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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190820T173000
DTEND;TZID=Europe/London:20190820T183000
DTSTAMP:20190604T123317Z
CREATED:20190529T115020Z
LAST-MODIFIED:20190604T123317Z
UID:17647-1566322200-1566325800@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 5
DESCRIPTION:The fifth in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Richard Egarr and Diego Ares. \nA charismatic\, captivating musician\, Richard Egarr – currently Music Director of the Academy of Ancient Music\, and a regular and much-loved International Festival visitor – imbues all he performs with a sense of joy\, adventure and searching intellect. \nHe’s joined by fast-rising young Spanish harpsichordist Diego Ares in the fifth of the International Festival’s six-concert survey of J S Bach’s complete keyboard concertos\, from the sparkling athleticism of the Concerto in E BWV 1053\, to the catchy melodies and infectious energy of the Concerto in D minor BWV 1062\, by way of works for solo keyboard. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-5/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190819T173000
DTEND;TZID=Europe/London:20190819T183000
DTSTAMP:20190604T123322Z
CREATED:20190529T115738Z
LAST-MODIFIED:20190604T123322Z
UID:17650-1566235800-1566239400@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 4
DESCRIPTION:The fourth in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Christine Schornsheim and Andreas Staier. \nTwo of Germany’s most renowned harpsichordists join the exceptional musicians of Scotland’s Dunedin Consort for the fourth in the International Festival’s major six-concert survey of J S Bach’s complete keyboard concertos. \nBoth highly respected for their fluency\, energy and sparkling keyboard agility\, Christine Schornsheim and Andreas Staier perform Bach’s intense A major Concerto BWV 1055\, and his poignantly intense F minor Concerto BWV 1056. They come together for the spectacular keyboard interplay of his captivating Concerto in C for two harpsichords. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-4/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190816T173000
DTEND;TZID=Europe/London:20190816T183000
DTSTAMP:20190604T123330Z
CREATED:20190529T120120Z
LAST-MODIFIED:20190604T123330Z
UID:17655-1565976600-1565980200@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 3
DESCRIPTION:The third in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Masato Suzuki. \nIn a very special six-concert series at International Festival 2019\, some of today’s most exceptional harpsichord players join the fine musicians of Scotland’s Dunedin Consort for a complete survey of J S Bach’s keyboard concertos. \nBrilliant Dutch/Japanese harpsichordist Masato Suzuki is one of today’s most incisive\, elegant players. Alongside works for solo keyboard\, he performs Bach’s spirited\, energetic G minor Concerto BWV 1058\, and the breathtakingly virtuosic D minor Concerto BWV 1052\, Bach’s earliest keyboard concerto. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-3/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190815T173000
DTEND;TZID=Europe/London:20190815T183000
DTSTAMP:20190604T123336Z
CREATED:20190529T120424Z
LAST-MODIFIED:20190604T123336Z
UID:17658-1565890200-1565893800@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 2
DESCRIPTION:The second in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Mahan Esfahani. \nThe second of six concerts in the International Festival’s complete survey of J S Bach’s keyboard concertos features a work that’s rarely heard. Bach left just a fragment of his D minor Concerto BWV 1059 completed\, but the exceptional Iranian-American harpsichordist Mahan Esfahani has reconstructed the work and performs his interpretation with musicians from Scotland’s fine Dunedin Consort. \nAfter works for solo keyboard\, Esfahani concludes his concert with the pastoral beauty of Bach’s F major Concerto BWV 1057\, an elegant reworking of his own fourth Brandenburg Concerto. \nThis major concert series at International Festival 2019 brings together some of today’s finest\, most pioneering harpsichordists with musicians from the Dunedin Consort. Five of the six concerts take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-2/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190813T173000
DTEND;TZID=Europe/London:20190813T183000
DTSTAMP:20190604T123341Z
CREATED:20190529T120721Z
LAST-MODIFIED:20190604T123341Z
UID:17661-1565717400-1565721000@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 1
