600@www.dunedin-consort.org.uk
SUMMARY:The Enchanted Snake
DESCRIPTION:Join us for a fantastical musical adventure\, and journey through the magical realms of The Enchanted Snake. Based on an Italian fairy tale collected by the Scottish poet\, Andrew Lang\, and adapted for performance by the inspiring Kenyan/Scottish storyteller\, Mara Menzies\, The Enchanted Snake blends compelling modern storytelling with live performance of Scottish trad and court music from the 18th century. \nTravel with us around a giant snake-shaped map\, help the Enchanted Snake with challenges along the way\, and get up close to Dunedin Consort’s professional musicians as they guide you through this extraordinary world. \n\n\n\n\nPerformances at: 1.30pm – 2pm & 2.30pm – 3pm \n\n  \nThank you to The McGlashen Trust for supporting our work in Greenock. \n 
URL:https://www.dunedin-consort.org.uk/diary/2511_enchanted-snake-greenock/
LOCATION:Beacon Arts Centre\, Custom House Quay\, Greenock\, Scotland\, PA15 1HJ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2511_Web_DC_enchanted-snake.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251115T193000
DTEND;TZID=Europe/London:20251115T213000
DTSTAMP:20251112T123617Z
CREATED:20250529T101351Z
LAST-MODIFIED:20251112T123617Z
UID:33103-1763235000-1763242200@www.dunedin-consort.org.uk
SUMMARY:Purcell: Raise the voice
DESCRIPTION:Restoration London leaps to life in a programme of music about music. It begins and ends with two of Henry Purcell’s odes to St Cecilia\, music’s patron saint\, and includes a richly chromatic trio sonata by the Anglo-Italian composer Giovanni Battista Draghi. Henry Hall’s ode and John Blow’s memorial setting of verse by John Dryden express the grief felt by Purcell’s friends and colleagues following his tragically early death in 1695\, eulogies to ‘the matchless Man’ and English Orpheus who revolutionised London’s musical landscape.   \nHenry Purcell Welcome to all the Pleasures\, Z.339 \nJohn Blow Chaconne in 4 parts\nGiovanni Battista Draghi Trio sonata in G minor \nHenry Purcell Overture in D minor\, Z.771\nHenry Hall Yes\, My Aminta\, ‘tis too true \nHenry Purcell Overture in G Minor\, Z.772\nJohn Blow Ode on the Death of Henry Purcell\nWilliam Croft Sonata for two violins & two recorders \nHenry Purcell Raise the voice\, Z.334   \nNicholas Mulroy director and tenor \nJessica Cale soprano\nSamuel Boden tenor\nChristopher Webb bass \nPaul Whittaker BSL interpreter    \nThis performance will be BSL interpreted. Email info@dunedin-consort.org.uk if you require accessible seating.  \nrunning time approx 106 minutes (inc 20 min interval) \nDownload your free programme
URL:https://www.dunedin-consort.org.uk/diary/2511-purcell-glasgow/
LOCATION:Adelaide Place\, 188 Pitt Street\, Glasgow\, G2\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2511_Web_DC_purcell.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251116T150000
DTEND;TZID=Europe/London:20251116T170000
DTSTAMP:20251112T123359Z
CREATED:20250529T110831Z
LAST-MODIFIED:20251112T123359Z
UID:33109-1763305200-1763312400@www.dunedin-consort.org.uk
SUMMARY:Purcell: Raise the voice
DESCRIPTION:Restoration London leaps to life in a programme of music about music. It begins and ends with two of Henry Purcell’s odes to St Cecilia\, music’s patron saint\, and includes a richly chromatic trio sonata by the Anglo-Italian composer Giovanni Battista Draghi. Henry Hall’s ode and John Blow’s memorial setting of verse by John Dryden express the grief felt by Purcell’s friends and colleagues following his tragically early death in 1695\, eulogies to ‘the matchless Man’ and English Orpheus who revolutionised London’s musical landscape.   \nHenry Purcell Welcome to all the Pleasures\, Z.339 \nJohn Blow Chaconne in 4 parts\nGiovanni Battista Draghi Trio sonata in G minor \nHenry Purcell Overture in D minor\, Z.771\nHenry Hall Yes\, My Aminta\, ‘tis too true \nHenry Purcell Overture in G Minor\, Z.772\nJohn Blow Ode on the Death of Henry Purcell\nWilliam Croft Sonata for two violins & two recorders \nHenry Purcell Raise the voice\, Z.334   \nNicholas Mulroy director and tenor \nJessica Cale soprano\nSamuel Boden tenor\nChristopher Webb bass  \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nrunning time approx 106 minutes (inc 20 min interval) \nDownload your free programme
