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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200120T130000
DTEND;TZID=Europe/London:20200120T140000
DTSTAMP:20190620T133746Z
CREATED:20190620T173045Z
LAST-MODIFIED:20190620T133746Z
UID:17813-1579525200-1579528800@www.dunedin-consort.org.uk
SUMMARY:Bach: The Brandenburgs
DESCRIPTION:So named because they were dedicated to the Margrave of Brandenburg in 1721\, Bach’s six Brandenburg Concertos contain some of the most sumptuous and virtuosic instrumental writing in all of his output. Each is composed for a different line-up\, from the intimacy of concertos 3 and 6\, composed for strings alone\, to the bombastic splendour of Nos. 1 and 2\, with their blazing trumpet and horns. Join us as we explore these astonishing instrumental jewels\, presented in their entirety (in Edinburgh and Madrid)\, alongside two of Bach’s best-loved alto cantatas with soloist Meg Bragle (in Philadelphia and Washington)\, and with our wind soloists taking centre stage (in Perth and Glasgow). \n‘For all the debates on historically informed performance\, the most persuasive aspect of this concert was the sheer sense of joy’ — The Times
URL:https://www.dunedin-consort.org.uk/diary/bach-the-brandenburgs-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/JONATHAN-MANSON-full-res.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200118T193000
DTEND;TZID=Europe/London:20200118T213000
DTSTAMP:20190703T102138Z
CREATED:20190620T173051Z
LAST-MODIFIED:20190703T102138Z
UID:17806-1579375800-1579383000@www.dunedin-consort.org.uk
SUMMARY:Bach: The Brandenburgs
DESCRIPTION:So named because they were dedicated to the Margrave of Brandenburg in 1721\, Bach’s six Brandenburg Concertos contain some of the most sumptuous and virtuosic instrumental writing in all of his output. Each is composed for a different line-up\, from the intimacy of concertos 3 and 6\, composed for strings alone\, to the bombastic splendour of Nos. 1 and 2\, with their blazing trumpet and horns. Join us as we explore these astonishing instrumental jewels\, presented in their entirety (in Edinburgh and Madrid)\, alongside two of Bach’s best-loved alto cantatas with soloist Meg Bragle (in Philadelphia and Washington)\, and with our wind soloists taking centre stage (in Perth and Glasgow). \n‘For all the debates on historically informed performance\, the most persuasive aspect of this concert was the sheer sense of joy’ — The Times \n 
URL:https://www.dunedin-consort.org.uk/diary/bach-the-brandenburgs-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/JONATHAN-MANSON-full-res.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191217T190000
DTEND;TZID=Europe/London:20191217T220000
DTSTAMP:20191202T142330Z
CREATED:20190620T173030Z
LAST-MODIFIED:20191202T142330Z
UID:17797-1576609200-1576620000@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. Put simply\, there is nothing quite like it. Although the Hallelujah chorus has become its best-known excerpt\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season. \n‘An interpretation of Handel’s Messiah that makes the listener aware of both the work’s musical and liturgical sophistication is a special thing\, yet that is what the Dunedin Consort routinely achieves’ — The Herald
URL:https://www.dunedin-consort.org.uk/diary/messiah-glasgow/
LOCATION:St Mary’s Episcopal Cathedral\, 300 Great Western Road\, Glasgow\, G4 9JB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Huw-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191217T160000
DTEND;TZID=Europe/London:20191217T170000
DTSTAMP:20191202T142343Z
CREATED:20190620T173028Z
LAST-MODIFIED:20191202T142343Z
UID:17799-1576598400-1576602000@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event. \nPlease note that this performance will also be attended by school children participating in our learning and participation programme.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-glasgow-2/