DESCRIPTION:The first in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Aapo Häkkinen and Mahan Esfahani. \nSome of today’s finest harpsichordists join forces with the exceptional players of Scotland’s Dunedin Consort for a major\, six-part International Festival concert series\, exploring the complete keyboard concertos – for one\, two\, three and four harpsichords – by J S Bach. \nFive of the concerts take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these concerts. \nThis first concert brings together distinctive Finnish harpsichordist Aapo Häkkinen and the Iranian-American musician Mahan Esfahani\, who delighted listeners at International Festival 2017\, in Bach’s jubilant Concerto in D and his lyrical\, graceful Double Concerto in C minor\, alongside two deeply expressive works for solo keyboard.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-1/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190811T190000
DTEND;TZID=Europe/Rome:20190811T210000
DTSTAMP:20190212T135549Z
CREATED:20190212T131525Z
LAST-MODIFIED:20190212T135549Z
UID:16933-1565550000-1565557200@www.dunedin-consort.org.uk
SUMMARY:Monteverdi Vespers - Rheingau Musik Festival
DESCRIPTION:In 1610\, some 28 years after he had last composed anything for the church\, Monteverdi quietly published what is now celebrated as one of the greatest pillars of the sacred Baroque repertoire. The Vespers of the Blessed Virgin is conceived on such a monumental scale\, with such heartrending dramatic and theatrical effects\, that it has been described as the greatest opera he never wrote. For the group’s first appearance at the Rheingau Musik Festival\, Dunedin Consort presents this astonishing 90-minute masterpiece in an intimate performance comprising just twelve solo singers and fourteen instrumentalists – bringing you closer to the music than ever before.
URL:https://www.dunedin-consort.org.uk/diary/monteverdi-vespers-rheingau/
LOCATION:Kloster Eberbach\, Eltville am Rhein\, Basilika\, Kloster Eberbach\, Germany
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190610T200000
DTEND;TZID=America/New_York:20190610T220000
DTSTAMP:20190529T202413Z
CREATED:20190212T124915Z
LAST-MODIFIED:20190529T202413Z
UID:16916-1560196800-1560204000@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion: Boston Early Music Festival
DESCRIPTION:From the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nFor this\, Dunedin Consort’s first appearance at the Boston Early Music Festival\, the group is joined by Kris Bezuidenhout\, who directs from the keyboard in the work’s original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/boston-early-music-festival/
LOCATION:New England Conservatory’s Jordan Hall\, 30 Gainsborough Street\, Boston\, MA\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190525T210000
DTEND;TZID=Europe/Rome:20190525T230000
DTSTAMP:20190212T131525Z
CREATED:20190212T131525Z
LAST-MODIFIED:20190212T131525Z
UID:16924-1558818000-1558825200@www.dunedin-consort.org.uk
SUMMARY:Monteverdi Vespers - Cremona
DESCRIPTION:In 1610\, some 28 years after he had last composed anything for the church\, Monteverdi quietly published what is now celebrated as one of the greatest pillars of the sacred Baroque repertoire. The Vespers of the Blessed Virgin is conceived on such a monumental scale\, with such heartrending dramatic and theatrical effects\, that it has been described as the greatest opera he never wrote. For the group’s first appearance in Cremona\, Dunedin Consort presents this astonishing 90-minute masterpiece in an intimate performance comprising just twelve solo singers and fourteen instrumentalists – bringing you closer to the music than ever before.
URL:https://www.dunedin-consort.org.uk/diary/monteverdi-vespers-cremona/
LOCATION:Chiesa di San Marcellino\, Cremona\, Italy
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190518T193000
DTEND;TZID=Europe/London:20190518T213000
DTSTAMP:20190130T154434Z
CREATED:20180803T151057Z
LAST-MODIFIED:20190130T154434Z
UID:15129-1558207800-1558215000@www.dunedin-consort.org.uk
SUMMARY:B Minor Mass
DESCRIPTION:The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork\, this extraordinary amalgamation of arrangements\, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet\, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy\, its purpose remains tantalisingly elusive. But in its scale\, ambition and dramatic\, inexorable unfolding\, the B Minor Mass remains one of his most monumental works\, a remarkable testament from Bach’s final years. \nPart of a Martin Randall Travel tour – The Johann Sebastian Bach Journey (please note that this event is not on sale to the general public).