URL:https://www.dunedin-consort.org.uk/diary/2511-purcell-edinburgh/
LOCATION:Stockbridge Parish Church\, Saxe Coburg Street\, Edinburgh\, EH3 5BN\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2511_Web_DC_purcell.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251118T193000
DTEND;TZID=Europe/London:20251118T213000
DTSTAMP:20250716T094620Z
CREATED:20250529T101455Z
LAST-MODIFIED:20250716T094620Z
UID:33112-1763494200-1763501400@www.dunedin-consort.org.uk
SUMMARY:Purcell: Raise the voice
DESCRIPTION:Restoration London leaps to life in a programme of music about music. It begins and ends with two of Henry Purcell’s odes to St Cecilia\, music’s patron saint\, and includes a richly chromatic trio sonata by the Anglo-Italian composer Giovanni Battista Draghi. Henry Hall’s ode and John Blow’s memorial setting of verse by John Dryden express the grief felt by Purcell’s friends and colleagues following his tragically early death in 1695\, eulogies to ‘the matchless Man’ and English Orpheus who revolutionised London’s musical landscape.   \nHenry Purcell Welcome to all the Pleasures\, Z.339 \nJohn Blow Chaconne in 4 parts\nGiovanni Battista Draghi Trio sonata in G minor \nHenry Purcell Overture in D minor\, Z.771\nHenry Hall Yes\, My Aminta\, ‘tis too true \nHenry Purcell Overture in G Minor\, Z.772\nJohn Blow Ode on the Death of Henry Purcell\nWilliam Croft Sonata for two violins & two recorders \nHenry Purcell Raise the voice\, Z.334   \nNicholas Mulroy director and tenor \nJessica Cale soprano\nSamuel Boden tenor\nChristopher Webb bass  \n 
URL:https://www.dunedin-consort.org.uk/diary/2511-purcell-london/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, W1H 0BP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2511_Web_DC_purcell.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251217T160000
DTEND;TZID=Europe/London:20251217T170000
DTSTAMP:20250716T103239Z
CREATED:20250529T110535Z
LAST-MODIFIED:20250716T103239Z
UID:33227-1765987200-1765990800@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Written by Megan Shandley and presented by Mr Handel and his sidekick Frances. \nOur Children’s Messiah performances are specially crafted with young ears in mind! Guided by Mr Handel and his footwoman\, Frances\, this specially devised 45-minute adaptation of Handel’s masterpiece will guide young listeners through some of his greatest hits\, with plenty of fun and interactive games along the way. For many children this may be their first introduction to the concert hall — and we want it to be a transformative experience. Get to know our soloists\, conductor\, chorus and orchestra\, as well as the music that we love to perform. And who knows\, there might even be the chance for some brave audience members to conduct the orchestra… \nJohn Butt director\nThe singers and musicians of Dunedin Consort\nPaul Whittaker BSL Interpreter \nTickets: £6 (Free for adults attending the later Messiah performance) \nThese performances will be BSL interpreted \nrunning time approx 45mins \nOur Children’s Messiah performances are generously supported by Baillie Gifford
URL:https://www.dunedin-consort.org.uk/diary/2512-childrens-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251217T190000
DTEND;TZID=Europe/London:20251217T220000
DTSTAMP:20251213T004424Z
CREATED:20250515T094321Z
LAST-MODIFIED:20251213T004424Z
UID:33114-1765998000-1766008800@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season.   \nGeorge Frideric Handel Messiah\, HWV 56   \nJohn Butt director \nNardus Williams soprano\nLotte Betts-Dean mezzo-soprano\nJoshua Ellicott tenor\nDingle Yandell bass  \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nrunning time approx 180 minutes (inc 20 min interval) \nDownload your Messiah programme
URL:https://www.dunedin-consort.org.uk/diary/2512-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251218T183000
DTEND;TZID=Europe/London:20251218T213000
DTSTAMP:20251213T004256Z
CREATED:20250529T101841Z
LAST-MODIFIED:20251213T004256Z
UID:33118-1766082600-1766093400@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season.   \nGeorge Frideric Handel Messiah\, HWV 56   \nJohn Butt director \nNardus Williams soprano\nLotte Betts-Dean mezzo-soprano\nJoshua Ellicott tenor\nDingle Yandell bass  \nrunning time approx 180 minutes (inc 20 min interval) \nDownload your Messiah programme
