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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190512T160000
DTEND;TZID=Europe/London:20190512T180000
DTSTAMP:20190508T202640Z
CREATED:20180803T150721Z
LAST-MODIFIED:20190508T202640Z
UID:15124-1557676800-1557684000@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190511T190000
DTEND;TZID=Europe/London:20190511T210000
DTSTAMP:20190508T202653Z
CREATED:20180822T140536Z
LAST-MODIFIED:20190508T202653Z
UID:15138-1557601200-1557608400@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation\, and Graupner was not released from his post of Kapellmeister in Hesse. \n‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-oban/
LOCATION:St John’s Cathedral\, Oban\, 129 George St\, Oban\, PA34 5NT\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190424T193000
DTEND;TZID=Europe/London:20190424T213000
DTSTAMP:20190405T114322Z
CREATED:20190405T113903Z
LAST-MODIFIED:20190405T114322Z
UID:17215-1556134200-1556141400@www.dunedin-consort.org.uk
SUMMARY:Bach and Handel at The Brunton
DESCRIPTION:An irresistible programme of baroque masterpieces\, including Bach’s B Minor Flute Suite with its sparkling dances and rich sonorities\, and his hauntingly beautiful Cantata ‘Ich habe genug’. No composer can lift the spirits like Handel\, and his Water Music — written to be played on a barge on the Thames — is so full of energy and joy that it will send you tapping your toes into the evening.
URL:https://www.dunedin-consort.org.uk/diary/bach-and-handel-at-the-brunton/
LOCATION:The Brunton\, Ladywell Way\, Musselburgh\, EH21 6AA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/04/9890-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190421T150000
DTEND;TZID=Europe/London:20190421T170000
DTSTAMP:20190327T171146Z
CREATED:20190327T165838Z
LAST-MODIFIED:20190327T171146Z
UID:17158-1555858800-1555866000@www.dunedin-consort.org.uk
SUMMARY:Bach for Easter Sunday
DESCRIPTION:Spend Easter Sunday in the company of Dunedin Consort and J.S. Bach. The programme features two cantatas\, each presenting a vivid and moving account of the Easter story. The glimmering opening of Himmelskönig\, sei wilkommen is contrasted with the rousing chorale cantata Christ lag in Todesbanden\, one of Bach’s best-loved works. \n\n\n\n\nThese vocal masterpieces are paired with the sparkling Orchestral Suite in B minor\, which features the astonishing virtuosity of Dunedin Consort’s principal flautist Katy Bircher.
URL:https://www.dunedin-consort.org.uk/diary/bach-for-easter-sunday/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/03/PerthCantatas-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190419T190000
DTEND;TZID=Europe/London:20190419T220000
DTSTAMP:20190326T101933Z
CREATED:20180803T150338Z
LAST-MODIFIED:20190326T101933Z
UID:15123-1555700400-1555711200@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion
DESCRIPTION:jFrom the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nWe welcome Trevor Pinnock\, a towering figure of the early music movement\, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/bach-matthew-passion/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190418T190000
DTEND;TZID=Europe/London:20190418T220000
DTSTAMP:20190326T102018Z
CREATED:20180803T150217Z
LAST-MODIFIED:20190326T102018Z
UID:15137-1555614000-1555624800@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion
DESCRIPTION:From the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nWe welcome Trevor Pinnock\, a towering figure of the early music movement\, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-aberdeen/
LOCATION:Aberdeen Music Hall\, Union Street\, Aberdeen\, AB10 1QS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190331T193000
DTEND;TZID=Europe/London:20190331T213000
DTSTAMP:20190313T200204Z
CREATED:20180803T150050Z
LAST-MODIFIED:20190313T200204Z
UID:15136-1554060600-1554067800@www.dunedin-consort.org.uk
SUMMARY:B Minor Mass
DESCRIPTION:The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork\, this extraordinary amalgamation of arrangements\, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet\, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy\, its purpose remains tantalisingly elusive. But in its scale\, ambition and dramatic\, inexorable unfolding\, the B Minor Mass remains one of his most monumental works\, a remarkable testament from Bach’s final years.
