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DTSTART;TZID=Europe/London:20261216T190000
DTEND;TZID=Europe/London:20261216T220000
DTSTAMP:20260826T145029Z
CREATED:20260622T093648Z
LAST-MODIFIED:20260826T145029Z
UID:35684-1797447600-1797458400@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/messiah-edi2026/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T163000
DTEND;TZID=Europe/London:20261217T173000
DTSTAMP:20260622T114529Z
CREATED:20260622T093613Z
LAST-MODIFIED:20260622T114529Z
UID:35692-1797525000-1797528600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Our Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind! \nMatthew Truscott director\nThe singers and instrumentalists of Dunedin Consort\nPaul Whittaker BSL Interpreter  \nOur Children’s Messiah performances are specially crafted with young audiences and curious first-time concertgoers in mind!  \nLed by Mr Handel and his lively footwoman\, Frances\, this fun-filled 45-minute adaptation of Handel’s masterpiece introduces children to some of his most famous music through storytelling\, interactive games\, and plenty of audience participation along the way.  \nFor many children this will be their very first visit to the concert hall\, and we want it to be a transformative experience. Alongside the music\, audiences will meet our soloists\, conductor\, chorus\, and orchestra\, discovering what makes live performance so inspiring.  \nAnd for some brave volunteers\, there may even be the chance to conduct the orchestra themselves…  \nTickets: £6  \n(Free for adults attending the later Messiah performance)  \nThis performance will be BSL interpreted. \n  \nOur Children’s Messiah performances are generously supported by
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_childrens-messiah.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261217T190000
DTEND;TZID=Europe/London:20261217T220000
DTSTAMP:20260826T145008Z
CREATED:20260622T093530Z
LAST-MODIFIED:20260826T145008Z
UID:35687-1797534000-1797544800@www.dunedin-consort.org.uk
SUMMARY:Handel: Messiah
DESCRIPTION:George Frideric Handel Messiah\, HWV 56  \nMatthew Truscott violin & director\nRowan Pierce soprano\nAnita Monserrat mezzo-soprano\nEd Lyon tenor\nMarcus Farnsworth baritone\nPaul Whittaker OBE bsl interpreter \nIt’s no surprise that Handel’s Messiah continues to draw audiences back year after year. There is nothing quite like it. Although the Hallelujah chorus has become the work’s calling card\, Handel wrote every note to impress and astound his listeners.  \nIts choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season  \nTickets: £6 – £42  \nThis performance will be BSL interpreted with the BSL interpreter standing on the stage at stalls left\, audience members who require BSL interpretation should select seats 11-18 in rows A-C. \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Vienna and Beyond\, Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk
URL:https://www.dunedin-consort.org.uk/diary/messiah-gla2026/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_messiah-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261223T193000
DTEND;TZID=Europe/London:20261223T213000
DTSTAMP:20261029T150345Z
CREATED:20260605T132526Z
LAST-MODIFIED:20261029T150345Z
UID:35694-1798054200-1798061400@www.dunedin-consort.org.uk
SUMMARY:Early German Christmas
DESCRIPTION:Throughout 17th and 18th century Germany\, Christmas remained a season of reflection and celebration\, shaped as much by local tradition and congregational hymn singing as by rousing festive music. \nSamuel Scheidt Intrada No.22\nJohann Rosenmüller Also hat Gott die Welt beliebt\nChristian Geist Wie schön\nJohann Christoph Bach Merk auf\, mein Herz BWV-Anhang 163\nGeorg Böhm Nun Komm\, der Heiden Heiland\nDieterich Buxtehude Wachet auf\nJohann Theile Nun ich singe Gott ich knie\nHeinrich Schütz Sehet an den Feigenbaum\nJohann Sebastian Bach Nun Komm\, der Heiden Heiland\, BWV 61  \nJohn Butt director & harpsichord\nZoë Brookshaw soprano\nJoanna Songi soprano\nSarah Anne Champion alto\nGuy Cutting tenor\nChristopher Webb bass  \nThroughout 17th and 18th century Germany\, Christmas remained a season of reflection and celebration\, shaped as much by local tradition and congregational hymn singing as by rousing festive music. From court chapels to town churches\, composers contributed to a rich tapestry of Advent and Christmas music\, each work offering a different perspective on the story at its heart\, the celebration of Christ’s birth.  \nFigures such as Scheidt\, Schütz and Buxtehude laid the foundations of this tradition\, blending sacred and devotional intensity with expressive immediacy\, while later composers including J.S. Bach and his sons built upon these influences and transformed them.  \nAt this festive programme’s core is the chorale Nun komm\, Der Heiden Heiland\, a cornerstone of Lutheran Advent worship with a distinctive melody that provided the perfect foundation for composers such as Buxtehude\, Böhm and J.S. Bach to return to in search of new textures\, harmonies and melodic ornamentation.  \nTickets: £18 – £50
URL:https://www.dunedin-consort.org.uk/diary/wigmore-hall-dec2026/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, W1H 0BP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_early-german.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270114T190000
DTEND;TZID=Europe/London:20270114T220000
DTSTAMP:20260605T133257Z
CREATED:20260605T133257Z
LAST-MODIFIED:20260605T133257Z
UID:35697-1799953200-1799964000@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: £10 – £45
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-lon2027/
LOCATION:St Martin in the Fields\, Trafalgar Square\, London\, WC2N 4JJ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270116T193000
DTEND;TZID=Europe/London:20270116T223000
DTSTAMP:20260622T115148Z
CREATED:20260605T133651Z
LAST-MODIFIED:20260622T115148Z
UID:35701-1800127800-1800138600@www.dunedin-consort.org.uk
SUMMARY:Handel: Belshazzar
DESCRIPTION:The oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents. \nGeorge Frideric Handel Belshazzar HWV 61\n \nJohn Butt director & harpsichord\nEd Lyon Belshazzar\nNardus Williams Nitocris\nBeth Taylor Cyrus\nAlexander Chance Daniel\nMatthew Brook Gobryas  \nThe oratorio emerged as a space where music\, drama and public life converged. At the forefront of this musical movement was Handel\, who created works that spoke not only to their biblical narrative but also to wider cultural and political currents.  \nBased on Charles Jennens’ libretto\, Belshazzar centres around the dramatic story of the fallen Babylon – the impious King Belshazzar is confronted by divine judgement as a mysterious hand foretells his downfall. Set against him are voices of warning\, reflection and faith\, as the narrative unfolds towards a moment of reckoning and renewal.  \nTickets: 29 – 107 euros \nOn sale November 2026
URL:https://www.dunedin-consort.org.uk/diary/belshazzar-vie2027/
LOCATION:Wiener Konzerthaus\, Lothringerstrasse 20\, Vienna\, A-1030\, Austria
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_belshazzar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270227T183000
DTEND;TZID=Europe/London:20270227T213000
DTSTAMP:20261029T132139Z
CREATED:20260622T130143Z
LAST-MODIFIED:20261029T132139Z
UID:36014-1803753000-1803763800@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nOn Sale in December
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-bath2027/
LOCATION:Bath Abbey\, Bath\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270306T193000
DTEND;TZID=Europe/London:20270306T213000
DTSTAMP:20260608T115258Z
CREATED:20260608T115258Z
LAST-MODIFIED:20260608T115258Z
UID:35713-1804361400-1804368600@www.dunedin-consort.org.uk
SUMMARY:A Celebration of Steve Reich