URL:https://www.dunedin-consort.org.uk/diary/2512-messiah-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_messiah.jpg
ORGANIZER;CN="Perth Theatre and Concert Hall":MAILTO:info@perththeatreandconcerthall.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251219T160000
DTEND;TZID=Europe/London:20251219T170000
DTSTAMP:20250716T103155Z
CREATED:20250515T110342Z
LAST-MODIFIED:20250716T103155Z
UID:33230-1766160000-1766163600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Written by Megan Shandley and presented by Mr Handel and his sidekick Frances. \nOur Children’s Messiah performances are specially crafted with young ears in mind! Guided by Mr Handel and his footwoman\, Frances\, this specially devised 45-minute adaptation of Handel’s masterpiece will guide young listeners through some of his greatest hits\, with plenty of fun and interactive games along the way. For many children this may be their first introduction to the concert hall — and we want it to be a transformative experience. Get to know our soloists\, conductor\, chorus and orchestra\, as well as the music that we love to perform. And who knows\, there might even be the chance for some brave audience members to conduct the orchestra… \nJohn Butt director\nThe singers and musicians of Dunedin Consort\nPaul Whittaker BSL Interpreter \nTickets: £6 (Free for adults attending the later Messiah performance) \nThese performances will be BSL interpreted \nrunning time approx 45mins \nOur Children’s Messiah performances are generously supported by Baillie Gifford
URL:https://www.dunedin-consort.org.uk/diary/2512-childrens-messiah-glasgow/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251219T190000
DTEND;TZID=Europe/London:20251219T220000
DTSTAMP:20251213T004333Z
CREATED:20250529T102151Z
LAST-MODIFIED:20251213T004333Z
UID:33121-1766170800-1766181600@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season.   \nGeorge Frideric Handel Messiah\, HWV 56   \nJohn Butt director \nNardus Williams soprano\nLotte Betts-Dean mezzo-soprano\nJoshua Ellicott tenor\nDingle Yandell bass\nPaul Whittaker BSL interpreter \nThis performance will be BSL interpreted\, please email info@dunedin-consort.org.uk if you require an accessible seat. \nrunning time approx 180 minutes (inc 20 min interval) \nDownload your Messiah programme
URL:https://www.dunedin-consort.org.uk/diary/2512-messiah-glasgow/
LOCATION:St Aloysius’ Church\, 25 Rose St\, Glasgow\, G3 6RE\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2512_Web_DC_messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260129T193000
DTEND;TZID=Europe/London:20260129T213000
DTSTAMP:20260121T123242Z
CREATED:20260115T171715Z
LAST-MODIFIED:20260121T123242Z
UID:34821-1769715000-1769722200@www.dunedin-consort.org.uk
SUMMARY:Lillian Gordis: French Connection
DESCRIPTION:Jean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles. \nJean-Philippe Rameau Premier concert\, Pièces de clavecin en concerts \nÉlisabeth Jacquet de la Guerre Trio Sonata in B flat major\nJohann Sebastian Bach Trio Sonata from The Musical Offering\, BWV 1079 \nJohann Sebastian Bach Trio Sonata in C major\, BWV 529\nGeorg Philipp Telemann Paris Quartet\, TWV 43:G1\nJean-Philippe Rameau Cinquième concert\, Pièces de clavecin en concerts   \nMatthew Truscott violin\nRosie Bowker flute\nJonathan Manson viola da gamba \nLillian Gordis harpsichord   \nJean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles—not only pen-portraits of his fellow musicians like Forqueray and Boucon but also more general character studies of La Timide and L’Indifférente. JS Bach’s Musical Offering has its own remarkable backstory\, a collection composed for Frederick the Great of Prussia on a dastardly theme from the King himself. Fittingly for a flute-playing\, Francophile monarch\, this programme is filled with music that revels in crossing the border.   \nDownload your free programme \nPre-concert talk at 6.30pm  \nPerformance running time approx 100 minutes
URL:https://www.dunedin-consort.org.uk/diary/2601-gordis-glasgow/
LOCATION:Adelaide Place\, 188 Pitt Street\, Glasgow\, G2\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2526_Web_carousel_DC_2560x1020_gordis-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260130T193000