URL:https://www.dunedin-consort.org.uk/diary/b-minor-mass/
LOCATION:Oslo Cathedral\, Karl Johans gate 11\, Oslo\, 0154\, Norway
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190207T193000
DTEND;TZID=Europe/London:20190207T213000
DTSTAMP:20190205T111840Z
CREATED:20180803T145737Z
LAST-MODIFIED:20190205T111840Z
UID:15605-1549567800-1549575000@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo e Dafne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne-3/
LOCATION:University of Glasgow — Chapel\, University Avenue\, Glasgow\, G12 8QQ
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190206T193000
DTEND;TZID=Europe/London:20190206T213000
DTSTAMP:20190108T171446Z
CREATED:20180803T145912Z
LAST-MODIFIED:20190108T171446Z
UID:15118-1549481400-1549488600@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo and Daphne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne-2/
LOCATION:The Barber Institute\, University of Birmingham\, Birmingham\, B15 2TS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190205T193000
DTEND;TZID=Europe/London:20190205T213000
DTSTAMP:20190205T111828Z
CREATED:20180803T145737Z
LAST-MODIFIED:20190205T111828Z
UID:15120-1549395000-1549402200@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo and Daphne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190109T193000
DTEND;TZID=Europe/London:20190109T213000
DTSTAMP:20180824T101243Z
CREATED:20180803T145615Z
LAST-MODIFIED:20180824T101243Z
UID:15109-1547062200-1547069400@www.dunedin-consort.org.uk
SUMMARY:Beginning of the Revolution
DESCRIPTION:Every chapter of history has its turning point\, every revolution its leader. The revival of historically informed performance – the lifeblood of what we do at Dunedin Consort – owes much to Arnold Dolmetsch\, a fanatical instrument collector who in pioneering the early music revival of the late-nineteenth century ‘opened the door to a forgotten treasure-house of beauty’. Join us as we recreate one of the performances that kick-started this remarkable revolution\, where music by Purcell\, Handel\, Kuhnau and Rameau was rendered in full colour once more thanks to Dolmetsch’s unique insights into period performance. \nAlso broadcast live on Radio Nacional de España.
URL:https://www.dunedin-consort.org.uk/diary/beginning-of-the-revolution-2/
LOCATION:Fundación Juan March\, Madrid\, Castello 77\, Madrid\, 28006\, Spain
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Revolution-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190107T131000
DTEND;TZID=Europe/London:20190107T140000
DTSTAMP:20190105T213213Z
CREATED:20180803T144811Z
LAST-MODIFIED:20190105T213213Z
UID:15112-1546866600-1546869600@www.dunedin-consort.org.uk
SUMMARY:Beginning of the Revolution
DESCRIPTION:Every chapter of history has its turning point\, every revolution its leader. The revival of historically informed performance – the lifeblood of what we do at Dunedin Consort – owes much to Arnold Dolmetsch\, a fanatical instrument collector who in pioneering the early music revival of the late-nineteenth century ‘opened the door to a forgotten treasure-house of beauty’. Join us as we recreate one of the performances that kick-started this remarkable revolution\, where music by Purcell\, Handel\, Kuhnau and Rameau was rendered in full colour once more thanks to Dolmetsch’s unique insights into period performance.
URL:https://www.dunedin-consort.org.uk/diary/beginning-of-the-revolution/
LOCATION:Hunterian Museum\, University Avenue\, University of Glasgow\, Glasgow\, G12 8QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Revolution-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181220T190000
DTEND;TZID=Europe/London:20181220T220000
DTSTAMP:20181210T202646Z
CREATED:20180803T143759Z
LAST-MODIFIED:20181210T202646Z
UID:15102-1545332400-1545343200@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever. \nThis performance is preceded by a performance for school children at 3pm.
URL:https://www.dunedin-consort.org.uk/diary/handels-messiah-glasgow/
LOCATION:City Halls\, Candleriggs\, Glasgow\, Lanarkshire\, G1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181220T150000
DTEND;TZID=Europe/London:20181220T154500
DTSTAMP:20181210T202642Z
CREATED:20180821T102226Z
LAST-MODIFIED:20181210T202642Z
UID:15222-1545318000-1545320700@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-glasgow/
LOCATION:City Halls\, Candleriggs\, Glasgow\, Lanarkshire\, G1 1NQ\, United Kingdom
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181219T190000
DTEND;TZID=Europe/London:20181219T220000
DTSTAMP:20221017T212418Z
CREATED:20180803T143603Z
LAST-MODIFIED:20221017T212418Z
UID:15104-1545246000-1545256800@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever. \n\n\n\n\nBring your children to a short performance at 3pm specially designed for them.