LOCATION:St Mary’s Episcopal Cathedral\, 300 Great Western Road\, Glasgow\, G4 9JB\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/01/Children’s-Messiah-Dunedin-Consort-Wed-19-December-2018-The-Queen’s-Hall-Edinburgh-photographer-Andy-Catlin-www.andycatlin.com-3369.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191216T190000
DTEND;TZID=Europe/London:20191216T220000
DTSTAMP:20191202T142353Z
CREATED:20190620T173026Z
LAST-MODIFIED:20191202T142353Z
UID:17793-1576522800-1576533600@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. Put simply\, there is nothing quite like it. Although the Hallelujah chorus has become its best-known excerpt\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season. \n‘An interpretation of Handel’s Messiah that makes the listener aware of both the work’s musical and liturgical sophistication is a special thing\, yet that is what the Dunedin Consort routinely achieves’ — The Herald
URL:https://www.dunedin-consort.org.uk/diary/messiah-edinburgh/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Huw-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191216T160000
DTEND;TZID=Europe/London:20191216T170000
DTSTAMP:20191202T142436Z
CREATED:20190620T173021Z
LAST-MODIFIED:20191202T142436Z
UID:17795-1576512000-1576515600@www.dunedin-consort.org.uk
SUMMARY:Children's Messiah
DESCRIPTION:Fun for all the family is guaranteed in our interactive 45-minute concerts specifically devised for children which will include all the best tunes from Handel’s Messiah. You can even expect an appearance from Handel himself to introduce his most famous melodies…! \nNo age restriction. Adults with tickets to the evening performance of Handel’s Messiah go free to this event. \nPlease note that this performance will also be attended by school children participating in our learning and participation programme.
URL:https://www.dunedin-consort.org.uk/diary/childrens-messiah-edinburgh-2/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/01/Children’s-Messiah-Dunedin-Consort-Wed-19-December-2018-The-Queen’s-Hall-Edinburgh-photographer-Andy-Catlin-www.andycatlin.com-3369.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191214T183000
DTEND;TZID=Europe/London:20191214T213000
DTSTAMP:20191202T142444Z
CREATED:20190620T173041Z
LAST-MODIFIED:20191202T142444Z
UID:17790-1576348200-1576359000@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. Put simply\, there is nothing quite like it. Although the Hallelujah chorus has become its best-known excerpt\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season. \n‘An interpretation of Handel’s Messiah that makes the listener aware of both the work’s musical and liturgical sophistication is a special thing\, yet that is what the Dunedin Consort routinely achieves’ — The Herald
URL:https://www.dunedin-consort.org.uk/diary/messiah-kendal/
LOCATION:Westmorland Hall\, Kendal Leisure Centre\, Burton Road\, Kendal\, LA9 7HX\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Huw-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Bogota:20191208T110000
DTEND;TZID=America/Bogota:20191208T140000
DTSTAMP:20191202T142453Z
CREATED:20190620T173038Z
LAST-MODIFIED:20191202T142453Z
UID:17788-1575802800-1575813600@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. Put simply\, there is nothing quite like it. Although the Hallelujah chorus has become its best-known excerpt\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season. \n‘An interpretation of Handel’s Messiah that makes the listener aware of both the work’s musical and liturgical sophistication is a special thing\, yet that is what the Dunedin Consort routinely achieves’ — The Herald
URL:https://www.dunedin-consort.org.uk/diary/messiah-bogota-2/
LOCATION:Teatro Mayor Julio Mario\, Cl. 170 ##67-51\, Bogotá\, Colombia
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Huw-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Bogota:20191207T170000
DTEND;TZID=America/Bogota:20191207T200000
DTSTAMP:20191202T142502Z
CREATED:20190620T173034Z
LAST-MODIFIED:20191202T142502Z
UID:17785-1575738000-1575748800@www.dunedin-consort.org.uk
SUMMARY:Messiah