URL:https://www.dunedin-consort.org.uk/diary/b-minor-mass-2/
LOCATION:Nikolaikirche\, Neustädter Markt 8\, Leipzig\, 04315 \, Germany
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190513T130000
DTEND;TZID=Europe/London:20190513T140000
DTSTAMP:20190326T102534Z
CREATED:20180803T150721Z
LAST-MODIFIED:20190326T102534Z
UID:15401-1557752400-1557756000@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190512T160000
DTEND;TZID=Europe/London:20190512T180000
DTSTAMP:20190508T202640Z
CREATED:20180803T150721Z
LAST-MODIFIED:20190508T202640Z
UID:15124-1557676800-1557684000@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190511T190000
DTEND;TZID=Europe/London:20190511T210000
DTSTAMP:20190508T202653Z
CREATED:20180822T140536Z
LAST-MODIFIED:20190508T202653Z
UID:15138-1557601200-1557608400@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation\, and Graupner was not released from his post of Kapellmeister in Hesse. \n‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-oban/
LOCATION:St John’s Cathedral\, Oban\, 129 George St\, Oban\, PA34 5NT\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190424T193000
DTEND;TZID=Europe/London:20190424T213000
DTSTAMP:20190405T114322Z
CREATED:20190405T113903Z
LAST-MODIFIED:20190405T114322Z
UID:17215-1556134200-1556141400@www.dunedin-consort.org.uk
SUMMARY:Bach and Handel at The Brunton
DESCRIPTION:An irresistible programme of baroque masterpieces\, including Bach’s B Minor Flute Suite with its sparkling dances and rich sonorities\, and his hauntingly beautiful Cantata ‘Ich habe genug’. No composer can lift the spirits like Handel\, and his Water Music — written to be played on a barge on the Thames — is so full of energy and joy that it will send you tapping your toes into the evening.
URL:https://www.dunedin-consort.org.uk/diary/bach-and-handel-at-the-brunton/
LOCATION:The Brunton\, Ladywell Way\, Musselburgh\, EH21 6AA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/04/9890-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190421T150000
DTEND;TZID=Europe/London:20190421T170000
DTSTAMP:20190327T171146Z
CREATED:20190327T165838Z
LAST-MODIFIED:20190327T171146Z
UID:17158-1555858800-1555866000@www.dunedin-consort.org.uk
SUMMARY:Bach for Easter Sunday
DESCRIPTION:Spend Easter Sunday in the company of Dunedin Consort and J.S. Bach. The programme features two cantatas\, each presenting a vivid and moving account of the Easter story. The glimmering opening of Himmelskönig\, sei wilkommen is contrasted with the rousing chorale cantata Christ lag in Todesbanden\, one of Bach’s best-loved works. \n\n\n\n\nThese vocal masterpieces are paired with the sparkling Orchestral Suite in B minor\, which features the astonishing virtuosity of Dunedin Consort’s principal flautist Katy Bircher.
URL:https://www.dunedin-consort.org.uk/diary/bach-for-easter-sunday/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/03/PerthCantatas-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190419T190000
DTEND;TZID=Europe/London:20190419T220000
DTSTAMP:20190326T101933Z
CREATED:20180803T150338Z
LAST-MODIFIED:20190326T101933Z
UID:15123-1555700400-1555711200@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion
DESCRIPTION:jFrom the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nWe welcome Trevor Pinnock\, a towering figure of the early music movement\, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/bach-matthew-passion/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190418T190000
DTEND;TZID=Europe/London:20190418T220000
DTSTAMP:20190326T102018Z
CREATED:20180803T150217Z
LAST-MODIFIED:20190326T102018Z
UID:15137-1555614000-1555624800@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion
DESCRIPTION:From the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nWe welcome Trevor Pinnock\, a towering figure of the early music movement\, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/matthew-passion-aberdeen/
LOCATION:Aberdeen Music Hall\, Union Street\, Aberdeen\, AB10 1QS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190331T193000
DTEND;TZID=Europe/London:20190331T213000
DTSTAMP:20190313T200204Z
CREATED:20180803T150050Z
LAST-MODIFIED:20190313T200204Z
UID:15136-1554060600-1554067800@www.dunedin-consort.org.uk
SUMMARY:B Minor Mass
DESCRIPTION:The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork\, this extraordinary amalgamation of arrangements\, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet\, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy\, its purpose remains tantalisingly elusive. But in its scale\, ambition and dramatic\, inexorable unfolding\, the B Minor Mass remains one of his most monumental works\, a remarkable testament from Bach’s final years.