URL:https://www.dunedin-consort.org.uk/diary/handel-s-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181219T150000
DTEND;TZID=Europe/London:20181219T154500
DTSTAMP:20181210T202649Z
CREATED:20180821T102038Z
LAST-MODIFIED:20181210T202649Z
UID:15224-1545231600-1545234300@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181218T190000
DTEND;TZID=Europe/London:20181218T220000
DTSTAMP:20181011T085417Z
CREATED:20180803T143343Z
LAST-MODIFIED:20181011T085417Z
UID:15105-1545159600-1545170400@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever.
URL:https://www.dunedin-consort.org.uk/diary/messiah-2/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181201T193000
DTEND;TZID=Europe/London:20181201T213000
DTSTAMP:20181002T150939Z
CREATED:20180817T121514Z
LAST-MODIFIED:20181002T150939Z
UID:15094-1543692600-1543699800@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age-dunkeld/
LOCATION:Dunkeld Cathedral\, Cathedral Street\, Dunkeld\, PH8 0AW\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181130T193000
DTEND;TZID=Europe/London:20181130T213000
DTSTAMP:20180907T140651Z
CREATED:20180803T143123Z
LAST-MODIFIED:20180907T140651Z
UID:15097-1543606200-1543613400@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age/
LOCATION:Canongate Kirk\, 153 Canongate\, Edinburgh\, EH8 8BN\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181129T193000
DTEND;TZID=Europe/London:20181129T213000
DTSTAMP:20180919T144950Z
CREATED:20180907T132939Z
LAST-MODIFIED:20180919T144950Z
UID:15098-1543519800-1543527000@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age-inverness/
LOCATION:Inverness Cathedral\, Ardross Street\, Inverness\, IV3 5NS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181021T193000
DTEND;TZID=Europe/London:20181021T213000
DTSTAMP:20181015T111321Z
CREATED:20180803T142835Z
LAST-MODIFIED:20181015T111321Z
UID:15085-1540150200-1540157400@www.dunedin-consort.org.uk
SUMMARY:Armonico Tributo
DESCRIPTION:The richness of five-part instrumental writing was not new to the 18th century: German\, Italian and French composers had all been exploiting this sonority for decades. But it was Georg Muffatt\, born in Savoy of Scottish parentage\, who for the first time aimed to reconcile these styles into a single genre. His music\, remarkable in its expressive range\, combines the sophistication and rhythmic poise of the French\, the vibrancy and colour of the Italians and the depth and richness of the Germans. Paired here with works by Biber and Schmelzer\, both groundbreaking in their intricate\, pictorial details\, we celebrate the first tranche of composers to truly push the boundaries of technical ability on the violin.
URL:https://www.dunedin-consort.org.uk/diary/armonico-tributo-glasgow/
LOCATION:Glasgow Cathedral\, Castle St\, Glasgow\, G4 0QZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Armonico-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181020T193000
DTEND;TZID=Europe/London:20181020T213000
DTSTAMP:20181015T111339Z
CREATED:20180821T102540Z
LAST-MODIFIED:20181015T111339Z
UID:15084-1540063800-1540071000@www.dunedin-consort.org.uk
SUMMARY:Armonico Tributo
DESCRIPTION:The richness of five-part instrumental writing was not new to the 18th century: German\, Italian and French composers had all been exploiting this sonority for decades. But it was Georg Muffatt\, born in Savoy of Scottish parentage\, who for the first time aimed to reconcile these styles into a single genre. His music\, remarkable in its expressive range\, combines the sophistication and rhythmic poise of the French\, the vibrancy and colour of the Italians and the depth and richness of the Germans. Paired here with works by Biber and Schmelzer\, both groundbreaking in their intricate\, pictorial details\, we celebrate the first tranche of composers to truly push the boundaries of technical ability on the violin. \nDownload the concert programme here.