DESCRIPTION:It’s no surprise that Handel’s Messiah continues to draw audiences back year after year. Put simply\, there is nothing quite like it. Although the Hallelujah chorus has become its best-known excerpt\, Handel wrote every note to impress and astound his listeners. Its choruses are as grand as anything Handel ever composed\, the solo writing profoundly moving\, the drama powerful and compelling. Performed ‘the Dunedin way’ as Handel would have first heard it\, with a small orchestra\, a team of twelve singers and soloists who step out from the chorus\, there are few more uplifting ways to celebrate the festive season. \n‘An interpretation of Handel’s Messiah that makes the listener aware of both the work’s musical and liturgical sophistication is a special thing\, yet that is what the Dunedin Consort routinely achieves’ — The Herald
URL:https://www.dunedin-consort.org.uk/diary/messiah-colombia-1/
LOCATION:Teatro Mayor Julio Mario\, Cl. 170 ##67-51\, Bogotá\, Colombia
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Huw-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191116T193000
DTEND;TZID=Europe/London:20191116T213000
DTSTAMP:20191021T153902Z
CREATED:20190620T173005Z
LAST-MODIFIED:20191021T153902Z
UID:17783-1573932600-1573939800@www.dunedin-consort.org.uk
SUMMARY:Requiem Aeternam: Music of Loss and Consolation – Edinburgh
DESCRIPTION:This autumn\, we return to Dunedin’s roots to present another series of performances given by our a cappella consort. Directed by Nicholas Mulroy\, one of Dunedin’s core singers\, the programme is centred around sixteenth-century Spanish composer Tomás Luis de Victoria’s hauntingly beautiful Requiem\, and includes music by his contemporaries Alonso Lobo and Orlando Gibbons. Works by living composers James MacMillan\, Roderick Williams and Cecilia McDowall complete the programme\, offering contemporary reflections on the inescapable and intrinsic themes that define our human existence.
URL:https://www.dunedin-consort.org.uk/diary/requiem-aeternam-edinburgh/
LOCATION:Canongate Kirk\, 153 Canongate\, Edinburgh\, EH8 8BN\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Sammy-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191115T193000
DTEND;TZID=Europe/London:20191115T213000
DTSTAMP:20191021T153902Z
CREATED:20190620T173004Z
LAST-MODIFIED:20191021T153902Z
UID:17781-1573846200-1573853400@www.dunedin-consort.org.uk
SUMMARY:Requiem Aeternam: Music of Loss and Consolation – Glasgow
DESCRIPTION:This autumn\, we return to Dunedin’s roots to present another series of performances given by our a cappella consort. Directed by Nicholas Mulroy\, one of Dunedin’s core singers\, the programme is centred around sixteenth-century Spanish composer Tomás Luis de Victoria’s hauntingly beautiful Requiem\, and includes music by his contemporaries Alonso Lobo and Orlando Gibbons. Works by living composers James MacMillan\, Roderick Williams and Cecilia McDowall complete the programme\, offering contemporary reflections on the inescapable and intrinsic themes that define our human existence.
URL:https://www.dunedin-consort.org.uk/diary/requiem-aeternam-glasgow/
LOCATION:University of Glasgow — Chapel\, University Avenue\, Glasgow\, G12 8QQ
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Sammy-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191114T193000
DTEND;TZID=Europe/London:20191114T213000
DTSTAMP:20191021T153902Z
CREATED:20190620T173000Z
LAST-MODIFIED:20191021T153902Z
UID:17779-1573759800-1573767000@www.dunedin-consort.org.uk
SUMMARY:Requiem Aeternam: Music of Loss and Consolation – Aberdeen
DESCRIPTION:This autumn\, we return to Dunedin’s roots to present another series of performances given by our a cappella consort. Directed by Nicholas Mulroy\, one of Dunedin’s core singers\, the programme is centred around sixteenth-century Spanish composer Tomás Luis de Victoria’s hauntingly beautiful Requiem\, and includes music by his contemporaries Alonso Lobo and Orlando Gibbons. Works by living composers James MacMillan\, Roderick Williams and Cecilia McDowall complete the programme\, offering contemporary reflections on the inescapable and intrinsic themes that define our human existence.