URL:https://www.dunedin-consort.org.uk/diary/b-minor-mass/
LOCATION:Oslo Cathedral\, Karl Johans gate 11\, Oslo\, 0154\, Norway
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190207T193000
DTEND;TZID=Europe/London:20190207T213000
DTSTAMP:20190205T111840Z
CREATED:20180803T145737Z
LAST-MODIFIED:20190205T111840Z
UID:15605-1549567800-1549575000@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo e Dafne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne-3/
LOCATION:University of Glasgow — Chapel\, University Avenue\, Glasgow\, G12 8QQ
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190206T193000
DTEND;TZID=Europe/London:20190206T213000
DTSTAMP:20190108T171446Z
CREATED:20180803T145912Z
LAST-MODIFIED:20190108T171446Z
UID:15118-1549481400-1549488600@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo and Daphne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne-2/
LOCATION:The Barber Institute\, University of Birmingham\, Birmingham\, B15 2TS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190205T193000
DTEND;TZID=Europe/London:20190205T213000
DTSTAMP:20190205T111828Z
CREATED:20180803T145737Z
LAST-MODIFIED:20190205T111828Z
UID:15120-1549395000-1549402200@www.dunedin-consort.org.uk
SUMMARY:Handel: Apollo & Daphne
DESCRIPTION:In the years before his reputation as the opera composer du jour was forged\, Handel poured his creativity into a series of increasingly adventurous cantatas\, among the most ambitious of which is Apollo and Daphne. Inspired by Ovid’s Metamorphoses\, this ancient fable finds striking parallels with modern day power struggles\, as Daphne fights to resist Apollo’s advances and transforms herself into a laurel tree\, her branches watered forever by his tears. This extraordinary tale of passion and penitence is rendered by Handel in music of searing intensity\, its rapturous obbligato writing by turns\, playful\, poignant and seductive.
URL:https://www.dunedin-consort.org.uk/diary/handel-apollo-daphne/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Apollo-and-Daphne-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190109T193000
DTEND;TZID=Europe/London:20190109T213000
DTSTAMP:20180824T101243Z
CREATED:20180803T145615Z
LAST-MODIFIED:20180824T101243Z
UID:15109-1547062200-1547069400@www.dunedin-consort.org.uk
SUMMARY:Beginning of the Revolution
DESCRIPTION:Every chapter of history has its turning point\, every revolution its leader. The revival of historically informed performance – the lifeblood of what we do at Dunedin Consort – owes much to Arnold Dolmetsch\, a fanatical instrument collector who in pioneering the early music revival of the late-nineteenth century ‘opened the door to a forgotten treasure-house of beauty’. Join us as we recreate one of the performances that kick-started this remarkable revolution\, where music by Purcell\, Handel\, Kuhnau and Rameau was rendered in full colour once more thanks to Dolmetsch’s unique insights into period performance. \nAlso broadcast live on Radio Nacional de España.
URL:https://www.dunedin-consort.org.uk/diary/beginning-of-the-revolution-2/
LOCATION:Fundación Juan March\, Madrid\, Castello 77\, Madrid\, 28006\, Spain
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Revolution-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190107T131000
DTEND;TZID=Europe/London:20190107T140000
DTSTAMP:20190105T213213Z
CREATED:20180803T144811Z
LAST-MODIFIED:20190105T213213Z
UID:15112-1546866600-1546869600@www.dunedin-consort.org.uk
SUMMARY:Beginning of the Revolution
DESCRIPTION:Every chapter of history has its turning point\, every revolution its leader. The revival of historically informed performance – the lifeblood of what we do at Dunedin Consort – owes much to Arnold Dolmetsch\, a fanatical instrument collector who in pioneering the early music revival of the late-nineteenth century ‘opened the door to a forgotten treasure-house of beauty’. Join us as we recreate one of the performances that kick-started this remarkable revolution\, where music by Purcell\, Handel\, Kuhnau and Rameau was rendered in full colour once more thanks to Dolmetsch’s unique insights into period performance.