URL:https://www.dunedin-consort.org.uk/diary/armonico-tributo-aberdeen/
LOCATION:St Machar’s Cathedral\, 18 The Chanonry\, Aberdeen\, AB24 1RQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Armonico-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181019T193000
DTEND;TZID=Europe/London:20181019T213000
DTSTAMP:20181015T111335Z
CREATED:20180803T142903Z
LAST-MODIFIED:20181015T111335Z
UID:15083-1539977400-1539984600@www.dunedin-consort.org.uk
SUMMARY:Armonico Tributo
DESCRIPTION:rThe richness of five-part instrumental writing was not new to the 18th century: German\, Italian and French composers had all been exploiting this sonority for decades. But it was Georg Muffatt\, born in Savoy of Scottish parentage\, who for the first time aimed to reconcile these styles into a single genre. His music\, remarkable in its expressive range\, combines the sophistication and rhythmic poise of the French\, the vibrancy and colour of the Italians and the depth and richness of the Germans. Paired here with works by Biber and Schmelzer\, both groundbreaking in their intricate\, pictorial details\, we celebrate the first tranche of composers to truly push the boundaries of technical ability on the violin. \nDownload the concert programme here.
URL:https://www.dunedin-consort.org.uk/diary/armonico-tributo-edinburgh/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Armonico-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181017T130000
DTEND;TZID=Europe/London:20181017T140000
DTSTAMP:20181004T090519Z
CREATED:20180803T144003Z
LAST-MODIFIED:20181004T090519Z
UID:15081-1539781200-1539784800@www.dunedin-consort.org.uk
SUMMARY:Armonico Tributo
DESCRIPTION:The richness of five-part instrumental writing was not new to the 18th century: German\, Italian and French composers had all been exploiting this sonority for decades. But it was Georg Muffatt\, born in Savoy of Scottish parentage\, who for the first time aimed to reconcile these styles into a single genre. His music\, remarkable in its expressive range\, combines the sophistication and rhythmic poise of the French\, the vibrancy and colour of the Italians and the depth and richness of the Germans. Paired here with works by Biber and Schmelzer\, both groundbreaking in their intricate\, pictorial details\, we celebrate the first tranche of composers to truly push the boundaries of technical ability on the violin.
URL:https://www.dunedin-consort.org.uk/diary/armonico-tributo-kendal/
LOCATION:Kendal Town Hall\, Highgate\, Kendal\, LA9 4DL\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Armonico-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180917T130000
DTEND;TZID=Europe/London:20180917T140000
DTSTAMP:20180903T133657Z
CREATED:20180710T115555Z
LAST-MODIFIED:20180903T133657Z
UID:14968-1537189200-1537192800@www.dunedin-consort.org.uk
SUMMARY:The Musical Offering - Perth Concert Hall
DESCRIPTION:Dedicated to Frederick the Great following Bach’s visit to his palace of Sans-Souci in Potsdam\, The Musical Offering contains music as fine as anything Bach ever composed. Dunedin Consort’s Director John Butt\, one of the world’s leading Bach experts\, explores how such a unique work came into being and the remarkable techniques Bach used to create this timeless masterpiece.
URL:https://www.dunedin-consort.org.uk/diary/the-musical-offering-perth-concert-hall/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/07/anatomy_orange.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180915T150000
DTEND;TZID=Europe/London:20180915T163000
DTSTAMP:20180914T143143Z
CREATED:20180710T115555Z
LAST-MODIFIED:20180914T143143Z
UID:14962-1537023600-1537029000@www.dunedin-consort.org.uk
SUMMARY:The Musical Offering - Lammermuir Festival
DESCRIPTION:Dedicated to Frederick the Great following Bach’s visit to his palace of Sans-Souci in Potsdam\, The Musical Offering contains music as fine as anything Bach ever composed. Dunedin Consort’s Director John Butt\, one of the world’s leading Bach experts\, explores how such a unique work came into being and the remarkable techniques Bach used to create this timeless masterpiece.