URL:https://www.dunedin-consort.org.uk/diary/requiem-aeternam-aberdeen/
LOCATION:St Machar’s Cathedral\, 18 The Chanonry\, Aberdeen\, AB24 1RQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Sammy-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190922T194500
DTEND;TZID=Europe/London:20190922T214500
DTSTAMP:20190617T195619Z
CREATED:20190604T162837Z
LAST-MODIFIED:20190617T195619Z
UID:17722-1569181500-1569188700@www.dunedin-consort.org.uk
SUMMARY:Lammermuir Festival: The Art of the Concerto IV
DESCRIPTION:As Lammermuir Festival celebrates its 10th anniversary in 2019\, Dunedin Consort takes centre stage as its Ensemble in Residence. Spanning the festival from the first night to the last\, we present a series of four concerts exploring the art of the Baroque concerto. From Vivaldi’s dazzling Four Seasons\, through Handel’s concerto grossi for full orchestra\, to the might of Bach’s Brandenburg Concertos\, we revel in the extraordinary virtuosity and sheer joy of these intricate Baroque masterpieces. \n\n\n\n\n‘The Dunedin Consort\, under John Butt’s historically-informed direction\, gave a typically dazzling performance of Bach at his most ravishing’\nThe Independent
URL:https://www.dunedin-consort.org.uk/diary/lammermuir-festival-brandenburg-concertos-i-3/
LOCATION:St Mary’s Church\, Haddington\, Sidegate\, Haddington\, East Lothian\, EH41 4BZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Lammermuir-Logo-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190919T150000
DTEND;TZID=Europe/London:20190919T163000
DTSTAMP:20190617T195457Z
CREATED:20190604T162837Z
LAST-MODIFIED:20190617T195457Z
UID:17723-1568905200-1568910600@www.dunedin-consort.org.uk
SUMMARY:Lammermuir Festival: The Art of the Concerto III
DESCRIPTION:As Lammermuir Festival celebrates its 10th anniversary in 2019\, Dunedin Consort takes centre stage as its Ensemble in Residence. Spanning the festival from the first night to the last\, we present a series of four concerts exploring the art of the Baroque concerto. From Vivaldi’s dazzling Four Seasons\, through Handel’s concerto grossi for full orchestra\, to the might of Bach’s Brandenburg Concertos\, we revel in the extraordinary virtuosity and sheer joy of these intricate Baroque masterpieces. \n\n\n\n\n‘The fizz and crackle of the orchestral writing could only have come from a young genius on the make\, and that jumped out of this Dunedin Consort performance’\nSeen and Heard International
URL:https://www.dunedin-consort.org.uk/diary/lammermuir-festival-brandenburg-concertos-iii/
LOCATION:Prestongrange Parish Church\, Kirk Street\, Prestonpans\, East Lothian\, EH32 9DX\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Lammermuir-Logo-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190917T150000
DTEND;TZID=Europe/London:20190917T163000
DTSTAMP:20190617T195647Z
CREATED:20190604T162837Z
LAST-MODIFIED:20190617T195647Z
UID:17724-1568732400-1568737800@www.dunedin-consort.org.uk
SUMMARY:Lammermuir Festival: The Art of the Concerto II
DESCRIPTION:As Lammermuir Festival celebrates its 10th anniversary in 2019\, Dunedin Consort takes centre stage as its Ensemble in Residence. Spanning the festival from the first night to the last\, we present a series of four concerts exploring the art of the Baroque concerto. From Vivaldi’s dazzling Four Seasons\, through Handel’s concerto grossi for full orchestra\, to the might of Bach’s Brandenburg Concertos\, we revel in the extraordinary virtuosity and sheer joy of these intricate Baroque masterpieces. \n‘For all the debates on historically informed performance\, the most persuasive aspect of this concert was the sheer sense of joy’\nThe Times
URL:https://www.dunedin-consort.org.uk/diary/lammermuir-festival-brandenburg-concertos-i-2/
LOCATION:Crichton Collegiate Church\, Crichton\, Crichton\, Midlothian\, EH37 5XA\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Lammermuir-Logo-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190916T130000
DTEND;TZID=Europe/London:20190916T141500
DTSTAMP:20190617T205609Z
CREATED:20190620T173037Z
LAST-MODIFIED:20190617T205609Z
UID:17933-1568638800-1568643300@www.dunedin-consort.org.uk
SUMMARY:The Art of the Concerto - Perth