DTEND;TZID=Europe/London:20260130T213000
DTSTAMP:20260121T133259Z
CREATED:20260115T170852Z
LAST-MODIFIED:20260121T133259Z
UID:34812-1769801400-1769808600@www.dunedin-consort.org.uk
SUMMARY:Lillian Gordis: French Connection
DESCRIPTION:Jean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles. \nJean-Philippe Rameau Premier concert\, Pièces de clavecin en concerts \nÉlisabeth Jacquet de la Guerre Trio Sonata in B flat major\nJohann Sebastian Bach Trio Sonata from The Musical Offering\, BWV 1079 \nJohann Sebastian Bach Trio Sonata in C major\, BWV 529\nGeorg Philipp Telemann Paris Quartet\, TWV 43:G1\nJean-Philippe Rameau Cinquième concert\, Pièces de clavecin en concerts   \nMatthew Truscott violin\nRosie Bowker flute\nJonathan Manson viola da gamba \nLillian Gordis harpsichord   \nJean-Philippe Rameau is most famous now as a composer of grand operas\, full of myth and phalanxes of woodwind\, but in 1741 he published a remarkable collection of pieces with tantalising titles—not only pen-portraits of his fellow musicians like Forqueray and Boucon but also more general character studies of La Timide and L’Indifférente. JS Bach’s Musical Offering has its own remarkable backstory\, a collection composed for Frederick the Great of Prussia on a dastardly theme from the King himself. Fittingly for a flute-playing\, Francophile monarch\, this programme is filled with music that revels in crossing the border.   \n Download your free programme \nPre-concert talk at 6.30pm  \nPerformance running time approx 100 minutes \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details.
URL:https://www.dunedin-consort.org.uk/diary/2601-gordis-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2526_Web_carousel_DC_2560x1020_gordis-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260304T193000
DTEND;TZID=Europe/London:20260304T204500
DTSTAMP:20260302T162944Z
CREATED:20250515T095526Z
LAST-MODIFIED:20260302T162944Z
UID:33129-1772652600-1772657100@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £40\, £35\, £30\, £20; disabled/wcu £20\, £18\, £15\, £10; under 30/student/universal credit £6 (+ £1.50 booking fee); under 18s free \nDownload your free concert programme \nPerformance run time is 70 minutes straight through \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details.
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260305T193000
DTEND;TZID=Europe/London:20260305T204500
DTSTAMP:20260302T163031Z
CREATED:20250529T102330Z
LAST-MODIFIED:20260302T163031Z
UID:33132-1772739000-1772743500@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £31.50\, £26.50; disabled/wcu £16.50\, £14.50; u30s/students/unwaged £7.50 (inc £1.50 booking fee); under 18s free \nDownload your free concert programme \nPerformance run time is 70 minutes straight through
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260306T193000
DTEND;TZID=Europe/London:20260306T204500
DTSTAMP:20260302T171148Z
CREATED:20250529T102401Z
LAST-MODIFIED:20260302T171148Z
UID:33134-1772825400-1772829900@www.dunedin-consort.org.uk
SUMMARY:Sean Shibe: Scottish Lute
DESCRIPTION:Sean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares.  \n\n\n\n\nProgramme to include: \nJohn Dowland Lachrimae\nSolo lute pieces from the Panmure Collection\nChristopher Simpson Ayres for three viols\nSolo lute pieces from the Rowallen Collection\nMarin Marais Suite in D major from Book 1\nJean-Baptiste Lully Dance of the Turks from Le Bourgeois Gentilhomme\nJean-Baptiste Lully Chaconne from Le Bourgeois Gentilhomme \n\n\nSean Shibe lute\nHuw Daniel violin\nRebecca Livermore violin\nLiam Byrne viola da gamba\nLucia Capellaro viola da gamba \n\n\n\n\nSean Shibe and Dunedin Consort dive into the archives of the National Library of Scotland to explore the musical riches in its collection\, which includes music for viol by Marin Marais\, and a uniquely Scottish version of John Dowland’s Lachrimae\, or Seaven Teares. Sean takes to his lute with a handful of string players to guide us through a cosmopolitan\, voracious\, and richly-varied musical landscape at the turn of the seventeenth century. \n\n\n\n\nPre-concert talk at 6.30pm   \nTickets: £29.50\, £25.50\, £20 (inc £2.50 booking fee per ticket) students/Young Scot/Under 26s £6; 18 and unders go Free (under 16s to be accompanied by an adult) \nDownload your free concert programme \nPerformance run time is 70 minutes straight through