URL:https://www.dunedin-consort.org.uk/diary/beginning-of-the-revolution/
LOCATION:Hunterian Museum\, University Avenue\, University of Glasgow\, Glasgow\, G12 8QQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Revolution-web-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181220T190000
DTEND;TZID=Europe/London:20181220T220000
DTSTAMP:20181210T202646Z
CREATED:20180803T143759Z
LAST-MODIFIED:20181210T202646Z
UID:15102-1545332400-1545343200@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever. \nThis performance is preceded by a performance for school children at 3pm.
URL:https://www.dunedin-consort.org.uk/diary/handels-messiah-glasgow/
LOCATION:City Halls\, Candleriggs\, Glasgow\, Lanarkshire\, G1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181220T150000
DTEND;TZID=Europe/London:20181220T154500
DTSTAMP:20181210T202642Z
CREATED:20180821T102226Z
LAST-MODIFIED:20181210T202642Z
UID:15222-1545318000-1545320700@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-glasgow/
LOCATION:City Halls\, Candleriggs\, Glasgow\, Lanarkshire\, G1 1NQ\, United Kingdom
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181219T190000
DTEND;TZID=Europe/London:20181219T220000
DTSTAMP:20221017T212418Z
CREATED:20180803T143603Z
LAST-MODIFIED:20221017T212418Z
UID:15104-1545246000-1545256800@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever. \n\n\n\n\nBring your children to a short performance at 3pm specially designed for them.
URL:https://www.dunedin-consort.org.uk/diary/handel-s-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181219T150000
DTEND;TZID=Europe/London:20181219T154500
DTSTAMP:20181210T202649Z
CREATED:20180821T102038Z
LAST-MODIFIED:20181210T202649Z
UID:15224-1545231600-1545234300@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181218T190000
DTEND;TZID=Europe/London:20181218T220000
DTSTAMP:20181011T085417Z
CREATED:20180803T143343Z
LAST-MODIFIED:20181011T085417Z
UID:15105-1545159600-1545170400@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:When Handel’s Messiah was first unveiled to the public in 1742\, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime\, the Grand\, and the Tender… conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on\, it still holds a remarkable place in the repertoire\, its ability to delight and enthral virtually unparalleled\, its powerful choruses and exquisite solo writing together creating a score that is as fresh and inspiring as ever.
URL:https://www.dunedin-consort.org.uk/diary/messiah-2/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Messiah-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181201T193000
DTEND;TZID=Europe/London:20181201T213000
DTSTAMP:20181002T150939Z
CREATED:20180817T121514Z
LAST-MODIFIED:20181002T150939Z
UID:15094-1543692600-1543699800@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age-dunkeld/
LOCATION:Dunkeld Cathedral\, Cathedral Street\, Dunkeld\, PH8 0AW\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181130T193000
DTEND;TZID=Europe/London:20181130T213000
DTSTAMP:20180907T140651Z
CREATED:20180803T143123Z
LAST-MODIFIED:20180907T140651Z
UID:15097-1543606200-1543613400@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age/
LOCATION:Canongate Kirk\, 153 Canongate\, Edinburgh\, EH8 8BN\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181129T193000
DTEND;TZID=Europe/London:20181129T213000
DTSTAMP:20180919T144950Z
CREATED:20180907T132939Z
LAST-MODIFIED:20180919T144950Z
UID:15098-1543519800-1543527000@www.dunedin-consort.org.uk
SUMMARY:The Golden Age
DESCRIPTION:Ben Parry director \nThe Spanish Golden Age\, which flourished during the late-sixteenth and early-seventeenth centuries\, led to some of the most gloriously opulent choral music of the late Renaissance. Ben Parry\, co-founder of Dunedin Consort\, returns to direct this choral tour of music by Tomás Luis de Victoria and Francisco Guerrero\, framed here both by the works of their Scottish contemporaries Robert Johnson and David Peebles\, and by those of 21st-century composers Morten Lauridsen and James MacMillan\, whose vocal writing resounds with the influences of these sixteenth-century polyphonic masters.
URL:https://www.dunedin-consort.org.uk/diary/the-golden-age-inverness/
LOCATION:Inverness Cathedral\, Ardross Street\, Inverness\, IV3 5NS\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/golden.jpg
END:VEVENT
END:VCALENDAR