DESCRIPTION:Dunedin Consort returns to Perth Concert Hall for an inspiring lunchtime concert\, featuring Bach’s extraordinary Brandenburg Concerto No. 6. Cecilia Bernardini takes centre stage as the soloist in ‘Autumn’ from Vivaldi’s Four Seasons\, and the programme is completed by Handel at his most brilliant in two of his Op 6 Concerto Grossi. \n‘For all the debates on historically informed performance\, the most persuasive aspect of this concert was the sheer sense of joy’\nThe Times
URL:https://www.dunedin-consort.org.uk/diary/the-art-of-the-concerto-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Cecilia-smaller-e1560804867754.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190913T200000
DTEND;TZID=Europe/London:20190913T220000
DTSTAMP:20190617T195155Z
CREATED:20190604T162837Z
LAST-MODIFIED:20190617T195155Z
UID:17717-1568404800-1568412000@www.dunedin-consort.org.uk
SUMMARY:Lammermuir Festival: The Art of the Concerto I
DESCRIPTION:As Lammermuir Festival celebrates its 10th anniversary in 2019\, Dunedin Consort takes centre stage as its Ensemble in Residence. Spanning the festival from the first night to the last\, we present a series of four concerts exploring the art of the Baroque concerto. From Vivaldi’s dazzling Four Seasons\, through Handel’s concerto grossi for full orchestra\, to the might of Bach’s Brandenburg Concertos\, we revel in the extraordinary virtuosity and sheer joy of these intricate Baroque masterpieces. \n‘… a sensational recording [of the Brandenburg Concertos] – perhaps the best period Brandenburg set available’\nThe Arts Desk
URL:https://www.dunedin-consort.org.uk/diary/lammermuir-festival-brandenburg-concertos-i/
LOCATION:St Mary’s Church\, Haddington\, Sidegate\, Haddington\, East Lothian\, EH41 4BZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/Lammermuir-Logo-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190911T193000
DTEND;TZID=Europe/London:20190911T213000
DTSTAMP:20190617T201134Z
CREATED:20190620T173043Z
LAST-MODIFIED:20190617T201134Z
UID:17764-1568230200-1568237400@www.dunedin-consort.org.uk
SUMMARY:BBC Proms - Bach Night
DESCRIPTION:Dunedin Consort returns to the BBC Proms for Bach Night\, in homage to the themed composer nights that Henry Wood\, founder of the Proms\, hosted more than a century ago. Bach’s four orchestral suites – each a collection of dances\, dazzling in their colours\, textures and dexterity – are interpolated with four new co-commissions from Stuart MacRae\, Nico Muhly\, Ailie Robertson and Stevie Wishart. Join us in the grandeur of the Albert Hall\, as we reimagine Bach’s dances as he might have composed them today. \n‘Ensemble brilliance at its most inventive and scintillating’ — The Times
URL:https://www.dunedin-consort.org.uk/diary/bbc-proms-bach-night/
LOCATION:Royal Albert Hall\, Kensington Gore\, London\, Kensington\, SW7 2AP\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/06/ALEX-FRANCES-smaller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190824T110000
DTEND;TZID=Europe/London:20190824T130000
DTSTAMP:20190604T123219Z
CREATED:20190529T114010Z
LAST-MODIFIED:20190604T123219Z
UID:17643-1566644400-1566651600@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach's Secular Cantatas
DESCRIPTION:Performances that entertain\, amuse\, provoke and surprise: Scotland’s Dunedin Consort is one of the world’s finest early music ensembles\, its fleet\, fresh music-making directed with exceptional vigour by harpsichordist and scholar John Butt. \nBringing the Queen’s Hall series to a gloriously theatrical close\, the Dunedin players and Butt offer a rare chance to experience the closest J S Bach ever came to opera\, in two larger-than-life cantatas. \nGeschwinde\, ihr wirbelnden Winde depicts a bitterly fought song contest between Apollo and Pan representing ‘high’ and ‘low’ art\, in a satirical work of biting wit and dashing invention. In Zerreißt\, zersprengt\, zertrümmert die Gruft\, meanwhile\, the goddess Athene begs wind deity Aeolus not to spoil the celebration for Leipzig’s favourite professor – in some of Bach’s most opulent\, joyfully inventive music.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bachs-secular-cantatas/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190822T110000