URL:https://www.dunedin-consort.org.uk/diary/2603-shibe-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Shibe_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260324T193000
DTEND;TZID=Europe/London:20260324T213000
DTSTAMP:20250607T164625Z
CREATED:20250515T095847Z
LAST-MODIFIED:20250607T164625Z
UID:33158-1774380600-1774387800@www.dunedin-consort.org.uk
SUMMARY:PREMIERE - Passion of Mary Magdalene
DESCRIPTION:Mary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. \nTansy Davies Passion of Mary Magdalene \nJohn Butt director\nAnna Dennis Mary Magdalene\nMarcus Farnsworth Jesus \nMary Magdalene is one of the most enigmatic figures of the Passion narrative\, close at hand and yet never quite in focus across the Gospels of Matthew\, Mark\, Luke\, and John. Her relationship to Jesus has long intrigued poets\, believers\, and theologians alike\, and Tansy Davies joins their ranks in this new commission. Drawing on the musical forces of J.S. Bach’s John Passion\, she assembles the texts\, including poetry by Ruth Fainlight\, and writes music for her deep exploration of the Passion story from Mary Magdalene’s perspective. Expect something intimate\, numinous\, and revelatory.
URL:https://www.dunedin-consort.org.uk/diary/2603-mary-magdalene-passion-london/
LOCATION:Barbican Hall\, Barbican Centre\, London\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2603_Web_DC_mary-passion.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260402T190000
DTEND;TZID=Europe/London:20260402T220000
DTSTAMP:20260401T115522Z
CREATED:20250515T094238Z
LAST-MODIFIED:20260401T115522Z
UID:33136-1775156400-1775167200@www.dunedin-consort.org.uk
SUMMARY:Bach Matthew Passion
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \n  \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  \n\nTickets: £40\, £35\, £30\, £20; disabled/wcu £20\, £18\, £15\, £10; under 30/student/unwaged £6 (+ booking fee); under 18s free \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nDownload your free programme
URL:https://www.dunedin-consort.org.uk/diary/2604-matthew-passion-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_MP_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260403T190000
DTEND;TZID=Europe/London:20260403T220000
DTSTAMP:20260401T115448Z
CREATED:20250515T113753Z
LAST-MODIFIED:20260401T115448Z
UID:33139-1775242800-1775253600@www.dunedin-consort.org.uk
SUMMARY:Bach Matthew Passion
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. Eight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.   \nJohann Sebastian Bach Matthew Passion\, BWV 244 \nKristian Bezuidenhout director \nCarine Tinney soprano \nReginald Mobley countertenor \nToby Spence Evangelist \nDrew Santini Christus  \nTickets: £41.50\, £36.50; disabled/wcu £16.50; under 26/student/unwaged £7.50 (inc £1.50 fee); under 18s free \n\nDownload your free programme 
URL:https://www.dunedin-consort.org.uk/diary/2604-matthew-passion-glasgow/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_MP_Web_DC_2560x1020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260424T193000
DTEND;TZID=Europe/London:20260424T213000
DTSTAMP:20250716T095153Z
CREATED:20250515T100159Z
LAST-MODIFIED:20250716T095153Z
UID:33144-1777059000-1777066200@www.dunedin-consort.org.uk
SUMMARY:Foldings & Whirlings
DESCRIPTION:Clouds scud and wheel across the sky in a programme that celebrates the joy of deep breaths and the full possibilities of the human voice. Caroline Shaw’s origami-inspired How to fold the wind and Aaron Jay Kernis’ diaphanous Ecstatic Meditations sit at the heart of the each half\, framed by sixteenth-century polyphony from John Sheppard and John Taverner—music that folds back on itself over and again\, inviting us to look up and marvel at its vaulted lines.  \nJohn Sheppard Libera nos I \nCaroline Shaw How to fold the wind \nJohn Taverner Dum transisset II \nRandall Thompson Alleluia \nJohn Sheppard Libera nos II\nAaron Jay Kernis Ecstatic Meditations \nJohn Taverner Dum transisset I\nJake Runestad Alleluia  \nEllie Slorach director\nThe Singers of Dunedin Consort