DESCRIPTION:Scottish percussion superstar Colin Currie leads a dancing\, shimmering salute to a true icon: Steve Reich. Experience minimalism taken to the maximum: the sounds that made our century\, in all their power\, rhythm and beauty. \n\nSteve Reich New York Counterpoint\nSteve Reich Music for Ensemble and Orchestra\nSteve Reich The Desert Music \n\n\n\n\nColin Currie Conductor\nIan Dearden Sound Designer\nRSNO & Dunedin Consort \n\n\n\n\n\n\n\nI am wide awake: the mind is listening. There’s a reason why Steve Reich is a living legend – he’s the composer who broke music down to its raw elements and then rebuilt it\, transforming the way we listen. Scottish percussion superstar Colin Currie leads a dancing\, shimmering salute to a true icon\, including the mind-expanding 1983 epic The Desert Music. Experience minimalism taken to the maximum: the sounds that made our century\, in all their power\, rhythm and beauty. \nTickets: £15 – £42 (concessions available)
URL:https://www.dunedin-consort.org.uk/diary/reich-gla2027/
LOCATION:Glasgow Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_rsno-reich.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270324T183000
DTEND;TZID=Europe/London:20270324T213000
DTSTAMP:20261006T150548Z
CREATED:20260622T133012Z
LAST-MODIFIED:20261006T150548Z
UID:35719-1805913000-1805923800@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £29.50 (inc booking fee)
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-pth2027/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
ORGANIZER;CN="Perth Theatre and Concert Hall":MAILTO:info@perththeatreandconcerthall.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270325T190000
DTEND;TZID=Europe/London:20270325T220000
DTSTAMP:20261006T150514Z
CREATED:20260622T093004Z
LAST-MODIFIED:20261006T150514Z
UID:35721-1806001200-1806012000@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £40 (+ Glasgow Life levy and fees) \nIncluded in the Glasgow New Auditorium Subscription Season\, save 10% when booking 2+ concerts\, choose from Handel: Messiah\, and Bach: Matthew Passion. Book online at https://tickets.glasgowlife.org.uk
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-gla2027/
LOCATION:New Auditorium\, Royal Concert Hall\, 2 Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270326T190000
DTEND;TZID=Europe/London:20270326T220000
DTSTAMP:20261006T150405Z
CREATED:20260622T092651Z
LAST-MODIFIED:20261006T150405Z
UID:35723-1806087600-1806098400@www.dunedin-consort.org.uk
SUMMARY:Bach: Matthew Passion 300
DESCRIPTION:Bach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine. \nJohann Sebastian Bach Matthew Passion\, BWV 244  \nJohn Butt director & harpsichord\nAnna Dennis soprano\nJames Hall countertenor\nNicholas Mulroy Evangelist\nMalachy Frame Christus\nRSNO youth chorus  \nBach’s Matthew Passion was first performed on Good Friday 1727. Amidst the drama of betrayal\, trial\, judgement\, and crucifixion\, there runs a thread of love\, both human and divine.  \nEight singers and two orchestras work together and apart to narrate\, comment\, and reflect on the last days of Jesus’ life.  \nJoin us this Eastertide to celebrate 300 years of this extraordinary work.  \nTickets: £6 – £42 (+ booking fee) \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-edi2027/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_matthew-passion-27.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270425T150000
DTEND;TZID=Europe/London:20270425T170000
DTSTAMP:20261007T153509Z
CREATED:20260622T092601Z
LAST-MODIFIED:20261007T153509Z
UID:35725-1808665200-1808672400@www.dunedin-consort.org.uk
SUMMARY:Strings of Italy
DESCRIPTION:Throughout the 17th and early 18th centuries\, Italian composers transformed string writing into one of Europe’s most influential musical languages.  \nAlessandro Stradella Sinfonia in D\nJohann Rosenmüller Sinfonia Prima in F\nGiovanni Legrenzi Sonata “La Cremona” Op.8 No.10 in C\nAntonio Vivaldi Concerto for 4 violins RV 550\nArcangelo Corelli Concerto Grosso Op.6 No.2 in F\nGiovanni Legrenzi Sonata a4 Op.11 No.13 in a\nFrancesco Cavalli Canzon a4 in C from Music Sacre\nTomaso Albinoni Sinfonia Op. 2 No.3 in C\nAntonio Vivaldi Concerto for 2 violins RV 522  \nJohn Butt director\nDunedin Consort  \nThroughout the 17th and early 18th centuries\, Italian composers transformed string writing into one of Europe’s most influential musical languages. Figures such as Stradella\, Legrenzi and Corelli developed styles of increasing brilliance\, clarity and expressive power\, balancing contrapuntal richness with virtuosic flair.  \nFrom the elegant sonatas and sinfonias of Cavalli\, Rosenmüller and Albinoni to Vivaldi’s electrifying concertos for multiple violins\, this programme traces the evolution of the Italian string tradition at a moment of extraordinary creativity and invention.  \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/strings-edi2027/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_strings-of-italy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270519T193000