DTEND;TZID=Europe/London:20190822T110000
DTSTAMP:20190605T103748Z
CREATED:20190529T202748Z
LAST-MODIFIED:20190605T103748Z
UID:17677-1566471600-1566471600@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach’s Multiple Concertos
DESCRIPTION:The International Festival’s six-concert survey of J S Bach’s complete keyboard concertos comes to a spectacular conclusion in The Queen’s Hall. \nThe International Festival’s six-concert survey of J S Bach’s complete keyboard concertos moves from St Cecilia’s Hall to a spectacular conclusion in The Queen’s Hall. \nFour of today’s most exciting\, renowned harpsichordists make a rare appearance together alongside musicians from Scotland’s magnificent Dunedin Consort\, in Bach’s remarkable concertos for three and four keyboards – from the virtuosic brilliance of the Concerto in C\, BWV 1064 to the resplendent opulence and breathtaking keyboard interplay of the Concerto for four harpsichords\, BWV 1065\, by way of the spirit\, energy and lyricism of Bach’s Italian Concerto in an arrangement for four harpsichords.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bachs-multiple-concertos/
LOCATION:The Queen’s Hall\, 85 - 89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190820T173000
DTEND;TZID=Europe/London:20190820T183000
DTSTAMP:20190604T123317Z
CREATED:20190529T115020Z
LAST-MODIFIED:20190604T123317Z
UID:17647-1566322200-1566325800@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 5
DESCRIPTION:The fifth in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Richard Egarr and Diego Ares. \nA charismatic\, captivating musician\, Richard Egarr – currently Music Director of the Academy of Ancient Music\, and a regular and much-loved International Festival visitor – imbues all he performs with a sense of joy\, adventure and searching intellect. \nHe’s joined by fast-rising young Spanish harpsichordist Diego Ares in the fifth of the International Festival’s six-concert survey of J S Bach’s complete keyboard concertos\, from the sparkling athleticism of the Concerto in E BWV 1053\, to the catchy melodies and infectious energy of the Concerto in D minor BWV 1062\, by way of works for solo keyboard. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-5/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190819T173000
DTEND;TZID=Europe/London:20190819T183000
DTSTAMP:20190604T123322Z
CREATED:20190529T115738Z
LAST-MODIFIED:20190604T123322Z
UID:17650-1566235800-1566239400@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 4
DESCRIPTION:The fourth in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Christine Schornsheim and Andreas Staier. \nTwo of Germany’s most renowned harpsichordists join the exceptional musicians of Scotland’s Dunedin Consort for the fourth in the International Festival’s major six-concert survey of J S Bach’s complete keyboard concertos. \nBoth highly respected for their fluency\, energy and sparkling keyboard agility\, Christine Schornsheim and Andreas Staier perform Bach’s intense A major Concerto BWV 1055\, and his poignantly intense F minor Concerto BWV 1056. They come together for the spectacular keyboard interplay of his captivating Concerto in C for two harpsichords. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-4/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190816T173000
DTEND;TZID=Europe/London:20190816T183000
DTSTAMP:20190604T123330Z
CREATED:20190529T120120Z
LAST-MODIFIED:20190604T123330Z
UID:17655-1565976600-1565980200@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 3
DESCRIPTION:The third in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Masato Suzuki. \nIn a very special six-concert series at International Festival 2019\, some of today’s most exceptional harpsichord players join the fine musicians of Scotland’s Dunedin Consort for a complete survey of J S Bach’s keyboard concertos. \nBrilliant Dutch/Japanese harpsichordist Masato Suzuki is one of today’s most incisive\, elegant players. Alongside works for solo keyboard\, he performs Bach’s spirited\, energetic G minor Concerto BWV 1058\, and the breathtakingly virtuosic D minor Concerto BWV 1052\, Bach’s earliest keyboard concerto. \nFive of the concert series’ six events take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-3/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190815T173000