URL:https://www.dunedin-consort.org.uk/diary/the-musical-offering-lammermuir-festival/
LOCATION:Gladsmuir Parish Church\, Gladsmuir\, East Lothian\, EH33 1ED
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/07/anatomy_orange.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180813T180000
DTEND;TZID=UTC:20180813T220000
DTSTAMP:20180727T113356Z
CREATED:20180105T113847Z
LAST-MODIFIED:20180727T113356Z
UID:14483-1534183200-1534197600@www.dunedin-consort.org.uk
SUMMARY:Handel's Samson - Edinburgh International Festival
DESCRIPTION:Handel’s oratorio Samson tells of the last days of the great Israelite warrior\, in a dramatic story of his journey from darkness to heavenly light. Opening with Samson in chains\, having lost his strength and been blinded by the Philistines\, it closes with one of Handel’s most famous arias\, ‘Let the bright Seraphim in burning row / their loud\, uplifted angel-trumpets blow’. Composed within a few weeks of Handel’s Messiah and based on a text by John Milton\, it became one of Handel’s most successful and popular oratorios. \n  \n\nSupport Our Recording of Handel’s Samson
URL:https://www.dunedin-consort.org.uk/diary/handels-samson-eif/
LOCATION:Usher Hall\, Lothian Road\, Edinburgh\, EH1 2EA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/01/Samson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180804T220000
DTEND;TZID=Europe/London:20180804T233000
DTSTAMP:20180718T195557Z
CREATED:20180718T195454Z
LAST-MODIFIED:20180718T195557Z
UID:15005-1533420000-1533425400@www.dunedin-consort.org.uk
SUMMARY:Magnificat
DESCRIPTION:Bach’s glorious Magnificat\, composed for his first Christmas in Leipzig\, was designed to impress – its elaborate text painting and wide range of moods making it one of the most vivid works in Bach’s choral repertoire. So too\, was his intricate motet for double choir\, Singet dem Herrn\, which Bach composed in Leipzig just a few years later. These choral masterpieces are matched here by the glittering orchestration and staggering virtuosity of his Suite in B minor and Brandenburg Concerto No. 4. 
URL:https://www.dunedin-consort.org.uk/diary/magnificat/
LOCATION:Espai Ter\, Carrer del riu Ter\, Torroella de Montgrí\, 29 17257\, Spain
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180801T193000
DTEND;TZID=Europe/London:20180801T203000
DTSTAMP:20180726T111532Z
CREATED:20180718T193800Z
LAST-MODIFIED:20180726T111532Z
UID:15000-1533151800-1533155400@www.dunedin-consort.org.uk
SUMMARY:The Soundworld of Rembrandt
DESCRIPTION:Dunedin Consort returns to National Galleries of Scotland with a programme inspired by the Dutch master Rembrandt. Under the direction of Nicholas Mulroy they present works by the Dutch composers Jan Pieterszoon Sweelinck and Constantijn Huygens\, alongside music by seventeenth-century luminaries including Heinrich Schütz and Claudio Monteverdi. All specially selected to complement Rembrandt’s exploration of human subjectivities.
URL:https://www.dunedin-consort.org.uk/diary/the-soundworld-of-rembrandt/
LOCATION:Scottish National Gallery\, The Mound\, Edinburgh\, EH2 2EL\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2015/05/NMulroySquare.jpg
ORGANIZER;CN="National Galleries Scotland":MAILTO:enquiries@nationalgalleries.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180727T193000
DTEND;TZID=UTC:20180727T213000
DTSTAMP:20180418T100049Z
CREATED:20180417T134356Z
LAST-MODIFIED:20180418T100049Z
UID:14325-1532719800-1532727000@www.dunedin-consort.org.uk
SUMMARY:Venus & Adonis - Samling Academy Opera
DESCRIPTION:Music Director John Butt conducts the Dunedin Consort in Samling Academy Opera’s production of John Blow’s Venus and Adonis and Henry Purcell’s Come\, ye Sons of Art. Featuring Samling Artist Tim Morgan as Cupid and soloists from Samling Academy\, this production is directed by Samling Artist Miranda Wright and choreographed by Mandy Demetriou. Don’t miss the chance to witness this double-bill of Blow’s masterpiece\, considered the first English opera\, and Purcell’s much-loved Baroque ode dedicated to Queen Mary. \n  \n \n 
URL:https://www.dunedin-consort.org.uk/diary/venus-adonis-samling-academy-opera-2-2/
LOCATION:Sage Two – Sage Gateshead\, St Mary's Square\, Gateshead Quays\, Gateshead\, NE8 2JR\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/04/Commercial-Photography-Jen-Hart-Venus-Adonis-13December17-001-cropped-e1523976091802.jpg
END:VEVENT
END:VCALENDAR