DTEND;TZID=Europe/London:20270519T213000
DTSTAMP:20260826T144659Z
CREATED:20260622T092530Z
LAST-MODIFIED:20260826T144659Z
UID:35729-1810755000-1810762200@www.dunedin-consort.org.uk
SUMMARY:Handel: Dixit Dominus
DESCRIPTION:A young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. \nAntonio Caldara Introduzione from L’olimpiade\nAntonio Lotti Missa Sancti Christophori\nGeorge Frideric Handel Dixit Dominus HWV 232 \nJohn Butt director & harpsichord\nHilary Cronin soprano\nHelen Charlston mezzo-soprano\nPaul Whittaker BSL interpreter\nDunedin Consort side by side with students from Royal Conservatoire of Scotland  \nA young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. There he absorbed a rich and expressive style marked by clarity\, balance and vitality – qualities that would continue shape his own musical language.  \nLotti’s Missa Sancti Christophori\, later compiled by his student Jan Dismas Zelenka\, represents Italian sacred polyphony at its finest\, combining expressive depth with structural refinement\, especially in the breathtaking Crucifixus. Meanwhile\, Handel’s Dixit Dominus transforms these Italian roots into a work of choral brilliance and rhythmic energy\, where voices and instruments combine with striking power.  \nPre-concert talk with John Butt at 6.30pm \nBSL interpreted performance \nTickets: £6 – £42  \nIncluded in Glasgow subscription\, save 10% when purchasing Dixit Dominus and Handel’s Leading Ladies at the same time. Book online at rcs.ac.uk
URL:https://www.dunedin-consort.org.uk/diary/dixit-gla2027/
LOCATION:Stevenson Hall\, Royal Conservatoire of Scotland\, 100 Renfrew St\, Glasgow\, G2 3DB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_dixit.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20270520T193000
DTEND;TZID=Europe/London:20270520T213000
DTSTAMP:20260826T144632Z
CREATED:20260622T081936Z
LAST-MODIFIED:20260826T144632Z
UID:35731-1810841400-1810848600@www.dunedin-consort.org.uk
SUMMARY:Handel: Dixit Dominus
DESCRIPTION:A young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti.  \nAntonio Caldara Introduzione from L’olimpiade\nAntonio Lotti Missa Sancti Christophori\nGeorge Frideric Handel Dixit Dominus HWV 232 \nJohn Butt director & harpsichord\nHilary Cronin soprano\nHelen Charlston mezzo-soprano\nDunedin Consort side by side with students from Royal Conservatoire of Scotland  \nA young Handel travelled to Italy\, immersing himself in a musical world shaped by composers such as Caldara and Lotti. There he absorbed a rich and expressive style marked by clarity\, balance and vitality – qualities that would continue shape his own musical language.  \nLotti’s Missa Sancti Christophori\, later compiled by his student Jan Dismas Zelenka\, represents Italian sacred polyphony at its finest\, combining expressive depth with structural refinement\, especially in the breathtaking Crucifixus. Meanwhile\, Handel’s Dixit Dominus transforms these Italian roots into a work of choral brilliance and rhythmic energy\, where voices and instruments combine with striking power.  \nPre-concert talk with John Butt at 6.30pm \nTickets: £6 – £42  \n\nIncluded in Edinburgh subscription season\, save up to 20% when buying 2+ concerts at the same time – book online at www.thequeenshall.net\, in person at The Queen’s Hall box office\, or call 0131 668 2019
URL:https://www.dunedin-consort.org.uk/diary/dixit-edi2027/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2026/06/Web_DC_2560x1020_dixit.jpg
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