Ken Walton, The Scotsman ★★★★ “…the intellectual inevitability of Bach’s genius intoxicatingly captured by the Dunedin’s effortless fluidity.” Read the full review here.
About Jessica Massey
This author has yet to write their bio.Meanwhile lets just say that we are proud Jessica Massey contributed a whooping 64 entries.
Entries by Jessica Massey
Linda Holt, Bachtrack ★★★★★ The star of this gentle program of “songes and ayres” was soprano Mhairi Lawson, whose sparkling eyes and winning smile were exceeded in appeal only by a voice of limitless charm and purity. Read the full review here.
Simon Thompson, Seen & Heard International Dunedin programmes are always inventive affairs, and this one showed not just a creative choice of repertoire, but joy taken in the variety of what was on offer, crowned by Mhairi Lawson’s shining soprano which gave the songs star quality Read the full review here.
John Butt discusses Dunedin’s recording of the 1742 ‘Dublin Version’ of Handel’s Messiah.
John Butt reflects once more on the subject matter of his 2002 book “Playing with History”, adding further thoughts and observations since his keynote speech on the topic for the Indiana University Jacobs School of Music Historical Performance Institute for the “Historical Performance: Theory, Practice and Interdisciplinary” conference, May 2016.
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