DTEND;TZID=Europe/London:20190815T183000
DTSTAMP:20190604T123336Z
CREATED:20190529T120424Z
LAST-MODIFIED:20190604T123336Z
UID:17658-1565890200-1565893800@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 2
DESCRIPTION:The second in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Mahan Esfahani. \nThe second of six concerts in the International Festival’s complete survey of J S Bach’s keyboard concertos features a work that’s rarely heard. Bach left just a fragment of his D minor Concerto BWV 1059 completed\, but the exceptional Iranian-American harpsichordist Mahan Esfahani has reconstructed the work and performs his interpretation with musicians from Scotland’s fine Dunedin Consort. \nAfter works for solo keyboard\, Esfahani concludes his concert with the pastoral beauty of Bach’s F major Concerto BWV 1057\, an elegant reworking of his own fourth Brandenburg Concerto. \nThis major concert series at International Festival 2019 brings together some of today’s finest\, most pioneering harpsichordists with musicians from the Dunedin Consort. Five of the six concerts take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these revelatory concerts.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-2/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190813T173000
DTEND;TZID=Europe/London:20190813T183000
DTSTAMP:20190604T123341Z
CREATED:20190529T120721Z
LAST-MODIFIED:20190604T123341Z
UID:17661-1565717400-1565721000@www.dunedin-consort.org.uk
SUMMARY:Edinburgh International Festival – Bach Keyboard Concertos: Concert 1
DESCRIPTION:The first in a major\, six-part International Festival concert series\, exploring the complete keyboard concertos by J S Bach performed here by Aapo Häkkinen and Mahan Esfahani. \nSome of today’s finest harpsichordists join forces with the exceptional players of Scotland’s Dunedin Consort for a major\, six-part International Festival concert series\, exploring the complete keyboard concertos – for one\, two\, three and four harpsichords – by J S Bach. \nFive of the concerts take place in the remarkable surroundings of Edinburgh’s intimate St Cecilia’s Hall – Scotland’s oldest purpose-built concert hall\, dating back to 1763. The Hall also houses the University of Edinburgh’s rich collection of historical musical instruments\, including an astonishing collection of harpsichords which are featured across these concerts. \nThis first concert brings together distinctive Finnish harpsichordist Aapo Häkkinen and the Iranian-American musician Mahan Esfahani\, who delighted listeners at International Festival 2017\, in Bach’s jubilant Concerto in D and his lyrical\, graceful Double Concerto in C minor\, alongside two deeply expressive works for solo keyboard.
URL:https://www.dunedin-consort.org.uk/diary/edinburgh-international-festival-bach-keyboard-concertos-concert-1/
LOCATION:St Cecilia’s Hall\, Cowgate\, Edinburgh\,  EH1 1NQ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2019/05/EIF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190811T190000
DTEND;TZID=Europe/Rome:20190811T210000
DTSTAMP:20190212T135549Z
CREATED:20190212T131525Z
LAST-MODIFIED:20190212T135549Z
UID:16933-1565550000-1565557200@www.dunedin-consort.org.uk
SUMMARY:Monteverdi Vespers - Rheingau Musik Festival
DESCRIPTION:In 1610\, some 28 years after he had last composed anything for the church\, Monteverdi quietly published what is now celebrated as one of the greatest pillars of the sacred Baroque repertoire. The Vespers of the Blessed Virgin is conceived on such a monumental scale\, with such heartrending dramatic and theatrical effects\, that it has been described as the greatest opera he never wrote. For the group’s first appearance at the Rheingau Musik Festival\, Dunedin Consort presents this astonishing 90-minute masterpiece in an intimate performance comprising just twelve solo singers and fourteen instrumentalists – bringing you closer to the music than ever before.