URL:https://www.dunedin-consort.org.uk/diary/2604-choral-milngavie/
LOCATION:Cairns Church\, Buchanan Street\, Milngavie\, G62 8AW\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_Web_DC_foldings.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260425T193000
DTEND;TZID=Europe/London:20260425T213000
DTSTAMP:20260421T155908Z
CREATED:20250529T110407Z
LAST-MODIFIED:20260421T155908Z
UID:33141-1777145400-1777152600@www.dunedin-consort.org.uk
SUMMARY:Foldings & Whirlings
DESCRIPTION:Clouds scud and wheel across the sky in a programme that celebrates the joy of deep breaths and the full possibilities of the human voice. Caroline Shaw’s origami-inspired How to fold the wind and Aaron Jay Kernis’ diaphanous Ecstatic Meditations sit at the heart of the each half\, framed by sixteenth-century polyphony from John Sheppard and John Taverner—music that folds back on itself over and again\, inviting us to look up and marvel at its vaulted lines.  \nJohn Sheppard Libera nos I \nCaroline Shaw How to fold the wind \nJohn Taverner Dum transisset II \nRandall Thompson Alleluia \nJohn Sheppard Libera nos II\nAaron Jay Kernis Ecstatic Meditations \nJohn Taverner Dum transisset I\nJake Runestad Alleluia  \nEllie Slorach director\nThe Singers of Dunedin Consort \nPre-concert talk with Ellie Slorach at 6.30pm   \nTickets: £30\, £25; disabled/wcu £16\, £13; under 30s/student/unwaged £6; under 18s free \nIncluded in the Edinburgh Subscription Season. Save up to 20% when buying for 2 or more events\, contact The Queen’s Hall for details. \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2604-choral-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2604_Web_DC_foldings.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260506T193000
DTEND;TZID=Europe/London:20260506T213000
DTSTAMP:20260430T162658Z
CREATED:20250515T100458Z
LAST-MODIFIED:20260430T162658Z
UID:33153-1778095800-1778103000@www.dunedin-consort.org.uk
SUMMARY:Cantatas & Concertos
DESCRIPTION:Imagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind.  \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor \nStephen Farr obbligato organ \nAlexandra Bellamy oboe d’amore \nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland   \nPre-concert talk with John Butt at 6.30pm.   \nTickets: £30\, £25; disabled/wcu £16\, £13; under 30s/student/unwaged £6; under 18s free \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2605-cantatas-edinburgh/
LOCATION:Greyfriars Kirk\, Greyfriars Place\, Edinburgh\, EH1 2QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2025/05/2605_web_dc_cantatas.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T193000
DTEND;TZID=Europe/London:20260507T213000
DTSTAMP:20260430T162738Z
CREATED:20250529T103442Z
LAST-MODIFIED:20260430T162738Z
UID:33156-1778182200-1778189400@www.dunedin-consort.org.uk
SUMMARY:Cantatas & Concertos
DESCRIPTION:Imagine sitting in the Thomaskirche on Sunday morning in Leipzig\, four years into Bach’s tenure as musical director. By now you’re used to some extraordinary music from the great man\, but BWV 169 is something else. Not only does it begin with what can only be described as an organ concerto but then it uses just one alto voice to praise God alone. Telemann and Graupner both revel in the gorgeous combination of flute and oboe d’amore before a final Bach cantata draws all these threads together with a blockbuster organ sinfonia and and more stunning writing for massed woodwind. \nJohann Sebastian Bach Gott soll allein\, BWV 169\nGeorg Phillip Telemann Concerto for Flute\, Oboe d’amore\, Viola d’amore\, TWV 53:E1   \nChristoph Graupner Ouverture in F major\, GWV 445\nJohann Sebastian Bach Wir müssen durch viel Trübsal\, BWV 146   \nJohn Butt director\nAlexander Chance countertenor \nStephen Farr obbligato organ \nAlexandra Bellamy oboe d’amore \nKaty Bircher flute\nHuw Daniel viola d’amore   \nDunedin Consort side-by-side with players from the Royal Conservatoire of Scotland   \nTickets: £31.50\, £26.50; disabled/wcu £16.50\, £14.50; under 30/student/unwaged £7.50 (including £1.50 commission); under 18s free \nDownload your free programme here
URL:https://www.dunedin-consort.org.uk/diary/2605-cantatas-glasgow/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
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