URL:https://www.dunedin-consort.org.uk/diary/monteverdi-vespers-rheingau/
LOCATION:Kloster Eberbach\, Eltville am Rhein\, Basilika\, Kloster Eberbach\, Germany
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190610T200000
DTEND;TZID=America/New_York:20190610T220000
DTSTAMP:20190529T202413Z
CREATED:20190212T124915Z
LAST-MODIFIED:20190529T202413Z
UID:16916-1560196800-1560204000@www.dunedin-consort.org.uk
SUMMARY:Matthew Passion: Boston Early Music Festival
DESCRIPTION:From the intractable swell of the opening chorus to the profound solemnity of the last\, its tone one of quiet resignation\, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale\, allowing for double chorus and double orchestra\, and the themes it explores are just as monumental too. How each of us\, of all faiths and none\, can find joy and hope even amidst the depths of sorrow. \nFor this\, Dunedin Consort’s first appearance at the Boston Early Music Festival\, the group is joined by Kris Bezuidenhout\, who directs from the keyboard in the work’s original format of one voice per part.
URL:https://www.dunedin-consort.org.uk/diary/boston-early-music-festival/
LOCATION:New England Conservatory’s Jordan Hall\, 30 Gainsborough Street\, Boston\, MA\, United States
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/MP-image-for-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190525T210000
DTEND;TZID=Europe/Rome:20190525T230000
DTSTAMP:20190212T131525Z
CREATED:20190212T131525Z
LAST-MODIFIED:20190212T131525Z
UID:16924-1558818000-1558825200@www.dunedin-consort.org.uk
SUMMARY:Monteverdi Vespers - Cremona
DESCRIPTION:In 1610\, some 28 years after he had last composed anything for the church\, Monteverdi quietly published what is now celebrated as one of the greatest pillars of the sacred Baroque repertoire. The Vespers of the Blessed Virgin is conceived on such a monumental scale\, with such heartrending dramatic and theatrical effects\, that it has been described as the greatest opera he never wrote. For the group’s first appearance in Cremona\, Dunedin Consort presents this astonishing 90-minute masterpiece in an intimate performance comprising just twelve solo singers and fourteen instrumentalists – bringing you closer to the music than ever before.
URL:https://www.dunedin-consort.org.uk/diary/monteverdi-vespers-cremona/
LOCATION:Chiesa di San Marcellino\, Cremona\, Italy
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190518T193000
DTEND;TZID=Europe/London:20190518T213000
DTSTAMP:20190130T154434Z
CREATED:20180803T151057Z
LAST-MODIFIED:20190130T154434Z
UID:15129-1558207800-1558215000@www.dunedin-consort.org.uk
SUMMARY:B Minor Mass
DESCRIPTION:The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork\, this extraordinary amalgamation of arrangements\, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet\, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy\, its purpose remains tantalisingly elusive. But in its scale\, ambition and dramatic\, inexorable unfolding\, the B Minor Mass remains one of his most monumental works\, a remarkable testament from Bach’s final years. \nPart of a Martin Randall Travel tour – The Johann Sebastian Bach Journey (please note that this event is not on sale to the general public).
URL:https://www.dunedin-consort.org.uk/diary/b-minor-mass-2/
LOCATION:Nikolaikirche\, Neustädter Markt 8\, Leipzig\, 04315 \, Germany
CATEGORIES:Concerts
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190513T130000
DTEND;TZID=Europe/London:20190513T140000
DTSTAMP:20190326T102534Z
CREATED:20180803T150721Z
LAST-MODIFIED:20190326T102534Z
UID:15401-1557752400-1557756000@www.dunedin-consort.org.uk
SUMMARY:Bach: The Last Resort
DESCRIPTION:Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722\, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best\, then we will have to settle for average’\, the Council concluded\, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application\, a move that would shape the history of western music for centuries to come.
URL:https://www.dunedin-consort.org.uk/diary/bach-the-last-resort-perth/
LOCATION:Perth Concert Hall\, Mill Street\, Perth\, PH1 5HZ\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.dunedin-consort.org.uk/wp-content/uploads/2018/08/Last-Resort-image-for-web.jpg
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END:VCALENDAR